Mavila family: Difference between revisions

Wikispaces>Natebedell
**Imported revision 250905368 - Original comment: **
Wikispaces>Natebedell
**Imported revision 250906734 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:Natebedell|Natebedell]] and made on <tt>2011-09-05 14:53:52 UTC</tt>.<br>
: This revision was by author [[User:Natebedell|Natebedell]] and made on <tt>2011-09-05 14:59:57 UTC</tt>.<br>
: The original revision id was <tt>250905368</tt>.<br>
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The //pelogic family// tempers out [[135_128|135/128]], the pelogic comma, also known as the major chroma or major limma. The [[5-limit]] temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.
The //pelogic family// tempers out [[135_128|135/128]], the pelogic comma, also known as the major chroma or major limma. The [[5-limit]] temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.


One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps.  
One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. (see [[2L 5s|2L 5s)]]


Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament.
Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament. (see[[7L 2s| 7L 2s]])


=Mavila=  
=Mavila=  
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&lt;!-- ws:end:WikiTextTocRule:22 --&gt;The &lt;em&gt;pelogic family&lt;/em&gt; tempers out &lt;a class="wiki_link" href="/135_128"&gt;135/128&lt;/a&gt;, the pelogic comma, also known as the major chroma or major limma. The &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:22 --&gt;The &lt;em&gt;pelogic family&lt;/em&gt; tempers out &lt;a class="wiki_link" href="/135_128"&gt;135/128&lt;/a&gt;, the pelogic comma, also known as the major chroma or major limma. The &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. &lt;br /&gt;
One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. (see &lt;a class="wiki_link" href="/2L%205s"&gt;2L 5s)&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament.&lt;br /&gt;
Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament. (see&lt;a class="wiki_link" href="/7L%202s"&gt; 7L 2s&lt;/a&gt;)&lt;br /&gt;
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&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Mavila"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Mavila&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Mavila"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Mavila&lt;/h1&gt;