22edo chord names: Difference between revisions

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Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
{| class="wikitable"
{| class="wikitable"
|+
!
!m3
!^m3
!vM3
!M3
!P4
|-
|-
!triad
!  
|Cm
! m3
|C^m
! ^m3
|Cv
! vM3
|C
! M3
|C4
! P4
|-
|-
!vM6
! triad
|Cmv6
| Cm
|C^mv6
| C^m
|Cv6
| Cv
|C,v6
| C
|C4v6
| C4
|-
|-
!M6
! vM6
|Cm6
| Cmv6
|C^m,6
| C^mv6
|Cv,6
| Cv6
|C6
| C,v6
|C4,6
| C4v6
|-
|-
!m7
! M6
|Cm7
| Cm6
|C^m,7
| C^m,6
|Cv,7
| Cv,6
|C7
| C6
|C4,7
| C4,6
|-
|-
!^m7
! m7
|Cm^7
| Cm7
|C^m7
| C^m,7
|Cv^7
| Cv,7
|C,^7
| C7
|C4^7
| C4,7
|-
|-
!vM7
! ^m7
|CmvM7
| Cm^7
|C^mvM7
| C^m7
|CvM7
| Cv^7
|C,vM7
| C,^7
|C4vM7
| C4^7
|-
|-
!M7
! vM7
|CmM7
| CmvM7
|C^mM7
| C^mvM7
|Cv,M7
| CvM7
|CM7
| C,vM7
|C4M7
| C4vM7
|-
! M7
| CmM7
| C^mM7
| Cv,M7
| CM7
| C4M7
|}
|}
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.  
 
A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.  


4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
{| class="wikitable"
{| class="wikitable"
|+
!chord
!notes
! colspan="2" |ups and downs name
! colspan="2" |color name
|-
|-
|4:5:6:7
! Chord
|C vE G Bb
! Notes
|C-down add-7
! colspan="2" | Ups and downs name
|Cv,7
! colspan="2" | Color name
|C har7
|-
|Ch7
| 4:5:6:7
| C vE G Bb
| C-down add-7
| Cv,7
| C har7
| Ch7
|-
|-
|7/6/5/4
| 7/6/5/4
|C Eb ^Gb Bb
| C Eb ^Gb Bb
|C minor7 upflat-5
| C minor7 upflat-5
|Cm7(^b5)
| Cm7(^b5)
|C sub7
| C sub7
|Cs7
| Cs7
|-
|-
|12/10/8/7
| 12/10/8/7
|C ^Eb G A
| C ^Eb G A
|C upminor add-6
| C upminor add-6
|C^m,6
| C^m,6
|C sub6
| C sub6
|Cs6
| Cs6
|}
|}
See also:


== See also ==
* [[19edo Chord Names]]
* [[19edo Chord Names]]
* [[24edo Chord Names]]
* [[24edo Chord Names]]

Revision as of 12:53, 22 January 2025

Various 22edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.

m3 ^m3 vM3 M3 P4
triad Cm C^m Cv C C4
vM6 Cmv6 C^mv6 Cv6 C,v6 C4v6
M6 Cm6 C^m,6 Cv,6 C6 C4,6
m7 Cm7 C^m,7 Cv,7 C7 C4,7
^m7 Cm^7 C^m7 Cv^7 C,^7 C4^7
vM7 CmvM7 C^mvM7 CvM7 C,vM7 C4vM7
M7 CmM7 C^mM7 Cv,M7 CM7 C4M7

A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from color notation to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.

Chord Notes Ups and downs name Color name
4:5:6:7 C vE G Bb C-down add-7 Cv,7 C har7 Ch7
7/6/5/4 C Eb ^Gb Bb C minor7 upflat-5 Cm7(^b5) C sub7 Cs7
12/10/8/7 C ^Eb G A C upminor add-6 C^m,6 C sub6 Cs6

See also