User:Fitzgerald Lee/EDO Rankings: Difference between revisions

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|1||Edos I consider the best in their own areas. If someone dislikes one of them, I am ready to fight them with whatever I got.||[[15edo|15]]||The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.

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|1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. Not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. Its [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion ~~though~~, since its [[7/4]] is ''really'' off compared to 15edo ~~though~~...

|1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. Not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. Its [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo...

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|1||||[[29edo|29]]||The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality|arto/tendo]], [[Neogothic major and minor|neominor/neomajor]] and [[Submajor and supraminor|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.

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 |1||Edos I consider the best in their own areas. If someone dislikes one of them, I am ready to fight them with whatever I got.||[[15edo|15]]||The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.
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-|1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. Not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. Its [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion though, since its [[7/4]] is ''really'' off compared to 15edo though...
+|1||||[[19edo|19]]||Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. Not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner. Its [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo...
 |-
 |1||||[[29edo|29]]||The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality|arto/tendo]], [[Neogothic major and minor|neominor/neomajor]] and [[Submajor and supraminor|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.