22edo/Unque's compositional approach: Difference between revisions
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| Line 17: | Line 17: | ||
! Notation | ! Notation | ||
! Notes | ! Notes | ||
|- | |||
| 0\22 | |||
| 0 | |||
| 1/1 | |||
| | |||
| C | |||
| | |||
|- | |- | ||
| 1\22 | | 1\22 | ||
| Line 22: | Line 29: | ||
| [[36/35]], [[28/27]], [[25/24]] | | [[36/35]], [[28/27]], [[25/24]] | ||
| [[Escapade]] | | [[Escapade]] | ||
| | | D♭, A𝄪 | ||
| | | | ||
|- | |- | ||
| Line 29: | Line 36: | ||
| [[16/15]] | | [[16/15]] | ||
| [[11edo]] | | [[11edo]] | ||
| | | B♯, E𝄫 | ||
| | | | ||
|- | |- | ||
| Line 36: | Line 43: | ||
| [[11/10|10/9]] | | [[11/10|10/9]] | ||
| [[Porcupine]] | | [[Porcupine]] | ||
| | | C♯, F𝄫 | ||
| | | | ||
|- | |- | ||
| Line 50: | Line 57: | ||
| [[7/6]] | | [[7/6]] | ||
| [[Orwell]] | | [[Orwell]] | ||
| | | E♭, B𝄪 | ||
| Often considered more dissonant than a true 7/6. | | Often considered more dissonant than a true 7/6. | ||
|- | |- | ||
| Line 57: | Line 64: | ||
| [[6/5]] | | [[6/5]] | ||
| [[Orgone]] (actually in [[11edo]]) | | [[Orgone]] (actually in [[11edo]]) | ||
| | | F♭, C𝄪 | ||
| Somewhat contentious JI interpretation (see below). | | Somewhat contentious JI interpretation (see below). | ||
|- | |- | ||
| Line 64: | Line 71: | ||
| [[5/4]] | | [[5/4]] | ||
| [[Magic]] | | [[Magic]] | ||
| | | D♯, G𝄫 | ||
| | | | ||
|- | |- | ||
| Line 85: | Line 92: | ||
| [[15/11]], [[11/8]] | | [[15/11]], [[11/8]] | ||
| Unnamed [[2L 7s|Balzano]] temp | | Unnamed [[2L 7s|Balzano]] temp | ||
| | | G♭, D𝄪 | ||
| Somewhat contentious JI interpretation. | | Somewhat contentious JI interpretation. | ||
|- | |- | ||
| Line 92: | Line 99: | ||
| [[45/32]], [[64/45]] | | [[45/32]], [[64/45]] | ||
| [[2edo]]; period for several temps | | [[2edo]]; period for several temps | ||
| | | E♯, A𝄫 | ||
| | | | ||
|- | |- | ||
| Line 99: | Line 106: | ||
| [[16/11]], [[22/15]] | | [[16/11]], [[22/15]] | ||
| Unnamed Balzano temp | | Unnamed Balzano temp | ||
| | | F♯ | ||
| | | | ||
|- | |- | ||
| Line 113: | Line 120: | ||
| [[14/9]], [[11/7]] | | [[14/9]], [[11/7]] | ||
| Sensamagic | | Sensamagic | ||
| | | A♭, E𝄪 | ||
| | | | ||
|- | |- | ||
| Line 120: | Line 127: | ||
| [[8/5]] | | [[8/5]] | ||
| Magic | | Magic | ||
| | | B𝄫, F𝄪 | ||
| This one specific note is very contentious in notation. | | This one specific note is very contentious in notation. | ||
|- | |- | ||
| Line 127: | Line 134: | ||
| [[5/3]] | | [[5/3]] | ||
| Orgone (actually in [[11edo]]) | | Orgone (actually in [[11edo]]) | ||
| | | G♯, C𝄫 | ||
| | | | ||
|- | |- | ||
| Line 141: | Line 148: | ||
| [[7/4]], [[16/9]] | | [[7/4]], [[16/9]] | ||
| Jubilic | | Jubilic | ||
| | | B♭ | ||
| | | | ||
|- | |- | ||
| Line 148: | Line 155: | ||
| [[20/11|9/5]] | | [[20/11|9/5]] | ||
| Porcupine | | Porcupine | ||
| | | C♭, G𝄪 | ||
| | | | ||
|- | |- | ||
| Line 155: | Line 162: | ||
| [[15/8]] | | [[15/8]] | ||
| 11edo | | 11edo | ||
| | | A♯, D𝄫 | ||
| | | | ||
|- | |- | ||