User:Contribution/Chanopif Project: Difference between revisions
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* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges. | * '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges. | ||
* '''Flexibility''': By assigning independant | * '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales with a large number of notes, even those that do not rely on octave equivalences. | ||
* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20000 Hz, the phase difference between two adjacent pitches is approximately 16 hours. | * '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20000 Hz, the phase difference between two adjacent pitches is approximately 16 hours. | ||
* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision. | * '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision. |