Kite's thoughts on pergens: Difference between revisions
Wikispaces>TallKite **Imported revision 627987427 - Original comment: ** |
Wikispaces>TallKite **Imported revision 628010623 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-03- | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-03-26 04:03:26 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>628010623</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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Enharmonic = v<span style="vertical-align: super;">12</span>m3 = /<span style="vertical-align: super;">3</span>d2 = v<span style="vertical-align: super;">4</span>/m2 = v<span style="vertical-align: super;">4</span>\\A1. Period = \M3 = v<span style="vertical-align: super;">4</span>4 = ``//``d4. Generator = ^\M3 = v<span style="vertical-align: super;">3</span>4 = ^``//``d4. | Enharmonic = v<span style="vertical-align: super;">12</span>m3 = /<span style="vertical-align: super;">3</span>d2 = v<span style="vertical-align: super;">4</span>/m2 = v<span style="vertical-align: super;">4</span>\\A1. Period = \M3 = v<span style="vertical-align: super;">4</span>4 = ``//``d4. Generator = ^\M3 = v<span style="vertical-align: super;">3</span>4 = ^``//``d4. | ||
<span style="display: block; text-align: center;">P1 — \M3 — \\A5=/m6 — P8</span><span style="display: block; text-align: center;">C — E\ — Ab/ — C</span><span style="display: block; text-align: center;">P1 — ^\M3 — ^^\\A5=^^/m6=vv\M6 — ^<span style="vertical-align: super;">3</span>8=v/m9 — | <span style="display: block; text-align: center;">P1 — \M3 — \\A5=/m6 — P8</span><span style="display: block; text-align: center;">C — E\ — Ab/ — C</span><span style="display: block; text-align: center;">P1 — ^\M3 — ^^\\A5=^^/m6=vv\M6 — ^<span style="vertical-align: super;">3</span>8=v/m9 — P11 | ||
</span><span style="display: block; text-align: center;">C — E^\ — Ab^^/=Avv\ — Dbv/ — F</span> | |||
It's not yet known if every pergen can avoid large enharmonics (those of a 3rd or more) with double-pair notation. One situation in which very large enharmonics occur is the "half-step glitch". This is when the stepspan of the multigen is half (or a third, a quarter, etc.) of the multigen's splitting fraction. For example, in sixth-4th, six generators must cover three scale steps, and each one must cover a half-step. Each generator is either a unison or a 2nd, which causes the enharmonic's stepspan to equal the multigen's stepspan. | It's not yet known if every pergen can avoid large enharmonics (those of a 3rd or more) with double-pair notation. One situation in which very large enharmonics occur is the "half-step glitch". This is when the stepspan of the multigen is half (or a third, a quarter, etc.) of the multigen's splitting fraction. For example, in sixth-4th, six generators must cover three scale steps, and each one must cover a half-step. Each generator is either a unison or a 2nd, which causes the enharmonic's stepspan to equal the multigen's stepspan. | ||
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__**Combining pergens**__ | __**Combining pergens**__ | ||
Tempering out 250/243 creates third-4th, and 49/48 creates half-4th, and tempering out both commas creates sixth-4th. Therefore (P8, P4/3) + (P8, P4/2) = (P8, P4/6). | Tempering out 250/243 creates third-4th, and 49/48 creates half-4th, and tempering out both commas creates sixth-4th. Therefore (P8, P4/3) + (P8, P4/2) = (P8, P4/6). If adding a comma to a temperament doesn't change the pergen, it's a strong extension, otherwise it's a weak extension. | ||
General rules for combining pergens: | General rules for combining pergens: | ||
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* (P8, M/n) + (P8, M/n') = (P8, M/n"), where n" = LCM (n,n') | * (P8, M/n) + (P8, M/n') = (P8, M/n"), where n" = LCM (n,n') | ||
However, (P8/2, M2/4) + (P8, P4/2) = (P8/4, P4/2), so the sum isn't always obvious. If | However, (P8/2, M2/4) + (P8, P4/2) = (P8/4, P4/2), so the sum isn't always obvious. | ||
If a false double pergen can be broken down into two simpler ones, that may help with finding a double-pair notation with an enharmonic of a 2nd or less. For example, sixth-4th's single pair notation has an E of a 4th. But since sixth-4th is half-4th plus third-4th, and those two have a good E, sixth-4th can be notated with one pair from half-4th and another from third-4th. | |||
__**Expanding gedras to 5-limit**__ | __**Expanding gedras to 5-limit**__ | ||
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Enharmonic = v<span style="vertical-align: super;">12</span>m3 = /<span style="vertical-align: super;">3</span>d2 = v<span style="vertical-align: super;">4</span>/m2 = v<span style="vertical-align: super;">4</span>\\A1. Period = \M3 = v<span style="vertical-align: super;">4</span>4 = <!-- ws:start:WikiTextRawRule:051:``//`` -->//<!-- ws:end:WikiTextRawRule:051 -->d4. Generator = ^\M3 = v<span style="vertical-align: super;">3</span>4 = ^<!-- ws:start:WikiTextRawRule:052:``//`` -->//<!-- ws:end:WikiTextRawRule:052 -->d4.<br /> | Enharmonic = v<span style="vertical-align: super;">12</span>m3 = /<span style="vertical-align: super;">3</span>d2 = v<span style="vertical-align: super;">4</span>/m2 = v<span style="vertical-align: super;">4</span>\\A1. Period = \M3 = v<span style="vertical-align: super;">4</span>4 = <!-- ws:start:WikiTextRawRule:051:``//`` -->//<!-- ws:end:WikiTextRawRule:051 -->d4. Generator = ^\M3 = v<span style="vertical-align: super;">3</span>4 = ^<!-- ws:start:WikiTextRawRule:052:``//`` -->//<!-- ws:end:WikiTextRawRule:052 -->d4.<br /> | ||
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<span style="display: block; text-align: center;">P1 — \M3 — \\A5=/m6 — P8</span><span style="display: block; text-align: center;">C — E\ — Ab/ — C</span><span style="display: block; text-align: center;">P1 — ^\M3 — ^^\\A5=^^/m6=vv\M6 — ^<span style="vertical-align: super;">3</span>8=v/m9 — | <span style="display: block; text-align: center;">P1 — \M3 — \\A5=/m6 — P8</span><span style="display: block; text-align: center;">C — E\ — Ab/ — C</span><span style="display: block; text-align: center;">P1 — ^\M3 — ^^\\A5=^^/m6=vv\M6 — ^<span style="vertical-align: super;">3</span>8=v/m9 — P11<br /> | ||
</span><span style="display: block; text-align: center;">C — E^\ — Ab^^/=Avv\ — Dbv/ — F</span><br /> | |||
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It's not yet known if every pergen can avoid large enharmonics (those of a 3rd or more) with double-pair notation. One situation in which very large enharmonics occur is the &quot;half-step glitch&quot;. This is when the stepspan of the multigen is half (or a third, a quarter, etc.) of the multigen's splitting fraction. For example, in sixth-4th, six generators must cover three scale steps, and each one must cover a half-step. Each generator is either a unison or a 2nd, which causes the enharmonic's stepspan to equal the multigen's stepspan.<br /> | It's not yet known if every pergen can avoid large enharmonics (those of a 3rd or more) with double-pair notation. One situation in which very large enharmonics occur is the &quot;half-step glitch&quot;. This is when the stepspan of the multigen is half (or a third, a quarter, etc.) of the multigen's splitting fraction. For example, in sixth-4th, six generators must cover three scale steps, and each one must cover a half-step. Each generator is either a unison or a 2nd, which causes the enharmonic's stepspan to equal the multigen's stepspan.<br /> | ||
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This PDF is a rank-2 notation guide that shows the full lattice for the first 15 pergens, up through the third-splits block. It includes alternate enharmonics for many pergens.<br /> | This PDF is a rank-2 notation guide that shows the full lattice for the first 15 pergens, up through the third-splits block. It includes alternate enharmonics for many pergens.<br /> | ||
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Screenshots of the first 2 pages:<br /> | Screenshots of the first 2 pages:<br /> | ||
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Alt-pergenLister lists out thousands of rank-2 pergens, and suggests periods, generators and enharmonics for each one. Alternate enharmonics are not listed, but single-pair notation for false-double pergens is. It can also list only those pergens supported by a specific edo or edo pair. Written in Jesusonic, runs inside Reaper.<br /> | Alt-pergenLister lists out thousands of rank-2 pergens, and suggests periods, generators and enharmonics for each one. Alternate enharmonics are not listed, but single-pair notation for false-double pergens is. It can also list only those pergens supported by a specific edo or edo pair. Written in Jesusonic, runs inside Reaper.<br /> | ||
<!-- ws:start:WikiTextUrlRule: | <!-- ws:start:WikiTextUrlRule:8164:http://www.tallkite.com/misc_files/alt-pergenLister.zip --><a class="wiki_link_ext" href="http://www.tallkite.com/misc_files/alt-pergenLister.zip" rel="nofollow">http://www.tallkite.com/misc_files/alt-pergenLister.zip</a><!-- ws:end:WikiTextUrlRule:8164 --><br /> | ||
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The first section (PERGEN and Per/Gen cents) describes each pergen without regard to notational issues. The period and generator's cents are given, assuming a 5th of 700¢ + c. The generator is reduced, e.g. (P8/2, P5) has a generator of 100¢ + c, not 700¢ + c. The next two sections show a possible notation for P and G. The last section shows the unreduced pergen, and for false doubles, a possible single-pair notation. Red indicates problems. Generators of 50¢ or less are in red. Enharmonics of a 3rd or more are in red.<br /> | The first section (PERGEN and Per/Gen cents) describes each pergen without regard to notational issues. The period and generator's cents are given, assuming a 5th of 700¢ + c. The generator is reduced, e.g. (P8/2, P5) has a generator of 100¢ + c, not 700¢ + c. The next two sections show a possible notation for P and G. The last section shows the unreduced pergen, and for false doubles, a possible single-pair notation. Red indicates problems. Generators of 50¢ or less are in red. Enharmonics of a 3rd or more are in red.<br /> | ||
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<u><strong>Combining pergens</strong></u><br /> | <u><strong>Combining pergens</strong></u><br /> | ||
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Tempering out 250/243 creates third-4th, and 49/48 creates half-4th, and tempering out both commas creates sixth-4th. Therefore (P8, P4/3) + (P8, P4/2) = (P8, P4/6).<br /> | Tempering out 250/243 creates third-4th, and 49/48 creates half-4th, and tempering out both commas creates sixth-4th. Therefore (P8, P4/3) + (P8, P4/2) = (P8, P4/6). If adding a comma to a temperament doesn't change the pergen, it's a strong extension, otherwise it's a weak extension.<br /> | ||
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General rules for combining pergens:<br /> | General rules for combining pergens:<br /> | ||
<ul><li>(P8/m, M/n) + (P8, P5) = (P8/m, M/n)</li><li>(P8/m, P5) + (P8, M/n) = (P8/m, M/n)</li><li>(P8/m, P5) + (P8/m', P5) = (P8/m&quot;, P5), where m&quot; = LCM (m,m')</li><li>(P8, M/n) + (P8, M/n') = (P8, M/n&quot;), where n&quot; = LCM (n,n')</li></ul><br /> | <ul><li>(P8/m, M/n) + (P8, P5) = (P8/m, M/n)</li><li>(P8/m, P5) + (P8, M/n) = (P8/m, M/n)</li><li>(P8/m, P5) + (P8/m', P5) = (P8/m&quot;, P5), where m&quot; = LCM (m,m')</li><li>(P8, M/n) + (P8, M/n') = (P8, M/n&quot;), where n&quot; = LCM (n,n')</li></ul><br /> | ||
However, (P8/2, M2/4) + (P8, P4/2) = (P8/4, P4/2), so the sum isn't always obvious. If | However, (P8/2, M2/4) + (P8, P4/2) = (P8/4, P4/2), so the sum isn't always obvious.<br /> | ||
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If a false double pergen can be broken down into two simpler ones, that may help with finding a double-pair notation with an enharmonic of a 2nd or less. For example, sixth-4th's single pair notation has an E of a 4th. But since sixth-4th is half-4th plus third-4th, and those two have a good E, sixth-4th can be notated with one pair from half-4th and another from third-4th.<br /> | |||
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<u><strong>Expanding gedras to 5-limit</strong></u><br /> | <u><strong>Expanding gedras to 5-limit</strong></u><br /> | ||