User:Lucius Chiaraviglio/Keyboard Layout Lab/Various other Lumatone mappings: Difference between revisions
m →Various Unnamed Temperament Lumatone mappings: Add level 2 headings with temperament names where available, pending reorganization of Keyboard Layout Lab pages |
Got approval for 72edo and 94edo with instruction to move note 0, and additional temperament instructions for 72edo |
||
Line 52: | Line 52: | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:07, 12 May 2025 (UTC) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 19:07, 12 May 2025 (UTC) | ||
== Harry + Marvolo Lumatone mappings == | == Guiron + Harry + Marvel + Marvolo + Mothra + Slendric Lumatone mappings == | ||
=== 72edo (demonstrated to work | === 72edo (demonstrated to work) === | ||
[[Bryan Deister]] has demonstrated a mapping of [[72edo]] as nine rings of [[8edo]] going right, offset so as to also produce the scale [[11L 9s (4/1-equivalent)]], in [https://www.youtube.com/shorts/VwVp3RVao_k ''microtonal improvisation in 72edo''] (2025). | [[Bryan Deister]] has demonstrated a mapping of [[72edo]] as nine rings of [[8edo]] going right, offset so as to also produce the scale [[11L 9s (4/1-equivalent)]], in [https://www.youtube.com/shorts/VwVp3RVao_k ''microtonal improvisation in 72edo''] (2025). While this mapping works to get as many notes as possible of 72edo into 280 keys (yielding a range of over 3⅔ octaves, it was designed to work to support specific temperaments. The close approximations of ~[[6/5]] as 19\72 and ~[[5/4]] as 23\72 (if using note 0 as the root) are next to each other and not far from the root right and somewhat down. From note 0, moving right and somewhat down between the note 1 and note 6 keys to reach 14\72 yields a highly accurate ~[[8/7]], the generator of [[Gamelismic_clan#Guiron|Guiron]], [[Mothra]], and [[Slendric]]. Repeating this move twice more yields the highly accurate ~[[3/2]] as 42\72; repeating it once more after that to reach 56\72 yields an almost-just ~[[12/7]]; from there, moving one key to the right yields the primary generator of [[Marvel]] temperament, ~[[15/8]], as 65\72. The down-right generator 5\72 ([[20/19]] ~ [[21/20]] ~ [[22/21]]) matches [[Harry]] and [[Marvel_temperaments#Marvolo|Marvolo]]. | ||
{{Lumatone EDO mapping|n=72|start= | {{Lumatone EDO mapping|n=72|start=0|xstep=9|ystep=-4}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 13:24, 28 May 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 13:24, 28 May 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:56, 30 May 2025 (UTC) | ||
== Diatonicized Chromaticism + Kleischismic + Cassandra (Garibaldi) Lumatone mappings == | == Diatonicized Chromaticism + Kleischismic + Cassandra (Garibaldi) Lumatone mappings == | ||
=== 94edo (demonstrated to work | === 94edo (demonstrated to work) === | ||
[[Bryan Deister]] has demonstrated the [[11L 2s]] mapping of [[94edo]] in [https://www.youtube.com/shorts/Zx4xbJhXmgc ''microtonal improvisation in 94edo''] (2025). In the application of this temperament to this mapping, the rightward step corresponds to a stack of two quite accurate ~[[16/11]] generators (51\94, and the [[octave complement]] is ~[[11/8]], at 43\94) after octave-reduction, making this a mapping closely related to the Diatonicized Chromaticism used extensively by [[Ivan Wyschnegradsky]] in his [[24edo]] compositions. The rightward step can also be made by going down by the octave-complemented generator (39\94, ~11/8) and [[semioctave]]-reducing. This makes it a mapping for 11-limit (or higher) [[Schismatic_family#Kleischismic|Kleischismic]] (substituting the normal generator ~[[35/24]] with the simpler ~11/8, which 94edo represents more accurately), although this yields an extremely soft [[10L 2s]] scale (step ratio 8:7, currently off the right edge of the scale tree) instead of 11L 2s. Similarly, if one uses the highly accurate ~[[4/3]] (39\94, octave complement ~[[3/2]] as 55\94) and stacks two of these, the result is a rightward double step, making this mapping also work for [[Garibaldi]] and its 11-limit (or higher) extension [[Schismatic_family#Cassandra|Cassandra]] (although with some vertical wraparound challenges as noted following). The range is a bit under three octaves, and the octaves slope up, | [[Bryan Deister]] has demonstrated the [[11L 2s]] mapping of [[94edo]] in [https://www.youtube.com/shorts/Zx4xbJhXmgc ''microtonal improvisation in 94edo''] (2025). In the application of this temperament to this mapping, the rightward step corresponds to a stack of two quite accurate ~[[16/11]] generators (51\94, and the [[octave complement]] is ~[[11/8]], at 43\94) after octave-reduction, making this a mapping closely related to the Diatonicized Chromaticism used extensively by [[Ivan Wyschnegradsky]] in his [[24edo]] compositions. The rightward step can also be made by going down by the octave-complemented generator (39\94, ~11/8) and [[semioctave]]-reducing. This makes it a mapping for 11-limit (or higher) [[Schismatic_family#Kleischismic|Kleischismic]] (substituting the normal generator ~[[35/24]] with the simpler ~11/8, which 94edo represents more accurately), although this yields an extremely soft [[10L 2s]] scale (step ratio 8:7, currently off the right edge of the scale tree) instead of 11L 2s. Similarly, if one uses the highly accurate ~[[4/3]] (39\94, octave complement ~[[3/2]] as 55\94) and stacks two of these, the result is a rightward double step, making this mapping also work for [[Garibaldi]] and its 11-limit (or higher) extension [[Schismatic_family#Cassandra|Cassandra]] (although with some vertical wraparound challenges as noted following). A diatonic scale, or better yet a Ptolemy's intense diatonic (Zarlino) scale appears possible to do using both hands, although the octave slope causes the wraparound point to change with octave. The range is a bit under three octaves, and the octaves slope up, which puts the third note 0 at the far edge (although it does repeat at the near edge). A possibility for addressing this (not shown here) is to set note 0 is set to a point on the left edge half way between its current location and the lower left corner (to get note 0 two octaves higher to be 3/4 of the way up); this results in a skipped note 1 in the lowest note 0 to note 0 octave, but if one is willing to assign one key to a non-isomorphic position, the note 92 in the lower left corner (from the octave below the lowest note 0) could be reassigned to the missing note 1. | ||
{{Lumatone EDO mapping|n=94|start= | {{Lumatone EDO mapping|n=94|start=4|xstep=8|ystep=-5}} | ||
Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 28 May 2025 (UTC)<br> | Added: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 21:39, 28 May 2025 (UTC)<br> | ||
Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) | Last modified: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 06:56, 30 May 2025 (UTC) | ||
== More Unidentified Temperament Lumatone mappings == | == More Unidentified Temperament Lumatone mappings == |