User:2^67-1/Earth10: Difference between revisions
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Pieces or sections of pieces written in Durmoll or something similar have a strong resemblance to the music of the Classical period and traditional Western harmony is applied accordingly. Modern orchestral works from the Late Romantic onwards use both modes relatively equally. | Pieces or sections of pieces written in Durmoll or something similar have a strong resemblance to the music of the Classical period and traditional Western harmony is applied accordingly. Modern orchestral works from the Late Romantic onwards use both modes relatively equally. | ||
Intervals are called the unison, first, second... ninth, dekatave, first-and-dekatave, second-and-dekatave... ninth-and-dekatave, double dekatave. | |||
The Italian sixth on 0 is [7 0 5], the French sixth is [7 0 2 5], and the German sixth [7 0 3 5]. All resolve to the triad on the sixth above 0. | |||
===Notation in modern Earth#10 Ciphersystem=== | ===Notation in modern Earth#10 Ciphersystem=== | ||
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Notes are written exactly like in jianpu, but with no accidentals and using the numerals 0 to 9 for the note names. The default dekatave number is taken to be the number of the dekatave prescribed by the clef. | Notes are written exactly like in jianpu, but with no accidentals and using the numerals 0 to 9 for the note names. The default dekatave number is taken to be the number of the dekatave prescribed by the clef. | ||
===4-part harmony=== | |||
* A fifth must always be succeeded with a first in the opposite direction. | |||
* Parallel dekataves and sixths are not allowed (in the usual manner as exposed octaves and fifths in OTL harmony). | |||
* Exposed dekataves and sixths are not allowed (in the usual manner as exposed octaves and fifths in OTL harmony). | |||
* Overlapping of voices in similar motion as well as crossing of voices are not allowed (as is in OTL harmony). | |||
==Instruments== | ==Instruments== | ||