User:Zhenlige/EDO impressions: Difference between revisions
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When talking about accuracy, assuming harmonic overtone. | |||
*[[0edo|0]]: A fancy way to say “pitchless”. | *[[0edo|0]]: A fancy way to say “pitchless”. | ||
*[[1edo|1]]: Equivalent to [[2-limit]] JI. Not much about harmony. Possibly useful for a transition between different tunings. | *[[1edo|1]]: Equivalent to [[2-limit]] JI. Not much about harmony. Possibly useful for a transition between different tunings. | ||
*[[2edo|2]]: | *[[2edo|2]]: | ||
*[[3edo|3]]: | *[[3edo|3]]: 12edo augmented chords. | ||
* | *[[4edo|4]]: 12edo diminished seventh chords. | ||
*[[5edo|5]]: | *[[5edo|5]]: | ||
*[[6edo|6]]: Incomplete 12edo. | *[[6edo|6]]: Incomplete 12edo. | ||
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*[[11edo|11]]: Incomplete 22edo. | *[[11edo|11]]: Incomplete 22edo. | ||
*[[12edo|12]]: It deserves its position. A good tuning for almost all music, | *[[12edo|12]]: It deserves its position. A good tuning for almost all types of music, though not perfect. Very excellent [[3/2]] as well as prime [[17/1|17]] and [[19/1|19]] for its size. Easy to make [[../12neji|accurate NEJIs]]. | ||
*... | *... | ||
*[[15edo|15]]: Better than it seems to be, tho still rough. A heavily stretched [[Carlos Alpha]] scale. | *[[15edo|15]]: Better than it seems to be, tho still rough. A heavily stretched [[Carlos Alpha]] scale. | ||
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*[[31edo|31]]: Ideal for pure-octave [[meantone]], combining lots of 11-limit extensions in a single tuning. For other temperaments its flat fifth is a drawback. | *[[31edo|31]]: Ideal for pure-octave [[meantone]], combining lots of 11-limit extensions in a single tuning. For other temperaments its flat fifth is a drawback. | ||
*.. | *... | ||
*[[34edo|34]]: 17 with prime [[5/1|5]]. | *[[34edo|34]]: 17 with prime [[5/1|5]]. | ||
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