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Wikispaces>mbattaglia1 **Imported revision 391345892 - Original comment: ** |
Wikispaces>xenwolf **Imported revision 438094452 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2013-06-14 06:52:02 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>438094452</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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For all these new theories and scales, new [[notation]] is sometimes needed to write it down. Also helpful are [[microtonalListeningList|links to lots]] of microtonal music that has been made, in case you're wondering what it all sounds like. | For all these new theories and scales, new [[notation]] is sometimes needed to write it down. Also helpful are [[microtonalListeningList|links to lots]] of microtonal music that has been made, in case you're wondering what it all sounds like. | ||
And on top of that, a section on the microtonal capabilities of various [[microtonalinstruments|instruments]] of (eventually) all sorts. | And on top of that, a section on the [[Microtone|microtonal]] capabilities of various [[microtonalinstruments|instruments]] of (eventually) all sorts. | ||
Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist [[whynotmicrotonality|here]]. In contrast, a very short counterargument can be found [[whynotnotmicrotonality|here]]. If, despite these differences of opinion, you're intrigued that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already! | Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist [[whynotmicrotonality|here]]. In contrast, a very short counterargument can be found [[whynotnotmicrotonality|here]]. If, despite these differences of opinion, you're intrigued that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already! | ||
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For all these new theories and scales, new <a class="wiki_link" href="/notation">notation</a> is sometimes needed to write it down. Also helpful are <a class="wiki_link" href="/microtonalListeningList">links to lots</a> of microtonal music that has been made, in case you're wondering what it all sounds like.<br /> | For all these new theories and scales, new <a class="wiki_link" href="/notation">notation</a> is sometimes needed to write it down. Also helpful are <a class="wiki_link" href="/microtonalListeningList">links to lots</a> of microtonal music that has been made, in case you're wondering what it all sounds like.<br /> | ||
<br /> | <br /> | ||
And on top of that, a section on the microtonal capabilities of various <a class="wiki_link" href="/microtonalinstruments">instruments</a> of (eventually) all sorts.<br /> | And on top of that, a section on the <a class="wiki_link" href="/Microtone">microtonal</a> capabilities of various <a class="wiki_link" href="/microtonalinstruments">instruments</a> of (eventually) all sorts.<br /> | ||
<br /> | <br /> | ||
Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist <a class="wiki_link" href="/whynotmicrotonality">here</a>. In contrast, a very short counterargument can be found <a class="wiki_link" href="/whynotnotmicrotonality">here</a>. If, despite these differences of opinion, you're intrigued that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already!<br /> | Microtonality can be one of the most rewarding endeavors that a musician can embark on, though it can, at times, be challenging. Some ex-microtonalists have attempted to make the case that 12-EDO is enough, as is the case in this op-ed from an ex-microtonalist <a class="wiki_link" href="/whynotmicrotonality">here</a>. In contrast, a very short counterargument can be found <a class="wiki_link" href="/whynotnotmicrotonality">here</a>. If, despite these differences of opinion, you're intrigued that there lies an exciting new world to explore beyond the threshold, you're in the right place. So get going already!<br /> | ||
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