14:18:21: Difference between revisions
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{{Infobox Chord|ColorName=ru or r}} | {{Infobox Chord|ColorName=ru or r}} | ||
'''14:18:21''', the ''supermajor triad'' or ''septimal major triad'', is a triad in the [[7-limit]] sometimes used in place of a [[major triad]]. It is the inversion of [[6:7:9]], the septimal minor triad or subminor triad. The supermajor triad, unlike the [[4:5:6]] major triad, is [[utonal]]. Due to the more complex [[9/7]] interval above the root, it may sound less consonant than 6:7:9, similarly to how the [[10:12:15]] minor triad is generally considered less consonant than [[4:5:6 | '''14:18:21''', the ''supermajor triad'' or ''septimal major triad'', is a triad in the [[7-limit]] sometimes used in place of a [[major triad]]. It is the inversion of [[6:7:9]], the septimal minor triad or subminor triad. The supermajor triad, unlike the [[4:5:6]] major triad, is [[utonal]]. Due to the more complex [[9/7]] interval above the root, it may sound less consonant than 6:7:9, similarly to how the [[10:12:15]] minor triad is generally considered less consonant than [[4:5:6]]. | ||
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Revision as of 10:05, 30 December 2025
| Chord information |
14:18:21, the supermajor triad or septimal major triad, is a triad in the 7-limit sometimes used in place of a major triad. It is the inversion of 6:7:9, the septimal minor triad or subminor triad. The supermajor triad, unlike the 4:5:6 major triad, is utonal. Due to the more complex 9/7 interval above the root, it may sound less consonant than 6:7:9, similarly to how the 10:12:15 minor triad is generally considered less consonant than 4:5:6.
Related chords
- 6:7:9 – its melodic inversion
- 70:90:105:126 or 1/(9:7:6:5) – adds 9/5, the subharmonic seventh chord
- 28:36:42:49 – adds 7/4, a type of dominant seventh chord
- 14:18:21:27 – adds 27/14