User:Contribution/Chanopif Project: Difference between revisions

Line 57:

== Purpose and Implementation ==

Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on [[Tuning per channel|'''tuning per channel''']] and '''[[402653184edo|402,653,184-EDO]]''', Chanopif ensures that any tuning, any note pitch, can be represented consistently in .cnpf files. Key goals and benefits include:

Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on [[Tuning per channel|'''tuning per channel''']] and '''[[402653184edo|402,653,184-EDO]]''', Chanopif ensures that any tuning, any note pitch, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:

* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.

@@ Line 57: / Line 57: @@
 == Purpose and Implementation ==
-Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on [[Tuning per channel|'''tuning per channel''']] and '''[[402653184edo|402,653,184-EDO]]''', Chanopif ensures that any tuning, any note pitch, can be represented consistently in .cnpf files. Key goals and benefits include:
+Chanopif’s primary objective is to facilitate '''unambiguous, universal microtonal tunings''' within the MIDI 2.0 ecosystem. By standardizing on [[Tuning per channel|'''tuning per channel''']] and '''[[402653184edo|402,653,184-EDO]]''', Chanopif ensures that any tuning, any note pitch, can be represented consistently in <code>.cnpf</code> files. Key goals and benefits include:
 * '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.