14edo: Difference between revisions
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{{EDO intro|14}} | {{EDO intro|14}} | ||
== Theory == | == Theory == | ||
The character of 14edo does not well serve those seeking low-limit JI approaches, with the exception of 5:7:9:11:17:19 (which is quite well approximated, relative to other JI approximations of the low-numbered EDOs). However, the | The character of 14edo does not well serve those seeking low-[[limit]] JI approaches, with the exception of [[Subgroup|5:7:9:11:17:19]] (which is quite well approximated, relative to other JI approximations of the low-numbered EDOs). However, the [[ratio]]s 7/5, 7/6, 9/7, 10/7, 10/9, 11/7, 11/9, and 11/10 are all recognizably approximated, and if you accept that 14edo offers approximations of these intervals, you end up with a low-complexity, high-damage [[11-limit]] temperament where the [[comma]]s listed later in this page are [[tempered out]]. This leads to some of the bizarre equivalences described in the second "Approximate Ratios" column in the table. | ||
14et has quite a bit of xenharmonic appeal, in a similar way to 17et, on account of having three types of 3rd and three types of 6th, rather than the usual two of 12et. Since 14et also has a recognizable 4th and 5th, this makes it good for those wishing to explore alternative triadic harmonies without adding significantly more notes. It possesses a triad-rich 9-note MOS scale of [[5L 4s]], wherein 7 of 9 notes are tonic to a subminor, supermajor, and/or neutral triad. | 14et has quite a bit of [[xenharmonic]] appeal, in a similar way to [[17edo|17et]], on account of having three types of 3rd and three types of 6th, rather than the usual two of [[12et]]. Since 14et also has a recognizable 4th and 5th, this makes it good for those wishing to explore alternative triadic harmonies without adding significantly more notes. It possesses a [[triad]]-rich 9-note [[MOS scale]] of [[5L 4s]], wherein 7 of 9 notes are [[tonic]] to a subminor, supermajor, and/or neutral triad. | ||
=== Prime harmonics === | === Prime harmonics === |