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Wikispaces>mbattaglia1 **Imported revision 391336562 - Original comment: ** |
Wikispaces>mbattaglia1 **Imported revision 391336794 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2012-12-11 14: | : This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2012-12-11 14:14:19 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>391336794</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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And on top of that, a section on the microtonal capabilities of various [[microtonalinstruments|instruments]] of (eventually) all sorts. | And on top of that, a section on the microtonal capabilities of various [[microtonalinstruments|instruments]] of (eventually) all sorts. | ||
Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist [[ | Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist [[whynotmicrotonality|here]]. You will surely meet others with similar opinions in your journey. However, if even in the face of such opinions, you're still convinced that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already! | ||
[[image:epaddlenecks.jpg width="315" height="420" align="center"]]</pre></div> | [[image:epaddlenecks.jpg width="315" height="420" align="center"]]</pre></div> | ||
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And on top of that, a section on the microtonal capabilities of various <a class="wiki_link" href="/microtonalinstruments">instruments</a> of (eventually) all sorts.<br /> | And on top of that, a section on the microtonal capabilities of various <a class="wiki_link" href="/microtonalinstruments">instruments</a> of (eventually) all sorts.<br /> | ||
<br /> | <br /> | ||
Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist <a class="wiki_link" href=" | Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist <a class="wiki_link" href="/whynotmicrotonality">here</a>. You will surely meet others with similar opinions in your journey. However, if even in the face of such opinions, you're still convinced that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already!<br /> | ||
<br /> | <br /> | ||
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Revision as of 14:14, 11 December 2012
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author mbattaglia1 and made on 2012-12-11 14:14:19 UTC.
- The original revision id was 391336794.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
**WELCOME to the XENHARMONIC WIKI, an open resource for ANYone curious about ANY aspect of microtonal music, xenharmonic music, alternative tuning practices, et cetera.** This wiki is a repository for information about specific [[musical interval systems|tuning systems]], as well as the relations [[interscalar|between]] them and the theory behind them. It is added to by volunteers only when doing so is [[http://edutechwiki.unige.ch/en/Radical_constructivism|useful]] to them. It is a //living wiki// by structure, meaning anyone can add a new page or add content to an existing page. Relevant new content is most welcome. Here is one person's attempt to answer the question, "[[Why microtonality?]]" In the [[introduction]] you will find the grossly incomplete FAQ. [[MicrotonalTheory|Microtonal Theory]] is a collection of inventions intended to shape understanding of tunings, with [[Mathematical Theory]] exploring areas not everyone will want or need to consider. A growing [[scaleindex|scale gallery]] is here as well. [[The Library]] is a collection of articles, books, and dissertations related to tuning theory. For all these new theories and scales, new [[notation]] is sometimes needed to write it down. Also helpful are [[microtonalListeningList|links to lots]] of microtonal music that has been made, in case you're wondering what it all sounds like. And on top of that, a section on the microtonal capabilities of various [[microtonalinstruments|instruments]] of (eventually) all sorts. Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist [[whynotmicrotonality|here]]. You will surely meet others with similar opinions in your journey. However, if even in the face of such opinions, you're still convinced that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already! [[image:epaddlenecks.jpg width="315" height="420" align="center"]]
Original HTML content:
<html><head><title>home</title></head><body><strong>WELCOME to the XENHARMONIC WIKI, an open resource for ANYone curious about ANY aspect of microtonal music, xenharmonic music, alternative tuning practices, et cetera.</strong><br /> <br /> This wiki is a repository for information about specific <a class="wiki_link" href="/musical%20interval%20systems">tuning systems</a>, as well as the relations <a class="wiki_link" href="/interscalar">between</a> them and the theory behind them. It is added to by volunteers only when doing so is <a class="wiki_link_ext" href="http://edutechwiki.unige.ch/en/Radical_constructivism" rel="nofollow">useful</a> to them. It is a <em>living wiki</em> by structure, meaning anyone can add a new page or add content to an existing page. Relevant new content is most welcome.<br /> <br /> Here is one person's attempt to answer the question, "<a class="wiki_link" href="/Why%20microtonality%3F">Why microtonality?</a>" In the <a class="wiki_link" href="/introduction">introduction</a> you will find the grossly incomplete FAQ. <a class="wiki_link" href="/MicrotonalTheory">Microtonal Theory</a> is a collection of inventions intended to shape understanding of tunings, with <a class="wiki_link" href="/Mathematical%20Theory">Mathematical Theory</a> exploring areas not everyone will want or need to consider. A growing <a class="wiki_link" href="/scaleindex">scale gallery</a> is here as well. <a class="wiki_link" href="/The%20Library">The Library</a> is a collection of articles, books, and dissertations related to tuning theory.<br /> <br /> For all these new theories and scales, new <a class="wiki_link" href="/notation">notation</a> is sometimes needed to write it down. Also helpful are <a class="wiki_link" href="/microtonalListeningList">links to lots</a> of microtonal music that has been made, in case you're wondering what it all sounds like.<br /> <br /> And on top of that, a section on the microtonal capabilities of various <a class="wiki_link" href="/microtonalinstruments">instruments</a> of (eventually) all sorts.<br /> <br /> Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist <a class="wiki_link" href="/whynotmicrotonality">here</a>. You will surely meet others with similar opinions in your journey. However, if even in the face of such opinions, you're still convinced that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already!<br /> <br /> <!-- ws:start:WikiTextLocalImageRule:0:<div style="text-align: center"><img src="/file/view/epaddlenecks.jpg/246139131/315x420/epaddlenecks.jpg" alt="" title="" style="height: 420px; width: 315px;" /></div> --><div style="text-align: center"><img src="/file/view/epaddlenecks.jpg/246139131/315x420/epaddlenecks.jpg" alt="epaddlenecks.jpg" title="epaddlenecks.jpg" style="height: 420px; width: 315px;" /></div><!-- ws:end:WikiTextLocalImageRule:0 --></body></html>