User:Fitzgerald Lee/EDO Rankings: Difference between revisions
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|1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. | |1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. | ||
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|1||||[[22edo|22]]||If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in limits higher than 7. | |1||||[[22edo|22]]||If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in odd-limits higher than 7. | ||
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|1||||[[29edo|29]]||The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (arto/tendo, [[Neogothic major and minor|neominor/neomajor]] and [[Submajor and supraminor|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that. | |1||||[[29edo|29]]||The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (arto/tendo, [[Neogothic major and minor|neominor/neomajor]] and [[Submajor and supraminor|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that. | ||
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|2||||[[26edo|26]]|| | |2||||[[26edo|26]]|| | ||
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|2||||[[27edo|27]]|| | |||
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|2||||[[31edo|31]]|| | |||
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