Kite's Genchain mode numbering: Difference between revisions

Wikispaces>TallKite
**Imported revision 593196918 - Original comment: **
Wikispaces>TallKite
**Imported revision 593196936 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-24 03:56:23 UTC</tt>.<br>
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2016-09-24 03:58:44 UTC</tt>.<br>
: The original revision id was <tt>593196918</tt>.<br>
: The original revision id was <tt>593196936</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=MOS Scales=  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==MOS Scales==  


[[toc]]
[[toc]]
**Mode numbers** provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like [[xenharmonic/Modal UDP notation|Modal UDP notation]], it starts with the convention of using //some-temperament-name//[//some-number//] to create a generator-chain, and adds a way to number each mode uniquely.  
**Mode numbers** provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like [[xenharmonic/Modal UDP notation|Modal UDP notation]], it starts with the convention of using //some-temperament-name//[//some-number//] to create a generator-chain, and adds a way to number each mode uniquely.
 
[[xenharmonic/MOSScales|MOS scales]] are formed from a segment of the [[xenharmonic/periods and generators|generator-chain]], or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions. 4th Meantone [7] is spoken as "fourth meantone heptatonic", or possibly "fourth meantone seven". If in D, as above, it would be "D fourth meantone heptatonic".


For example, here are all the modes of Meantone[7], using ~3/2 as the generator:
For example, here are all the modes of Meantone[7], using ~3/2 as the generator:
|| old scale name || new scale name || sL pattern || example on white keys || genchain ||
|| old scale name || new scale name || sL pattern || example on white keys || genchain ||
|| Lydian || 1st Meantone [7] || LLLs LLs || F G A B C D E F || __**F**__ C G D A E B ||
|| Lydian || 1st Meantone [7] || LLLs LLs || F G A B C D E F || __**F**__ C G D A E B ||
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|| Phrygian || 6th Meantone [7] || sLLL sLL || E F G A B C D E || F C G D A __**E**__ B ||
|| Phrygian || 6th Meantone [7] || sLLL sLL || E F G A B C D E || F C G D A __**E**__ B ||
|| Locrian || 7th Meantone [7] || sLLs LLL || B C D E F G A B || F C G D A E __**B**__ ||
|| Locrian || 7th Meantone [7] || sLLs LLL || B C D E F G A B || F C G D A E __**B**__ ||
These [[MOSScales|MOS scales]] are formed from a segment of the [[periods and generators|generator-chain]], or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions. 4th Meantone [7] is spoken as "fourth meantone heptatonic", or possibly "fourth meantone seven". If in D, as above, it would be "D fourth meantone heptatonic".
The same seven modes, all with C as the tonic, to illustrate the difference between modes. Adjacent modes differ by only one note. The modes proceed from sharper (Lydian) to flatter (Locrian).
The same seven modes, all with C as the tonic, to illustrate the difference between modes. Adjacent modes differ by only one note. The modes proceed from sharper (Lydian) to flatter (Locrian).
|| old scale name || new scale name || sL pattern || example in C || ------------------- genchain --------------- ||
|| old scale name || new scale name || sL pattern || example in C || ------------------- genchain --------------- ||
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Furthermore, UDP uses the more mathematical [[https://en.wikipedia.org/wiki/Zero-based_numbering|zero-based counting]] and Mode Numbers notation uses the more intuitive one-based counting. UDP is mathematician-oriented whereas Mode Numbers notation is musician-oriented.</pre></div>
Furthermore, UDP uses the more mathematical [[https://en.wikipedia.org/wiki/Zero-based_numbering|zero-based counting]] and Mode Numbers notation uses the more intuitive one-based counting. UDP is mathematician-oriented whereas Mode Numbers notation is musician-oriented.</pre></div>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Naming Rank-2 Scales using Mode Numbers&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="MOS Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;MOS Scales&lt;/h1&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Naming Rank-2 Scales using Mode Numbers&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-MOS Scales"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;MOS Scales&lt;/h2&gt;
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&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#MOS Scales-Other rank-2 scales"&gt;Other rank-2 scales&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#MOS Scales-Explanation"&gt;Explanation&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt;[&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely. &lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;strong&gt;Mode numbers&lt;/strong&gt; provide a way to name MOS, MODMOS and even non-MOS rank-2 scales and modes systematically. Like &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/Modal%20UDP%20notation"&gt;Modal UDP notation&lt;/a&gt;, it starts with the convention of using &lt;em&gt;some-temperament-name&lt;/em&gt;[&lt;em&gt;some-number&lt;/em&gt;] to create a generator-chain, and adds a way to number each mode uniquely.&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/MOSScales"&gt;MOS scales&lt;/a&gt; are formed from a segment of the &lt;a class="wiki_link" href="http://xenharmonic.wikispaces.com/periods%20and%20generators"&gt;generator-chain&lt;/a&gt;, or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions. 4th Meantone [7] is spoken as &amp;quot;fourth meantone heptatonic&amp;quot;, or possibly &amp;quot;fourth meantone seven&amp;quot;. If in D, as above, it would be &amp;quot;D fourth meantone heptatonic&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
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For example, here are all the modes of Meantone[7], using ~3/2 as the generator:&lt;br /&gt;
For example, here are all the modes of Meantone[7], using ~3/2 as the generator:&lt;br /&gt;
&lt;br /&gt;




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These &lt;a class="wiki_link" href="/MOSScales"&gt;MOS scales&lt;/a&gt; are formed from a segment of the &lt;a class="wiki_link" href="/periods%20and%20generators"&gt;generator-chain&lt;/a&gt;, or genchain. The first note in the genchain is the tonic of the 1st mode, the 2nd note is the tonic of the 2nd mode, etc., somewhat analogous to harmonica positions. 4th Meantone [7] is spoken as &amp;quot;fourth meantone heptatonic&amp;quot;, or possibly &amp;quot;fourth meantone seven&amp;quot;. If in D, as above, it would be &amp;quot;D fourth meantone heptatonic&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
The same seven modes, all with C as the tonic, to illustrate the difference between modes. Adjacent modes differ by only one note. The modes proceed from sharper (Lydian) to flatter (Locrian).&lt;br /&gt;
The same seven modes, all with C as the tonic, to illustrate the difference between modes. Adjacent modes differ by only one note. The modes proceed from sharper (Lydian) to flatter (Locrian).&lt;br /&gt;


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&lt;a class="wiki_link" href="/MODMOS%20Scales"&gt;MODMOS&lt;/a&gt; scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The &amp;quot;#&amp;quot; symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G.&lt;br /&gt;
&lt;a class="wiki_link" href="/MODMOS%20Scales"&gt;MODMOS&lt;/a&gt; scales are named as chromatic alterations of a MOS scale, similar to UDP notation. The ascending melodic minor scale is 5th Meantone [7] #6 #7. The &amp;quot;#&amp;quot; symbol means moved N steps forwards on the genchain, whether the generator is chroma-positive or not. This scale has the same name in 16edo, even though in 16edo, G# is actually flat of G.&lt;br /&gt;
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Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional &amp;quot;genweb&amp;quot;, running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.&lt;br /&gt;
Fractional-period rank-2 temperaments have multiple genchains running in parallel. Multiple genchains occur because a rank-2 genchain is really a 2 dimensional &amp;quot;genweb&amp;quot;, running in octaves (or whatever the period is) vertically and fifths (or whatever the generator is) horizontally.&lt;br /&gt;
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Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.&lt;br /&gt;
Some scales have too many or too few notes to be MOS or MODMOS. If they have an unbroken genchain, they can be named Meantone [6], Meantone [8], etc. Curly brackets can be used to distinguish them from MOS scales: Meantone {6} and Meantone {8}.&lt;br /&gt;
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As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what &amp;quot;#4&amp;quot; means in a pentatonic or hexatonic context.&lt;br /&gt;
As long as we stick to MOS scales, terms like Meantone [5] or Meantone {6} are fine. But when we alter, add or drop notes, we need to define what &amp;quot;#4&amp;quot; means in a pentatonic or hexatonic context.&lt;br /&gt;
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&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;u&gt;Why not number the modes in the order they occur in the scale?&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;