User:Zhenlige/Chromatic notation: Difference between revisions
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== Intervals == | == Intervals == | ||
The names according to [[quasi-diatonic MOS notation]] are not intuitional, so different names are given here. “Sem” stands for “'''sem'''itone”. [[12edo]] diatonic interval names can also be used for representing degrees, with A4 and d5 merged into “tritone”. Note that diatonic major is always wide and diatonic minor is always narrow, which also applies to fourths and fifths as if they were named the same as other intervals. | The names according to [[quasi-diatonic MOS notation]] are not intuitional, so different names are given here. “Sem” stands for “'''sem'''itone”. [[12edo]] diatonic interval names can also be used for representing degrees, with A4 and d5 merged into “tritone”. Note that diatonic major is always wide and diatonic minor is always narrow, which also applies to fourths and fifths as if they were named the same as other intervals. The 7L 5s augmented and diminished intervals are named “super” and “sub”, with abbreviation S and s. | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
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|Perfect|| P5s / P4 || 2 || 3 || 12 || '''P4''' || [[4/3]] || | |Perfect|| P5s / P4 || 2 || 3 || 12 || '''P4''' || [[4/3]] || | ||
|- | |- | ||
| | |Super|| S5s / S4 || 3 || 2 || 13 || A3 || [[27/20]] || | ||
|- | |- | ||
| rowspan="2" | [[Tritone]] / 3-tone<br>6-sem | | rowspan="2" | [[Tritone]] / 3-tone<br>6-sem | ||
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| rowspan="2" | 7-sem | | rowspan="2" | 7-sem | ||
| rowspan="2" | Fifth | | rowspan="2" | Fifth | ||
| | |Sub|| s7s / s5 || 2 || 5 || 16 || d6 || [[40/27]] || | ||
|- | |- | ||
|Perfect|| P7s / P5 || 3 || 4 || 17 || '''[[Perfect fifth (diatonic interval category)|P5]]''' || [[3/2]] || | |Perfect|| P7s / P5 || 3 || 4 || 17 || '''[[Perfect fifth (diatonic interval category)|P5]]''' || [[3/2]] || | ||