Pythagoras of Samos: Difference between revisions
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* The [[Pythagorean countercomma]] | * The [[Pythagorean countercomma]] | ||
* The [[Pythagorean dominant seventh chord]] | * The [[Pythagorean dominant seventh chord]] | ||
* The [[ | * The [[schismic–Pythagorean equivalence continuum]] | ||
In tuning theory, "Pythagorean" has come to be almost synonymous with a [[3-limit]], pure [[just intonation]] approach to tuning. However, because "Pythagorean" and "Pythagoras'" have been applied to so many different concepts over the centuries, a lot of these terms are a little bit ill-defined, with potential for confusion around what exactly someone means when they say "Pythagorean tuning" or something of the sort. | In tuning theory, "Pythagorean" has come to be almost synonymous with a [[3-limit]], pure [[just intonation]] approach to tuning. However, because "Pythagorean" and "Pythagoras'" have been applied to so many different concepts over the centuries, a lot of these terms are a little bit ill-defined, with potential for confusion around what exactly someone means when they say "Pythagorean tuning" or something of the sort. | ||