Talk:Meantone: Difference between revisions
→Unlisted strong 7-limit Meantone extension (provisional name Mildtone)?: The 13th and higher harmonics |
→Unlisted strong 7-limit Meantone extension (provisional name Mildtone)?: The higher harmonics on the Lumatone mappings for 55EDO |
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:::::: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:51, 9 January 2025 (UTC) | :::::: [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 08:51, 9 January 2025 (UTC) | ||
:::::: Decided to look at where the higher harmonics end up on the [[Lumatone mapping for 55edo]]. While the harmonics up to 13 fit better with the lowest harmonics in the 6L 1s mapping, the 17th and 19th harmonics fit together best with the lowest harmonics in the Bosanquet mapping (and the 23rd harmonic is awkward with both); of course this is subject to extensive modification if playing in a key signature that causes vertical wrapround. So I have the barest beginnings of an idea for badness rating (nowhere near complete since I don't know how to compute the original types of badness) that takes into account playability, but it is going to be hamstrung by such differences in key layouts. [[User:Lucius Chiaraviglio|Lucius Chiaraviglio]] ([[User talk:Lucius Chiaraviglio|talk]]) 10:03, 9 January 2025 (UTC) |