User:Zhenlige/Chromatic notation: Difference between revisions
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== Applications == | == Applications == | ||
The chromatic notation is useful for notating temperaments that require many fifths to get some primes, making diatonic notation very unintuitive, or that have interdiatonic degrees such as the half octave | The chromatic notation is useful for notating temperaments that require many fifths to get some primes, making diatonic notation very unintuitive, or that have interdiatonic degrees such as the half octave. | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ Interval mappings in some temperaments<br>(12edo diatonic based names) | ||
! Interval !! [[Ponta]] !! [[Cassandra]] !! [[Leapday]] !! [[Diaschismic]] | ! Interval !! [[Ponta]] !! [[Cassandra]] !! [[Leapday]] !! [[Diaschismic]] | ||
|- | |- | ||
| [[5/4]] || nM3 || nM3 || Sm3 || ~M3 | | [[5/4]] || nM3 || nM3 || Sm3 || ~M3 | ||
|- | |- | ||
| [[7/4]] || 3SM6 || sm7 || SM6 || 1/2- | | [[7/4]] || 3SM6 || sm7 || SM6 || 1/2-sm7 | ||
|- | |- | ||
| [[11/8]] || 7s5 || 2S4 || S4 || 1/2-sT | | [[11/8]] || 7s5 || 2S4 || S4 || 1/2-sT | ||
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|- | |- | ||
| [[17/16]] || || || 2S1 || ~m2 | | [[17/16]] || || || 2S1 || ~m2 | ||
|} | |||
{| class="wikitable" | |||
|+ Interval mappings in some temperaments<br>(n-sem names) | |||
! Interval !! [[Ponta]] !! [[Cassandra]] !! [[Leapday]] !! [[Diaschismic]] | |||
|- | |||
| [[5/4]] || n4s || n4s || S3s || ~4s | |||
|- | |||
| [[7/4]] || 3S9s || s10s || S9s || 1/2-s10s | |||
|- | |||
| [[11/8]] || 7s7s || 2S5s || S5s || 1/2-s6s | |||
|- | |||
| [[13/8]] || || S8s || W8s || 1/2-s9s | |||
|- | |||
| [[17/16]] || || || 2S0s || ~1s | |||
|} | |} | ||