Lumatone mapping for 24edo: Difference between revisions

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The semiquartal ([[5L 4s]]) layout, which uses 2.5 semitones as the generator, has a wider range, keeps octaves closer to horizontal, makes the diatonic scale relatively easy to play, and naturally puts the chroma in the right direction on the vertical axis, so it may be preferable.

The semiquartal ([[5L 4s]]) layout, which uses 2.5 semitones as the generator, has a wider range, keeps octaves closer to horizontal, makes the diatonic scale relatively easy to play, and naturally puts the chroma in the right direction on the vertical axis, so it may be preferable.

[[Bryan Deister]] has used the ~~following~~ layout, as demonstrated in [https://www.youtube.com/shorts/ZnAl6EN_wq4 In Your Hands (microtonal 24edo) (alt layout)] (2024). The octaves rise just slightly while moving to higher pitches, and the range is somewhat over eight octaves. The generator is half a fifth, making this layout of potential interest for [[Mohajira]]. Although rotated left from the usual orientation, the notes of a standard diatonic scale (within each ring of fifths) are within easy reach of each other.

[[Bryan Deister]] has used the [[3L 4s]] layout, as demonstrated in [https://www.youtube.com/shorts/ZnAl6EN_wq4 In Your Hands (microtonal 24edo) (alt layout)] (2024). The octaves rise just slightly while moving to higher pitches, and the range is somewhat over eight octaves. The generator is half a fifth, making this layout of potential interest for [[Mohajira]]. Although rotated left from the usual orientation, the notes of a standard diatonic scale (within each ring of fifths) are within easy reach of each other.

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-The semiquartal ([[5L 4s]]) layout, which uses 2.5 semitones as the generator, has a wider range, keeps octaves closer to horizontal, makes the diatonic scale relatively easy to play, and naturally puts the chroma in the right direction on the vertical axis, so it may be preferable.
+The semiquartal ([[5L&nbsp;4s]]) layout, which uses 2.5 semitones as the generator, has a wider range, keeps octaves closer to horizontal, makes the diatonic scale relatively easy to play, and naturally puts the chroma in the right direction on the vertical axis, so it may be preferable.
 {{Lumatone EDO mapping|n=24|start=15|xstep=5|ystep=-1}}
-[[Bryan Deister]] has used the following layout, as demonstrated in [https://www.youtube.com/shorts/ZnAl6EN_wq4 In Your Hands (microtonal 24edo) (alt layout)] (2024).  The octaves rise just slightly while moving to higher pitches, and the range is somewhat over eight octaves.  The generator is half a fifth, making this layout of potential interest for [[Mohajira]].  Although rotated left from the usual orientation, the notes of a standard diatonic scale (within each ring of fifths) are within easy reach of each other.
+[[Bryan Deister]] has used the [[3L&nbsp;4s]] layout, as demonstrated in [https://www.youtube.com/shorts/ZnAl6EN_wq4 In Your Hands (microtonal 24edo) (alt layout)] (2024). The octaves rise just slightly while moving to higher pitches, and the range is somewhat over eight octaves.  The generator is half a fifth, making this layout of potential interest for [[Mohajira]]. Although rotated left from the usual orientation, the notes of a standard diatonic scale (within each ring of fifths) are within easy reach of each other.
 {{Lumatone EDO mapping|n=24|start=2|xstep=7|ystep=-4}}
 {{Navbox Lumatone}}