Overtone scale: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

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: This revision was by author [[User:guest|guest]] and made on <tt>2010-11-02 15:52:30 UTC</tt>.<br>

: This revision was by author [[User:guest|guest]] and made on <tt>2010-11-02 15:58:34 UTC</tt>.<br>

: The original revision id was <tt>~~175806833~~</tt>.<br>

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Thus, the pentatonic scale in the example above could be sung: **mi sol ta do re mi**

**Note: I have started using "ta" for 7/4 and "te" for 16/9. "Te" is the traditional name for a flat seventh in the solfege system. "Ta" is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as [[12edo]] or [[22edo]], "te" would be appropriate. "Ta" indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call "ma." That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....**

**Note: I have started using "ta" for 7/4 and "te" for 16/9 and 9/5. "Te" is the traditional name for a flat seventh in the solfege system. "Ta" is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as [[12edo]] or [[22edo]], "te" would be appropriate. "Ta" indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call "ma." That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....**

==twelve scales to learn==

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Thus, the pentatonic scale in the example above could be sung: <strong>mi sol ta do re mi</strong><br />

<br />

<strong>Note: I have started using &quot;ta&quot; for 7/4 and &quot;te&quot; for 16/9. &quot;Te&quot; is the traditional name for a flat seventh in the solfege system. &quot;Ta&quot; is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as <a class="wiki_link" href="/12edo">12edo</a> or <a class="wiki_link" href="/22edo">22edo</a>, &quot;te&quot; would be appropriate. &quot;Ta&quot; indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call &quot;ma.&quot; That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....</strong><br />

<strong>Note: I have started using &quot;ta&quot; for 7/4 and &quot;te&quot; for 16/9 and 9/5. &quot;Te&quot; is the traditional name for a flat seventh in the solfege system. &quot;Ta&quot; is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as <a class="wiki_link" href="/12edo">12edo</a> or <a class="wiki_link" href="/22edo">22edo</a>, &quot;te&quot; would be appropriate. &quot;Ta&quot; indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call &quot;ma.&quot; That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....</strong><br />

<br />

<h2 id="toc2"><a name="x-twelve scales to learn"></a>twelve scales to learn</h2>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:guest|guest]] and made on <tt>2010-11-02 15:52:30 UTC</tt>.<br>
+: This revision was by author [[User:guest|guest]] and made on <tt>2010-11-02 15:58:34 UTC</tt>.<br>
-: The original revision id was <tt>175806833</tt>.<br>
+: The original revision id was <tt>175809095</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 30: / Line 30: @@
 Thus, the pentatonic scale in the example above could be sung: **mi sol ta do re mi**
-**Note: I have started using "ta" for 7/4 and "te" for 16/9. "Te" is the traditional name for a flat seventh in the solfege system. "Ta" is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as [[12edo]] or [[22edo]], "te" would be appropriate. "Ta" indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call "ma." That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....**
+**Note: I have started using "ta" for 7/4 and "te" for 16/9 and 9/5. "Te" is the traditional name for a flat seventh in the solfege system. "Ta" is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as [[12edo]] or [[22edo]], "te" would be appropriate. "Ta" indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call "ma." That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....**
 ==twelve scales to learn==
@@ Line 265: / Line 265: @@
 Thus, the pentatonic scale in the example above could be sung: &lt;strong&gt;mi sol ta do re mi&lt;/strong&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;strong&gt;Note: I have started using &amp;quot;ta&amp;quot; for 7/4 and &amp;quot;te&amp;quot; for 16/9. &amp;quot;Te&amp;quot; is the traditional name for a flat seventh in the solfege system. &amp;quot;Ta&amp;quot; is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; or &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;, &amp;quot;te&amp;quot; would be appropriate. &amp;quot;Ta&amp;quot; indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call &amp;quot;ma.&amp;quot; That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....&lt;/strong&gt;&lt;br /&gt;
+&lt;strong&gt;Note: I have started using &amp;quot;ta&amp;quot; for 7/4 and &amp;quot;te&amp;quot; for 16/9 and 9/5. &amp;quot;Te&amp;quot; is the traditional name for a flat seventh in the solfege system. &amp;quot;Ta&amp;quot; is a new name. As the traditional solfege system does not admit subminor sevenths, it seemed appropriate to use a new name. In systems which do not distinguish between a minor and subminor seventh, such as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; or &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;, &amp;quot;te&amp;quot; would be appropriate. &amp;quot;Ta&amp;quot; indicates a distinctly septimal interval. Also, it's a perfect fifth up from 7/6, which I call &amp;quot;ma.&amp;quot; That gives us the fifths ma-ta, me-te, mu-tu, mi-ti and mo-to. Of course, the system breaks down in systems where there are, for instance, multiple subminor sevenths and multiple neutral thirds....&lt;/strong&gt;&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-twelve scales to learn"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;twelve scales to learn&lt;/h2&gt;