Talk:Kite's ups and downs notation: Difference between revisions
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However, after reviewing the Discord, I recognize that my appending to Vector’s edit was not the appropriate way to go about this, and for that I apologize. It seems I am currently unable to edit the page itself, so I wanted to propose an additional paragraph here instead to be included under “See Also”: [[User:ButterBuilding11|ButterBuilding11]] ([[User talk:ButterBuilding11|talk]]) 08:20, 22 March 2025 (UTC) | However, after reviewing the Discord, I recognize that my appending to Vector’s edit was not the appropriate way to go about this, and for that I apologize. It seems I am currently unable to edit the page itself, so I wanted to propose an additional paragraph here instead to be included under “See Also”: [[User:ButterBuilding11|ButterBuilding11]] ([[User talk:ButterBuilding11|talk]]) 08:20, 22 March 2025 (UTC) | ||
Easley Blackwood Jr. proposed a system of microtonal accidentals in 1982 with arrows which he also names “up” and “down,” though Blackwood’s system is distinct from Kite’s as described above. Blackwood, Easley. 1991. “Modes and Chord Progressions in Equal Tunings,” ''Perspectives of New Music'' 29, no. 2. [[User:ButterBuilding11|ButterBuilding11]] ([[User talk:ButterBuilding11|talk]]) 08:22, 22 March 2025 (UTC) | |||