Electric bass: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

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: This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01-08 17:23:50 UTC</tt>.<br>

: This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01-08 17:29:45 UTC</tt>.<br>

: The original revision id was <tt>~~396800790~~</tt>.<br>

: The original revision id was <tt>396801994</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">== ==

<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of ~~non~~-~~traditional (or unconventional) instruments or playing~~ techniques. As such, bass guitarists playing microtonal music may be instructed to tune~~, pluck or strum~~ the instrument in unusual ways. </span>

<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of overtone- and sliding techniques. As such, bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. </span><span style="background-color: #ffffff; font-family: sans-serif;">As</span> mentioned on the page 'microtonal bowed strings', there are <span style="background-color: #ffffff;">two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.</span>

As mentioned in the ~~chapter~~ 'microtonal bowed strings', there are <span style="background-color: #ffffff;">two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.</span>

<span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span>

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microbass</title></head><body><h2 id="toc0"> </h2>

<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of ~~non~~-~~traditional (or unconventional) instruments or playing~~ techniques. As such, bass guitarists playing microtonal music may be instructed to tune~~, pluck or strum~~ the instrument in unusual ways. </span><~~br /~~>

<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of overtone- and sliding techniques. As such, bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. </span><span style="background-color: #ffffff; font-family: sans-serif;">As</span> mentioned on the page 'microtonal bowed strings', there are <span style="background-color: #ffffff;">two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.</span><br />

<br />

As mentioned in the ~~chapter~~ 'microtonal bowed strings', there are <span style="background-color: #ffffff;">two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.</span><br />

<br />

<span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments &quot;ring&quot; for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span><br />

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01-08 17:23:50 UTC</tt>.<br>
+: This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01-08 17:29:45 UTC</tt>.<br>
-: The original revision id was <tt>396800790</tt>.<br>
+: The original revision id was <tt>396801994</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">== ==
-&lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of non-traditional (or unconventional) instruments or playing techniques. As such, bass guitarists playing microtonal music may be instructed to tune, pluck or strum the instrument in unusual ways. &lt;/span&gt;
+&lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of overtone- and sliding techniques. As such, bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. &lt;/span&gt;&lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;As&lt;/span&gt; mentioned on the page 'microtonal bowed strings', there are &lt;span style="background-color: #ffffff;"&gt;two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.&lt;/span&gt;
-As mentioned in the chapter 'microtonal bowed strings', there are &lt;span style="background-color: #ffffff;"&gt;two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.&lt;/span&gt;
 &lt;span style="background-color: #ffffff;"&gt;1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.&lt;/span&gt;
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 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;microbass&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt; &lt;/h2&gt;
-  &lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of non-traditional (or unconventional) instruments or playing techniques. As such, bass guitarists playing microtonal music may be instructed to tune, pluck or strum the instrument in unusual ways. &lt;/span&gt;&lt;br /&gt;
+  &lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;The electric bass has been occasionally used in microtonal music. Contemporary classical composers often obtained unusual sounds or instrumental timbres through the use of overtone- and sliding techniques. As such, bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. &lt;/span&gt;&lt;span style="background-color: #ffffff; font-family: sans-serif;"&gt;As&lt;/span&gt; mentioned on the page 'microtonal bowed strings', there are &lt;span style="background-color: #ffffff;"&gt;two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.&lt;/span&gt;&lt;br /&gt;
-&lt;br /&gt;
-As mentioned in the chapter 'microtonal bowed strings', there are &lt;span style="background-color: #ffffff;"&gt;two important tools in making microtonal string music work on fretless bass, scordatura and fingerboard marking.&lt;/span&gt;&lt;br /&gt;
 &lt;br /&gt;
 &lt;span style="background-color: #ffffff;"&gt;1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments &amp;quot;ring&amp;quot; for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.&lt;/span&gt;&lt;br /&gt;