Electric bass: Difference between revisions
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Wikispaces>128_true **Imported revision 397113912 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01- | : This revision was by author [[User:128_true|128_true]] and made on <tt>2013-01-09 17:07:52 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>397113912</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">== == | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">== == | ||
<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. | <span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Experimental composers often obtained unusual sounds or instrumental timbres for example through the use of overtone- and sliding techniques. Bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. Following tools (taken from ther chapter </span>'microtonal bowed strings') are also<span style="background-color: #ffffff;"> important to make microtonal string music work on (fretless) bass guitar.</span> | ||
<span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span> | <span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span> | ||
<span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span> | <span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span> | ||
==List of Microtonal bass players== | ==List of Microtonal bass players== | ||
Brad Catler - [[@http://www.microtones.com/site/bios/brad_catler.html/]] | Brad Catler - [[@http://www.microtones.com/site/bios/brad_catler.html/]] | ||
Abdullah Shakar - [[@http://www.facebook.com/abdulbass.shakar/]] | |||
Hansford Rowe - [[@http://www.hansfordrowe.com/]] | Hansford Rowe - [[@http://www.hansfordrowe.com/]] | ||
John Starrett - [[@http://www.microtonal.freeservers.com/]] | John Starrett - [[@http://www.microtonal.freeservers.com/]] | ||
Jeroen Paul Thesseling - [[@http://www.jeroenthesseling.com/]] | Jeroen Paul Thesseling - [[@http://www.jeroenthesseling.com/]] | ||
<span style="background-color: #ffffff;">Jurica Jelic - [[@http://www.juricajelic.org/]] | <span style="background-color: #ffffff;">Jurica Jelic - </span>[[@http://www.juricajelic.org/]]</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microbass</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><!-- ws:end:WikiTextHeadingRule:0 --> </h2> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microbass</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><!-- ws:end:WikiTextHeadingRule:0 --> </h2> | ||
<span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. | <span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Experimental composers often obtained unusual sounds or instrumental timbres for example through the use of overtone- and sliding techniques. Bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. Following tools (taken from ther chapter </span>'microtonal bowed strings') are also<span style="background-color: #ffffff;"> important to make microtonal string music work on (fretless) bass guitar.</span><br /> | ||
<br /> | <br /> | ||
<span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments &quot;ring&quot; for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span><br /> | <span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments &quot;ring&quot; for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span><br /> | ||
<span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span><br /> | <span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span><br /> | ||
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<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-List of Microtonal bass players"></a><!-- ws:end:WikiTextHeadingRule:2 -->List of Microtonal bass players</h2> | <!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-List of Microtonal bass players"></a><!-- ws:end:WikiTextHeadingRule:2 -->List of Microtonal bass players</h2> | ||
<br /> | <br /> | ||
Brad Catler - <a class="wiki_link_ext" href="http://www.microtones.com/site/bios/brad_catler.html/" rel="nofollow" target="_blank">http://www.microtones.com/site/bios/brad_catler.html/</a><br /> | Brad Catler - <a class="wiki_link_ext" href="http://www.microtones.com/site/bios/brad_catler.html/" rel="nofollow" target="_blank">http://www.microtones.com/site/bios/brad_catler.html/</a><br /> | ||
Abdullah Shakar - <a class="wiki_link_ext" href="http://www.facebook.com/abdulbass.shakar/" rel="nofollow" target="_blank">http://www.facebook.com/abdulbass.shakar/</a><br /> | |||
Hansford Rowe - <a class="wiki_link_ext" href="http://www.hansfordrowe.com/" rel="nofollow" target="_blank">http://www.hansfordrowe.com/</a><br /> | Hansford Rowe - <a class="wiki_link_ext" href="http://www.hansfordrowe.com/" rel="nofollow" target="_blank">http://www.hansfordrowe.com/</a><br /> | ||
John Starrett - <a class="wiki_link_ext" href="http://www.microtonal.freeservers.com/" rel="nofollow" target="_blank">http://www.microtonal.freeservers.com/</a><br /> | John Starrett - <a class="wiki_link_ext" href="http://www.microtonal.freeservers.com/" rel="nofollow" target="_blank">http://www.microtonal.freeservers.com/</a><br /> | ||
Jeroen Paul Thesseling - <a class="wiki_link_ext" href="http://www.jeroenthesseling.com/" rel="nofollow" target="_blank">http://www.jeroenthesseling.com/</a><br /> | Jeroen Paul Thesseling - <a class="wiki_link_ext" href="http://www.jeroenthesseling.com/" rel="nofollow" target="_blank">http://www.jeroenthesseling.com/</a><br /> | ||
<span style="background-color: #ffffff;">Jurica Jelic - <a class="wiki_link_ext" href="http://www.juricajelic.org/" rel="nofollow" target="_blank">http://www.juricajelic.org/</a | <span style="background-color: #ffffff;">Jurica Jelic - </span><a class="wiki_link_ext" href="http://www.juricajelic.org/" rel="nofollow" target="_blank">http://www.juricajelic.org/</a></body></html></pre></div> | ||
Revision as of 17:07, 9 January 2013
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author 128_true and made on 2013-01-09 17:07:52 UTC.
- The original revision id was 397113912.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
== == <span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Experimental composers often obtained unusual sounds or instrumental timbres for example through the use of overtone- and sliding techniques. Bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. Following tools (taken from ther chapter </span>'microtonal bowed strings') are also<span style="background-color: #ffffff;"> important to make microtonal string music work on (fretless) bass guitar.</span> <span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span> <span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span> ==List of Microtonal bass players== Brad Catler - [[@http://www.microtones.com/site/bios/brad_catler.html/]] Abdullah Shakar - [[@http://www.facebook.com/abdulbass.shakar/]] Hansford Rowe - [[@http://www.hansfordrowe.com/]] John Starrett - [[@http://www.microtonal.freeservers.com/]] Jeroen Paul Thesseling - [[@http://www.jeroenthesseling.com/]] <span style="background-color: #ffffff;">Jurica Jelic - </span>[[@http://www.juricajelic.org/]]
Original HTML content:
<html><head><title>microbass</title></head><body><!-- ws:start:WikiTextHeadingRule:0:<h2> --><h2 id="toc0"><!-- ws:end:WikiTextHeadingRule:0 --> </h2> <span style="background-color: #ffffff; font-family: sans-serif;">The electric bass has been occasionally used in microtonal music. Experimental composers often obtained unusual sounds or instrumental timbres for example through the use of overtone- and sliding techniques. Bass guitarists playing microtonal music may be instructed to tune the instrument in unusual ways. Following tools (taken from ther chapter </span>'microtonal bowed strings') are also<span style="background-color: #ffffff;"> important to make microtonal string music work on (fretless) bass guitar.</span><br /> <br /> <span style="background-color: #ffffff;">1. Scordatura: If you're going to be using the traditional notation system or a variant of it, specify that the strings be tuned to the scale system in question's versions of A, D G, etc. to give the players familiar notational home bases to work from. Try to make the scordatura somewhat distant from the correct pitches for maximum effect, however, because broken-in string instruments "ring" for the notes they play often (in 12), and the scordatura will have the effect of disorienting the string player's instinctual seeking of the resonance.</span><br /> <span style="background-color: #ffffff;">2. Fingerboard marking: Tapes are the most awesome (because they're color codable), but chalk works too. Players respond to them well because most of them learned to play with tapes in elementary school. Provide tape to the players, debunking any myths that it will affect the sound or damage the instrument. If it does leave some sticky residue, tell them to wipe it off and suck it up. If you don't trust your string players' ears, or the part is technically challenging, color coded tapes are plainly the easiest way to get it in tune fast.</span><br /> <br /> <br /> <!-- ws:start:WikiTextHeadingRule:2:<h2> --><h2 id="toc1"><a name="x-List of Microtonal bass players"></a><!-- ws:end:WikiTextHeadingRule:2 -->List of Microtonal bass players</h2> <br /> Brad Catler - <a class="wiki_link_ext" href="http://www.microtones.com/site/bios/brad_catler.html/" rel="nofollow" target="_blank">http://www.microtones.com/site/bios/brad_catler.html/</a><br /> Abdullah Shakar - <a class="wiki_link_ext" href="http://www.facebook.com/abdulbass.shakar/" rel="nofollow" target="_blank">http://www.facebook.com/abdulbass.shakar/</a><br /> Hansford Rowe - <a class="wiki_link_ext" href="http://www.hansfordrowe.com/" rel="nofollow" target="_blank">http://www.hansfordrowe.com/</a><br /> John Starrett - <a class="wiki_link_ext" href="http://www.microtonal.freeservers.com/" rel="nofollow" target="_blank">http://www.microtonal.freeservers.com/</a><br /> Jeroen Paul Thesseling - <a class="wiki_link_ext" href="http://www.jeroenthesseling.com/" rel="nofollow" target="_blank">http://www.jeroenthesseling.com/</a><br /> <span style="background-color: #ffffff;">Jurica Jelic - </span><a class="wiki_link_ext" href="http://www.juricajelic.org/" rel="nofollow" target="_blank">http://www.juricajelic.org/</a></body></html>