MicrotonalTheory: Difference between revisions

Wikispaces>guest
**Imported revision 100490949 - Original comment: **
Wikispaces>Andrew_Heathwaite
**Imported revision 102241221 - Original comment: added link to "redundancy"**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2009-11-05 13:43:22 UTC</tt>.<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2009-11-12 14:43:35 UTC</tt>.<br>
: The original revision id was <tt>100490949</tt>.<br>
: The original revision id was <tt>102241221</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>added link to "redundancy"</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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* [[Equal Temperaments|Equal]] tunings: each one a subtle monoculture of intervals
* [[Equal Temperaments|Equal]] tunings: each one a subtle monoculture of intervals
* In Western common practice music, the (somewhat forgotten) use of [[historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave
* In Western common practice music, the (somewhat forgotten) use of [[historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave
* Musics of traditional cultures  
* Musics of traditional cultures
** [[Arabic, Turkish, Persian]]
** [[Arabic, Turkish, Persian]]
** [[Indian]] (North, South)
** [[Indian]] (North, South)
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* [[Pretty Pictures]] that represent scales in one way or another
* [[Pretty Pictures]] that represent scales in one way or another
* [[Notation]] (pretty pictures for a the purpose of writing music down)
* [[Notation]] (pretty pictures for a the purpose of writing music down)
* the notion of a [[Scalesmith]] who //builds// scales, with various methods, perhaps for single occasions  
* the notion of a [[Scalesmith]] who //builds// scales, with various methods, perhaps for single occasions
** Counter-intuitive, random, arbitrary scales
** Counter-intuitive, random, arbitrary scales
** Numerology-based, computationally demanding scales
** Numerology-based, computationally demanding scales
** Scale stretching
** Scale stretching
* ([[Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)
* ([[Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)
* [[Redundancy]] in a tuning system


=External links=  
=External links=  
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Reality tunnels into microtonality"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Reality tunnels into microtonality&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Reality tunnels into microtonality"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Reality tunnels into microtonality&lt;/h1&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/JustIntonation"&gt;Just Intonation&lt;/a&gt;: an infinite world of rational numbers and numerous models: the harmonic series, tonality diamonds, eikosany, etc.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Equal%20Temperaments"&gt;Equal&lt;/a&gt; tunings: each one a subtle monoculture of intervals&lt;/li&gt;&lt;li&gt;In Western common practice music, the (somewhat forgotten) use of &lt;a class="wiki_link" href="/historical%20temperaments"&gt;historical temperaments&lt;/a&gt; (meantones, well temperaments) with 12 or more unequal notes per octave&lt;/li&gt;&lt;li&gt;Musics of traditional cultures&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian"&gt;Arabic, Turkish, Persian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Indian"&gt;Indian&lt;/a&gt; (North, South)&lt;/li&gt;&lt;li&gt;African&lt;/li&gt;&lt;li&gt;Thai&lt;/li&gt;&lt;li&gt;Indonesian (Java, Bali)&lt;/li&gt;&lt;li&gt;Ancient Greek, &lt;a class="wiki_link_ext" href="http://orthodoxwiki.org/Byzantine_Chant#The_scale" rel="nofollow"&gt;Byzantine&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Regular%20Temperaments"&gt;Regular Temperaments&lt;/a&gt; (including Linear Temperaments): a reality bending just intonation and equal temperaments towards one another, fleshed out in the past decade or so&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOSScales"&gt;Moment of Symmetry&lt;/a&gt;, brought to you by Erv Wilson&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Empirical"&gt;Empirical&lt;/a&gt;. This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/tetrachord"&gt;Tetrachordal Scales&lt;/a&gt;, which use divided fourths as building blocks for composition.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Pretty%20Pictures"&gt;Pretty Pictures&lt;/a&gt; that represent scales in one way or another&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Notation"&gt;Notation&lt;/a&gt; (pretty pictures for a the purpose of writing music down)&lt;/li&gt;&lt;li&gt;the notion of a &lt;a class="wiki_link" href="/Scalesmith"&gt;Scalesmith&lt;/a&gt; who &lt;em&gt;builds&lt;/em&gt; scales, with various methods, perhaps for single occasions&lt;ul&gt;&lt;li&gt;Counter-intuitive, random, arbitrary scales&lt;/li&gt;&lt;li&gt;Numerology-based, computationally demanding scales&lt;/li&gt;&lt;li&gt;Scale stretching&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;(&lt;a class="wiki_link" href="/Corollaries"&gt;Corollaries&lt;/a&gt;, traces left by other reality tunnels, which by themselves are completely trivial and obvious)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/JustIntonation"&gt;Just Intonation&lt;/a&gt;: an infinite world of rational numbers and numerous models: the harmonic series, tonality diamonds, eikosany, etc.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Equal%20Temperaments"&gt;Equal&lt;/a&gt; tunings: each one a subtle monoculture of intervals&lt;/li&gt;&lt;li&gt;In Western common practice music, the (somewhat forgotten) use of &lt;a class="wiki_link" href="/historical%20temperaments"&gt;historical temperaments&lt;/a&gt; (meantones, well temperaments) with 12 or more unequal notes per octave&lt;/li&gt;&lt;li&gt;Musics of traditional cultures&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Arabic%2C%20Turkish%2C%20Persian"&gt;Arabic, Turkish, Persian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Indian"&gt;Indian&lt;/a&gt; (North, South)&lt;/li&gt;&lt;li&gt;African&lt;/li&gt;&lt;li&gt;Thai&lt;/li&gt;&lt;li&gt;Indonesian (Java, Bali)&lt;/li&gt;&lt;li&gt;Ancient Greek, &lt;a class="wiki_link_ext" href="http://orthodoxwiki.org/Byzantine_Chant#The_scale" rel="nofollow"&gt;Byzantine&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Regular%20Temperaments"&gt;Regular Temperaments&lt;/a&gt; (including Linear Temperaments): a reality bending just intonation and equal temperaments towards one another, fleshed out in the past decade or so&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/MOSScales"&gt;Moment of Symmetry&lt;/a&gt;, brought to you by Erv Wilson&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Empirical"&gt;Empirical&lt;/a&gt;. This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/tetrachord"&gt;Tetrachordal Scales&lt;/a&gt;, which use divided fourths as building blocks for composition.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Pretty%20Pictures"&gt;Pretty Pictures&lt;/a&gt; that represent scales in one way or another&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Notation"&gt;Notation&lt;/a&gt; (pretty pictures for a the purpose of writing music down)&lt;/li&gt;&lt;li&gt;the notion of a &lt;a class="wiki_link" href="/Scalesmith"&gt;Scalesmith&lt;/a&gt; who &lt;em&gt;builds&lt;/em&gt; scales, with various methods, perhaps for single occasions&lt;ul&gt;&lt;li&gt;Counter-intuitive, random, arbitrary scales&lt;/li&gt;&lt;li&gt;Numerology-based, computationally demanding scales&lt;/li&gt;&lt;li&gt;Scale stretching&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;(&lt;a class="wiki_link" href="/Corollaries"&gt;Corollaries&lt;/a&gt;, traces left by other reality tunnels, which by themselves are completely trivial and obvious)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Redundancy"&gt;Redundancy&lt;/a&gt; in a tuning system&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;External links&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;External links&lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt; &lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt; &lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;Tonalsoft &lt;a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/encyclopedia.aspx" rel="nofollow"&gt;Encyclopedia of microtonal music theory&lt;/a&gt; - a whole sea of information on the topic, covering both historical tuning theories and modern developments&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com" rel="nofollow"&gt;Microtonalismo&lt;/a&gt; - Web microtonal&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.bikexprt.com/music/tunebibl.htm" rel="nofollow"&gt;A bibliography on musical tunings and temperaments&lt;/a&gt;, compiled by John S. Allen&lt;/li&gt;&lt;li&gt;Huygens-Fokker Foundation's &lt;a class="wiki_link_ext" href="http://www.xs4all.nl/%7Ehuygensf/doc/bib.html" rel="nofollow"&gt;Tuning &amp;amp; temperament bibliography&lt;/a&gt;, hyperlinked and updated by Manuel op de Coul&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
  &lt;ul&gt;&lt;li&gt;Tonalsoft &lt;a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/encyclopedia.aspx" rel="nofollow"&gt;Encyclopedia of microtonal music theory&lt;/a&gt; - a whole sea of information on the topic, covering both historical tuning theories and modern developments&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://microtonalismo.com" rel="nofollow"&gt;Microtonalismo&lt;/a&gt; - Web microtonal&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.bikexprt.com/music/tunebibl.htm" rel="nofollow"&gt;A bibliography on musical tunings and temperaments&lt;/a&gt;, compiled by John S. Allen&lt;/li&gt;&lt;li&gt;Huygens-Fokker Foundation's &lt;a class="wiki_link_ext" href="http://www.xs4all.nl/%7Ehuygensf/doc/bib.html" rel="nofollow"&gt;Tuning &amp;amp; temperament bibliography&lt;/a&gt;, hyperlinked and updated by Manuel op de Coul&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>