Keenan's EDO impressions: Difference between revisions

Wikispaces>keenanpepper
**Imported revision 300720002 - Original comment: **
Wikispaces>keenanpepper
**Imported revision 300720092 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-02-11 02:18:56 UTC</tt>.<br>
: This revision was by author [[User:keenanpepper|keenanpepper]] and made on <tt>2012-02-11 02:20:23 UTC</tt>.<br>
: The original revision id was <tt>300720002</tt>.<br>
: The original revision id was <tt>300720092</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[15edo|15]] (aka 24edt) - Very interesting for [[blackwood]], [[porcupine]], and others. A good all-around EDO. If you want to internalize [[Porcupine intervals|porcupine interval categories]], use 15edo.
[[15edo|15]] (aka 24edt) - Very interesting for [[blackwood]], [[porcupine]], and others. A good all-around EDO. If you want to internalize [[Porcupine intervals|porcupine interval categories]], use 15edo.
[[16edo|16]] (aka 25edt) - [[Mavila]]/armodue; those Italians love it. Really versatile and interesting - if you don't mind the lack of reasonable 3/2s. On the other hand you can treat it as an all-encompassing gamelan EDO where the beating fifths are an advantage. (The one advantage it has over 9edo in this respect is its slendro approximation, [[gorgo]].)
[[16edo|16]] (aka 25edt) - [[Mavila]]/armodue; those Italians love it. Really versatile and interesting - if you don't mind the lack of reasonable 3/2s. On the other hand you can treat it as an all-encompassing gamelan EDO where the beating fifths are an advantage. (The one advantage it has over 9edo in this respect is its slendro approximation, [[gorgo]].)
[[17edo|17]] (aka [[27edt]]) - Really good no-5's system; [[suprapyth]], [[bleu]], etc. The lack of 5-limit harmony forces you to think xenharmonically, but the nice accurate 3/2s form a solid familiar backbone you can depend on when things get too crazy.
[[17edo|17]] (aka [[27edt]]) - Really good no-5's system; [[Supra|supra]], [[bleu]], etc. The lack of 5-limit harmony forces you to think xenharmonically, but the nice accurate 3/2s form a solid familiar backbone you can depend on when things get too crazy.
[[18edo|18]] - Almost totally useless.
[[18edo|18]] - Almost totally useless.
[[19edo|19]] (aka 30edt) - First EDO with a meantone diatonic scale (5L2s proper), but not only meantone! [[Negri]] is awesome, [[godzilla]] is awesome, [[sensi]] is awesome, and [[keemun]] and [[magic]] are both quite interesting. Excellent EDO to promote to newcomers because it works beautifully with standard meantone notation and familiar meantone harmony is possible, but again, it's so much more than meantone. Xenharmonic scales and comma pumps abound.
[[19edo|19]] (aka 30edt) - First EDO with a meantone diatonic scale (5L2s proper), but not only meantone! [[Negri]] is awesome, [[godzilla]] is awesome, [[sensi]] is awesome, and [[keemun]] and [[magic]] are both quite interesting. Excellent EDO to promote to newcomers because it works beautifully with standard meantone notation and familiar meantone harmony is possible, but again, it's so much more than meantone. Xenharmonic scales and comma pumps abound.
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&lt;a class="wiki_link" href="/15edo"&gt;15&lt;/a&gt; (aka 24edt) - Very interesting for &lt;a class="wiki_link" href="/blackwood"&gt;blackwood&lt;/a&gt;, &lt;a class="wiki_link" href="/porcupine"&gt;porcupine&lt;/a&gt;, and others. A good all-around EDO. If you want to internalize &lt;a class="wiki_link" href="/Porcupine%20intervals"&gt;porcupine interval categories&lt;/a&gt;, use 15edo.&lt;br /&gt;
&lt;a class="wiki_link" href="/15edo"&gt;15&lt;/a&gt; (aka 24edt) - Very interesting for &lt;a class="wiki_link" href="/blackwood"&gt;blackwood&lt;/a&gt;, &lt;a class="wiki_link" href="/porcupine"&gt;porcupine&lt;/a&gt;, and others. A good all-around EDO. If you want to internalize &lt;a class="wiki_link" href="/Porcupine%20intervals"&gt;porcupine interval categories&lt;/a&gt;, use 15edo.&lt;br /&gt;
&lt;a class="wiki_link" href="/16edo"&gt;16&lt;/a&gt; (aka 25edt) - &lt;a class="wiki_link" href="/Mavila"&gt;Mavila&lt;/a&gt;/armodue; those Italians love it. Really versatile and interesting - if you don't mind the lack of reasonable 3/2s. On the other hand you can treat it as an all-encompassing gamelan EDO where the beating fifths are an advantage. (The one advantage it has over 9edo in this respect is its slendro approximation, &lt;a class="wiki_link" href="/gorgo"&gt;gorgo&lt;/a&gt;.)&lt;br /&gt;
&lt;a class="wiki_link" href="/16edo"&gt;16&lt;/a&gt; (aka 25edt) - &lt;a class="wiki_link" href="/Mavila"&gt;Mavila&lt;/a&gt;/armodue; those Italians love it. Really versatile and interesting - if you don't mind the lack of reasonable 3/2s. On the other hand you can treat it as an all-encompassing gamelan EDO where the beating fifths are an advantage. (The one advantage it has over 9edo in this respect is its slendro approximation, &lt;a class="wiki_link" href="/gorgo"&gt;gorgo&lt;/a&gt;.)&lt;br /&gt;
&lt;a class="wiki_link" href="/17edo"&gt;17&lt;/a&gt; (aka &lt;a class="wiki_link" href="/27edt"&gt;27edt&lt;/a&gt;) - Really good no-5's system; &lt;a class="wiki_link" href="/suprapyth"&gt;suprapyth&lt;/a&gt;, &lt;a class="wiki_link" href="/bleu"&gt;bleu&lt;/a&gt;, etc. The lack of 5-limit harmony forces you to think xenharmonically, but the nice accurate 3/2s form a solid familiar backbone you can depend on when things get too crazy.&lt;br /&gt;
&lt;a class="wiki_link" href="/17edo"&gt;17&lt;/a&gt; (aka &lt;a class="wiki_link" href="/27edt"&gt;27edt&lt;/a&gt;) - Really good no-5's system; &lt;a class="wiki_link" href="/Supra"&gt;supra&lt;/a&gt;, &lt;a class="wiki_link" href="/bleu"&gt;bleu&lt;/a&gt;, etc. The lack of 5-limit harmony forces you to think xenharmonically, but the nice accurate 3/2s form a solid familiar backbone you can depend on when things get too crazy.&lt;br /&gt;
&lt;a class="wiki_link" href="/18edo"&gt;18&lt;/a&gt; - Almost totally useless.&lt;br /&gt;
&lt;a class="wiki_link" href="/18edo"&gt;18&lt;/a&gt; - Almost totally useless.&lt;br /&gt;
&lt;a class="wiki_link" href="/19edo"&gt;19&lt;/a&gt; (aka 30edt) - First EDO with a meantone diatonic scale (5L2s proper), but not only meantone! &lt;a class="wiki_link" href="/Negri"&gt;Negri&lt;/a&gt; is awesome, &lt;a class="wiki_link" href="/godzilla"&gt;godzilla&lt;/a&gt; is awesome, &lt;a class="wiki_link" href="/sensi"&gt;sensi&lt;/a&gt; is awesome, and &lt;a class="wiki_link" href="/keemun"&gt;keemun&lt;/a&gt; and &lt;a class="wiki_link" href="/magic"&gt;magic&lt;/a&gt; are both quite interesting. Excellent EDO to promote to newcomers because it works beautifully with standard meantone notation and familiar meantone harmony is possible, but again, it's so much more than meantone. Xenharmonic scales and comma pumps abound.&lt;br /&gt;
&lt;a class="wiki_link" href="/19edo"&gt;19&lt;/a&gt; (aka 30edt) - First EDO with a meantone diatonic scale (5L2s proper), but not only meantone! &lt;a class="wiki_link" href="/Negri"&gt;Negri&lt;/a&gt; is awesome, &lt;a class="wiki_link" href="/godzilla"&gt;godzilla&lt;/a&gt; is awesome, &lt;a class="wiki_link" href="/sensi"&gt;sensi&lt;/a&gt; is awesome, and &lt;a class="wiki_link" href="/keemun"&gt;keemun&lt;/a&gt; and &lt;a class="wiki_link" href="/magic"&gt;magic&lt;/a&gt; are both quite interesting. Excellent EDO to promote to newcomers because it works beautifully with standard meantone notation and familiar meantone harmony is possible, but again, it's so much more than meantone. Xenharmonic scales and comma pumps abound.&lt;br /&gt;