Equal-step tuning: Difference between revisions
→Equal divisions: further discussion on Discord |
|||
| Line 43: | Line 43: | ||
* [[Ed16/15]] (… of the classic diatonic semitone) | * [[Ed16/15]] (… of the classic diatonic semitone) | ||
** most famously the [[Delta scale]], but others too | ** most famously the [[Delta scale]], but others too | ||
* [[Ed6/5]] (… of the classic minor third) | |||
* [[Ed5/4]] (… of the classic major third) | * [[Ed5/4]] (… of the classic major third) | ||
* [[Ed4/3]] (… of the perfect fourth) | * [[Ed4/3]] (… of the perfect fourth) | ||
* '''[[EDF]] (… of the perfect fifth, [[3/2]])''' | * '''[[EDF]] (… of the perfect fifth, [[3/2]])''' | ||
** most famously [[Carlos Alpha]], [[Carlos Beta|Beta]] and [[Carlos Gamma|Gamma]], but lots of others, too | ** most famously [[Carlos Alpha]], [[Carlos Beta|Beta]] and [[Carlos Gamma|Gamma]], but lots of others, too | ||
* [[Edφ]] (… of [[acoustic phi]]) | * [[Edφ]] (… of [[acoustic phi]]) | ||
* [[Ed5/3]] (… of the classic major sixth) | * [[Ed5/3]] (… of the classic major sixth) | ||
* [[Ed7/4]] (… of the septimal minor seventh) | |||
* '''[[EDO]] (… of the [[octave]], 2/1)''' | * '''[[EDO]] (… of the [[octave]], 2/1)''' | ||
* [[Ed7/3]] (… of the septimal minor tenth) | |||
* [[Ed5/2]] (… of the classic major tenth) | * [[Ed5/2]] (… of the classic major tenth) | ||
* '''[[EDT]] (… of the [[tritave]]/twelfth, 3/1)''' | * '''[[EDT]] (… of the [[tritave]]/twelfth, 3/1)''' | ||
** most famously the [[Bohlen–Pierce scale]], but lots of others, too | ** most famously the [[Bohlen–Pierce scale]], but lots of others, too | ||
* [[Ed4]] (… of the double octave, [[4/1]]) | |||
* [[Ed8/3]] (… of the perfect eleventh) | |||
* [[Ed7/2]] (… of the septimal minor fourteenth) | |||
* '''[[Ed4]] (… of the double octave, [[4/1]])''' | |||
* [[Ed9/2]] (… of the major sixteenth) | |||
* [[Ed5]] (… of the 5th harmonic) | * [[Ed5]] (… of the 5th harmonic) | ||
* [[Ed6]] (… of the 6th harmonic) | * [[Ed6]] (… of the 6th harmonic) | ||