User:BudjarnLambeth/Draft related tunings section: Difference between revisions
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''To-do (optional)'' | ''To-do (optional)'' | ||
* Highest priority: {{EDOs| 13, 103, 104, 111, 118, 159 }}. | * Highest priority: {{EDOs| 72, 13, 62, 65, 89, 103, 104, 111, 118, 159 }}. | ||
* High priority: {{EDOs| 10, 11, 24, 25, 26, 29, 30, 34, 35, 37, 47, 48, 5, 6 }}. | * High priority: {{EDOs| 63, 68, 82, 10, 11, 24, 25, 26, 29, 30, 34, 35, 37, 47, 48, 5, 6 }}. | ||
* Medium-high priority: {{EDOs| 125, 145, 152, 166, 182, 198, 212, 243, 247 | * Medium-high priority: {{EDOs| 125, 145, 152, 166, 182, 198, 212, 243, 247, 107, 117, 140, 171, 182, 183, 224, 270, 342 }}. (''Most of these are here because they have or had a "zeta peak" section on their page that needs to be replaced.'') | ||
* Medium priority: {{EDOs| 49, 50, 57, 58, 59 }}. | * Medium priority: {{EDOs| 49, 50, 57, 58, 59, 66, 73, 76, 80, 81, 83, 84, 88, }}. | ||
* Medium-low priority: {{EDOs| (others from | * Medium-low priority: {{EDOs| (others from 91-246 which are well suited to octave stretch/compression) }}. | ||
* Low priority: {{EDOs| 20, 21, 28, 40, 43, 44, 46, 51, 52, 53, 54, 55, 56, (others from | * Low priority: {{EDOs| 20, 21, 28, 40, 43, 44, 46, 51, 52, 53, 54, 55, 56, 64, 67, 69, 70, 71, 74, 75, 77, 78, 79, 85, 86, 87, 90, (others from 91-124 which are not well suited) }}. | ||
* Lowest priority: {{EDOs| (others bigger than 125) }}. | * Lowest priority: {{EDOs| (others bigger than 125) }}. | ||
''Priority is higher if: there is or was already discussion about stretch, compression, nearby tunings or zeta on the page / the edo lends itself to stretch or compression (e.g. of the primes with 20-40% relative error, most tend in the same direction) / the edo gets a lot of attention (it's small, or especially good, or the page is especially long, or it gets used a lot by composers).'' | ''Priority is higher if: there is or was already discussion about stretch, compression, nearby tunings or zeta on the page / the edo lends itself to stretch or compression (e.g. of the primes with 20-40% relative error, most tend in the same direction) / the edo gets a lot of attention (it's small, or especially good, or the page is especially long, or it gets used a lot by composers).'' | ||
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* 1-2 WE tunings | * 1-2 WE tunings | ||
* Best nearby ZPI(s) | * Best nearby ZPI(s) | ||
10edo | 10edo | ||
* 2.5.7.13 WE (120.358) | * 2.5.7.13 WE (120.358) | ||
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* 1-2 WE tunings | * 1-2 WE tunings | ||
* Best nearby ZPI(s) | * Best nearby ZPI(s) | ||
Others | |||
* 49edo mostly sharp | |||
* 50edo mostly flat | |||
* 51edo stretch/compression unhelpful | |||
* 52edo stretch/compression unhelpful | |||
* 53edo stretch/compression unhelpful | |||
* 54edo stretch/compression unhelpful | |||
* 55edo stretch/compression unhelpful | |||
* 56edo stretch/compression unhelpful | |||
* 57edo mostly flat | |||
* 58edo mostly sharp | |||
* 59edo mostly sharp | |||
* 60edo already done | |||
* 61edo stretch/compression unhelpful | |||
* ^^62edo mostly flat | |||
* ^^63edo stretch/compression unhelpful | |||
* 64edo stretch/compression unhelpful | |||
* ^^65edo mostly sharp | |||
* 66edo mostly flat | |||
* 67edo stretch/compression unhelpful | |||
* ^^68edo stretch/compression unhelpful | |||
* 69edo stretch/compression unhelpful | |||
* 70edo complicated | |||
* 71edo stretch/compression unhelpful | |||
* ^^72edo mostly flat | |||
* 73edo mostly sharp | |||
* 74edo stretch/compression unhelpful | |||
* 75edo complicated | |||
* 76edo mostly flat | |||
* 77edo stretch/compression unhelpful | |||
* 78edo stretch/compression unhelpful | |||
* 79edo stretch/compression unhelpful | |||
* 80edo mostly sharp | |||
* 81edo mostly flat | |||
* ^^82edo stretch/compression unhelpful | |||
* 83edo mostly sharp | |||
* 84edo mostly sharp | |||
* 85edo stretch/compression unhelpful | |||
* 86edo stretch/compression unhelpful | |||
* 87edo stretch/compression unhelpful | |||
* 88edo mostly flat | |||
* ^^89edo mostly sharp | |||
* 90edo stretch/compression unhelpful | |||
^^currently has a zeta peak section with only the graph and little/no description | |||