Mavila family: Difference between revisions
Wikispaces>Natebedell **Imported revision 250905368 - Original comment: ** |
Wikispaces>Natebedell **Imported revision 250906734 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:Natebedell|Natebedell]] and made on <tt>2011-09-05 14: | : This revision was by author [[User:Natebedell|Natebedell]] and made on <tt>2011-09-05 14:59:57 UTC</tt>.<br> | ||
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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The //pelogic family// tempers out [[135_128|135/128]], the pelogic comma, also known as the major chroma or major limma. The [[5-limit]] temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal. | The //pelogic family// tempers out [[135_128|135/128]], the pelogic comma, also known as the major chroma or major limma. The [[5-limit]] temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal. | ||
One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. | One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. (see [[2L 5s|2L 5s)]] | ||
Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament. | Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament. (see[[7L 2s| 7L 2s]]) | ||
=Mavila= | =Mavila= | ||
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<!-- ws:end:WikiTextTocRule:22 -->The <em>pelogic family</em> tempers out <a class="wiki_link" href="/135_128">135/128</a>, the pelogic comma, also known as the major chroma or major limma. The <a class="wiki_link" href="/5-limit">5-limit</a> temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.<br /> | <!-- ws:end:WikiTextTocRule:22 -->The <em>pelogic family</em> tempers out <a class="wiki_link" href="/135_128">135/128</a>, the pelogic comma, also known as the major chroma or major limma. The <a class="wiki_link" href="/5-limit">5-limit</a> temperament is (5-limit) mavila, so named after the Chopi village where it was discovered. The generator for all of these is a very flat fifth, lying on the spectrum between 7-equal and 9-equal.<br /> | ||
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One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. <br /> | One of the most salient and characteristic features of pelogic temperament is that when you stack 4 of the tempered fifths you get to a minor third instead of the usual major third that you would get if the fifths were pure. This also means that the arrangement of small and large steps in a 7-note mavila scale is the inverse of a diatonic scale of 2 small steps and 5 large steps; Mavila has 2 large steps and 5 small steps. (see <a class="wiki_link" href="/2L%205s">2L 5s)</a><br /> | ||
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Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament.<br /> | Another salient feature of pelogic temperament is the fact that 9 note MOS scales may be produced, thus giving us three different Mavila MOS scales to choose from that are not decidedly chromatic in nature; (5, 7, and 9 note scales) This is reflected in the design of the 9 + 7 layout of the Goldsmith keyboard for 16 tone equal temperament. (see<a class="wiki_link" href="/7L%202s"> 7L 2s</a>)<br /> | ||
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<!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Mavila"></a><!-- ws:end:WikiTextHeadingRule:0 -->Mavila</h1> | <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Mavila"></a><!-- ws:end:WikiTextHeadingRule:0 -->Mavila</h1> | ||