Maqamat in maqamic temperament: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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Maqam Bayati and Makam Uşşak can both be identified with maqamic[7] 2|4 b3 b6 (ssLLdLL).
Maqam Bayati and Makam Uşşak can both be identified with maqamic[7] 2|4 b3 b6 (ssLLdLL).


==Hijaz==
==Hijaz==  
D Eb F# G A Bv C D
D Eb F# G A Bv C D
D Eb F# G A Bb C D
D Eb F# G A Bb C D
Maqam Hijaz has two forms, one which can be identified with meantone[7] 1|5 #3 (meantone phrygian dominant), and another which differs by having a neutral sixth degree instead of a minor sixth.
Maqam Hijaz has two forms, one which can be identified with meantone[7] 1|5 #3 (meantone phrygian dominant), and another which differs by having a neutral sixth degree instead of a minor sixth.


==Hijaz Kar===
==Hijaz Kar==  
C Db E F G Ab B C
C Db E F G Ab B C
Maqam Hijaz Kar can be identified with meantone[7] 5|1 b2 b6 (equivalently meantone[7] 1|5 #3 #7). This is also known as the meantone "double harmonic scale" or simply "Arabic scale".
Maqam Hijaz Kar can be identified with meantone[7] 5|1 b2 b6 (equivalently meantone[7] 1|5 #3 #7). This is also known as the meantone "double harmonic scale" or simply "Arabic scale".


==Kurd==
==Kurd==  
D Eb F G A Bb C D
D Eb F G A Bb C D
Maqam Kurd can be identified with the meantone Phrygian scale, meantone[7] 1|5.
Maqam Kurd can be identified with the meantone Phrygian scale, meantone[7] 1|5.


==Nahawand==
==Nahawand==  
C D Eb F G Ab B C
C D Eb F G Ab B C
C D Eb F G Ab Bb C
C D Eb F G Ab Bb C
Almost exactly like the meantone natural minor / harmonic minor scale pair, Maqam Nahawand has two forms, meantone aeolian (meantone[7] 4|2) and meantone harmonic minor (meantone[7] 4|2 #7). In other words Maqam Nahawand is the same as meantone natural minor with a major seventh as an alternate.
Almost exactly like the meantone natural minor / harmonic minor scale pair, Maqam Nahawand has two forms, meantone aeolian (meantone[7] 4|2) and meantone harmonic minor (meantone[7] 4|2 #7). In other words Maqam Nahawand is the same as meantone natural minor with a major seventh as an alternate.


==Rast==
==Rast==  
C D Ev F G A Bv C
C D Ev F G A Bv C
C D Ev F G A Bb C
C D Ev F G A Bb C
Maqam Rast has two forms, one that can be identified with maqamic[7] 2|4 #6 (equivalently maqamic[7] 0|6 b4), and another form with a minor seventh degree rather than a neutral seventh.
Maqam Rast has two forms, one that can be identified with maqamic[7] 2|4 #6 (equivalently maqamic[7] 0|6 b4), and another form with a minor seventh degree rather than a neutral seventh.


==Saba==
==Saba==  
D Ev F Gb A Bb C D
D Ev F Gb A Bb C D
Maqam Saba can be identified with maqamic[7] 0|6 bb4 #5 b6, or equivalently maqamic[7] 2|4 b3 bb4 b6. This is a rather complex MODMOS (but it sounds awesome).
Maqam Saba can be identified with maqamic[7] 0|6 bb4 #5 b6, or equivalently maqamic[7] 2|4 b3 bb4 b6. This is a rather complex MODMOS (but it sounds awesome).


===Weird form of Saba===
===Weird form of Saba===  
D Ev F Gb A Bb C Db E F
D Ev F Gb A Bb C Db E F
This alternate form of Saba "doesn't include the octave of the tonic", and includes another non-octave as well (Ev-E). It could possibly be thought of as a scale with more than 7 notes, but it's unclear to what extent it's used this way in traditional music.
This alternate form of Saba "doesn't include the octave of the tonic", and includes another non-octave as well (Ev-E). It could possibly be thought of as a scale with more than 7 notes, but it's unclear to what extent it's used this way in traditional music.


==Sikah==
==Sikah==  
Ev F G A Bv C D Ev
Ev F G A Bv C D Ev
Ev F G A Bb C D Ev
Ev F G A Bb C D Ev
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:36:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc18"&gt;&lt;a name="Maqamat-Hijaz"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:36 --&gt;Hijaz&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:36:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc18"&gt;&lt;a name="Maqamat-Hijaz"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:36 --&gt;Hijaz&lt;/h2&gt;
D Eb F# G A Bv C D&lt;br /&gt;
D Eb F# G A Bv C D&lt;br /&gt;
D Eb F# G A Bb C D&lt;br /&gt;
D Eb F# G A Bb C D&lt;br /&gt;
Maqam Hijaz has two forms, one which can be identified with meantone[7] 1|5 #3 (meantone phrygian dominant), and another which differs by having a neutral sixth degree instead of a minor sixth.&lt;br /&gt;
Maqam Hijaz has two forms, one which can be identified with meantone[7] 1|5 #3 (meantone phrygian dominant), and another which differs by having a neutral sixth degree instead of a minor sixth.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:38:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc19"&gt;&lt;a name="Maqamat-Hijaz Kar="&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:38 --&gt;Hijaz Kar=&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:38:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc19"&gt;&lt;a name="Maqamat-Hijaz Kar"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:38 --&gt;Hijaz Kar&lt;/h2&gt;
C Db E F G Ab B C&lt;br /&gt;
C Db E F G Ab B C&lt;br /&gt;
Maqam Hijaz Kar can be identified with meantone[7] 5|1 b2 b6 (equivalently meantone[7] 1|5 #3 #7). This is also known as the meantone &amp;quot;double harmonic scale&amp;quot; or simply &amp;quot;Arabic scale&amp;quot;.&lt;br /&gt;
Maqam Hijaz Kar can be identified with meantone[7] 5|1 b2 b6 (equivalently meantone[7] 1|5 #3 #7). This is also known as the meantone &amp;quot;double harmonic scale&amp;quot; or simply &amp;quot;Arabic scale&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:40:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc20"&gt;&lt;a name="Maqamat-Kurd"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:40 --&gt;Kurd&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:40:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc20"&gt;&lt;a name="Maqamat-Kurd"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:40 --&gt;Kurd&lt;/h2&gt;
D Eb F G A Bb C D&lt;br /&gt;
D Eb F G A Bb C D&lt;br /&gt;
Maqam Kurd can be identified with the meantone Phrygian scale, meantone[7] 1|5.&lt;br /&gt;
Maqam Kurd can be identified with the meantone Phrygian scale, meantone[7] 1|5.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:42:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc21"&gt;&lt;a name="Maqamat-Nahawand"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:42 --&gt;Nahawand&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:42:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc21"&gt;&lt;a name="Maqamat-Nahawand"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:42 --&gt;Nahawand&lt;/h2&gt;
C D Eb F G Ab B C&lt;br /&gt;
C D Eb F G Ab B C&lt;br /&gt;
C D Eb F G Ab Bb C&lt;br /&gt;
C D Eb F G Ab Bb C&lt;br /&gt;
Almost exactly like the meantone natural minor / harmonic minor scale pair, Maqam Nahawand has two forms, meantone aeolian (meantone[7] 4|2) and meantone harmonic minor (meantone[7] 4|2 #7). In other words Maqam Nahawand is the same as meantone natural minor with a major seventh as an alternate.&lt;br /&gt;
Almost exactly like the meantone natural minor / harmonic minor scale pair, Maqam Nahawand has two forms, meantone aeolian (meantone[7] 4|2) and meantone harmonic minor (meantone[7] 4|2 #7). In other words Maqam Nahawand is the same as meantone natural minor with a major seventh as an alternate.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:44:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc22"&gt;&lt;a name="Maqamat-Rast"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:44 --&gt;Rast&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:44:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc22"&gt;&lt;a name="Maqamat-Rast"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:44 --&gt;Rast&lt;/h2&gt;
C D Ev F G A Bv C&lt;br /&gt;
C D Ev F G A Bv C&lt;br /&gt;
C D Ev F G A Bb C&lt;br /&gt;
C D Ev F G A Bb C&lt;br /&gt;
Maqam Rast has two forms, one that can be identified with maqamic[7] 2|4 #6 (equivalently maqamic[7] 0|6 b4), and another form with a minor seventh degree rather than a neutral seventh.&lt;br /&gt;
Maqam Rast has two forms, one that can be identified with maqamic[7] 2|4 #6 (equivalently maqamic[7] 0|6 b4), and another form with a minor seventh degree rather than a neutral seventh.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:46:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc23"&gt;&lt;a name="Maqamat-Saba"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:46 --&gt;Saba&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:46:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc23"&gt;&lt;a name="Maqamat-Saba"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:46 --&gt;Saba&lt;/h2&gt;
D Ev F Gb A Bb C D&lt;br /&gt;
D Ev F Gb A Bb C D&lt;br /&gt;
Maqam Saba can be identified with maqamic[7] 0|6 bb4 #5 b6, or equivalently maqamic[7] 2|4 b3 bb4 b6. This is a rather complex MODMOS (but it sounds awesome).&lt;br /&gt;
Maqam Saba can be identified with maqamic[7] 0|6 bb4 #5 b6, or equivalently maqamic[7] 2|4 b3 bb4 b6. This is a rather complex MODMOS (but it sounds awesome).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:48:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc24"&gt;&lt;a name="Maqamat-Saba-Weird form of Saba"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:48 --&gt;Weird form of Saba&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:48:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc24"&gt;&lt;a name="Maqamat-Saba-Weird form of Saba"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:48 --&gt;Weird form of Saba&lt;/h3&gt;
D Ev F Gb A Bb C Db E F&lt;br /&gt;
D Ev F Gb A Bb C Db E F&lt;br /&gt;
This alternate form of Saba &amp;quot;doesn't include the octave of the tonic&amp;quot;, and includes another non-octave as well (Ev-E). It could possibly be thought of as a scale with more than 7 notes, but it's unclear to what extent it's used this way in traditional music.&lt;br /&gt;
This alternate form of Saba &amp;quot;doesn't include the octave of the tonic&amp;quot;, and includes another non-octave as well (Ev-E). It could possibly be thought of as a scale with more than 7 notes, but it's unclear to what extent it's used this way in traditional music.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:50:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc25"&gt;&lt;a name="Maqamat-Sikah"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:50 --&gt;Sikah&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:50:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc25"&gt;&lt;a name="Maqamat-Sikah"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:50 --&gt;Sikah&lt;/h2&gt;
Ev F G A Bv C D Ev&lt;br /&gt;
Ev F G A Bv C D Ev&lt;br /&gt;
Ev F G A Bb C D Ev&lt;br /&gt;
Ev F G A Bb C D Ev&lt;br /&gt;
Maqam Sikah has two forms, one which can be identified as maqamic[7] 5|1 b2 (equivalently maqamic[7] 3|3 #4), and another which has a half-diminished fifth degree instead of a perfect fifth (maqamic[7] 5|1 b2 b5).&lt;br /&gt;
Maqam Sikah has two forms, one which can be identified as maqamic[7] 5|1 b2 (equivalently maqamic[7] 3|3 #4), and another which has a half-diminished fifth degree instead of a perfect fifth (maqamic[7] 5|1 b2 b5).&lt;br /&gt;