User:ArrowHead294: Difference between revisions

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::: Can reach E5 (655–665 Hz) and F5 (695–705 Hz)

I've also been told I have "perfect pitch" since I acquired the ability to recognise notes (in A = 440 Hz and 12edo) from a young age, though I have grown increasingly disdainful towards the terms "perfect pitch" and "absolute pitch" since late 2022 (the start of my last term of college) since it locked me into 12edo with A = 440 Hz and anything else sounded "wrong" to me. This is even more true nowadays since I now prefer other tunings over 12edo in a lot of cases.

I've also been told I have "perfect pitch" since I acquired the ability to recognise notes (in {{nowrap|A {{=}} 440 Hz}} and 12edo) from a young age, though I have grown increasingly disdainful towards the terms "perfect pitch" and "absolute pitch" since late 2022 (the start of my last term of college) since it locked me into 12edo with {{nowrap|A {{=}} 440 Hz}} and anything else sounded "wrong" to me. This is even more true nowadays since I now prefer other tunings over 12edo in a lot of cases.

== Favourite tunings within Western music ==

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Most Western musicians only know 12edo, and my musical background is mainly classical, so my main interests have been in Pythagorean and meantone. I'm quite active in church despite being non-religious, and most of the alternative tunings I introduce to others are flatter-than-12 meantones as they're relatively easy to get into.

I've known about quarter tones ([[24edo]]) since I was very young. I've even dabbled around with it before 2022, and used its absolute frequencies with A = 440 Hz as a way to compare just intonation and equal temperament, though for most of my life that was the only microtonal tuning I knew about. Since late 2022, I've also gotten into sixth tones ([[36edo]]) for exploring septimal harmonies.

I've known about quarter tones ([[24edo]]) since I was very young. I've even dabbled around with it before 2022, and used its absolute frequencies with {{nowrap|A {{=}} 440 Hz}} as a way to compare just intonation and equal temperament, though for most of my life that was the only microtonal tuning I knew about. As a result, my knowledge of just intonation was very much limited to the 2.3.5.11.37 subgroup.

Since late 2022, I've also gotten into sixth tones ([[36edo]]) for exploring septimal harmonies.

[[31edo]] is the first alternative tuning I learned about which helped me break out of 12-TET's walled garden, and [[Sevish]]'s song ''Better Left Unanswered'' is the first microtonal work I've ever heard that wasn't in standard quarter tones. I learned about it mainly after exploring quarter-comma meantone in classical music, and I think it's the most practical alternate tuning for most Western musicians to get into. It has excellent 7-limit and 11-limit harmonies as well (even better than 36edo), so it could also be useful for blues and jazz.

@@ Line 15: / Line 15: @@
 ::: Can reach E5 (655&ndash;665 Hz) and F5 (695&ndash;705 Hz)
-I've also been told I have "perfect pitch" since I acquired the ability to recognise notes (in A = 440 Hz and 12edo) from a young age, though I have grown increasingly disdainful towards the terms "perfect pitch" and "absolute pitch" since late 2022 (the start of my last term of college) since it locked me into 12edo with A = 440 Hz and anything else sounded "wrong" to me. This is even more true nowadays since I now prefer other tunings over 12edo in a lot of cases.
+I've also been told I have "perfect pitch" since I acquired the ability to recognise notes (in {{nowrap|A {{=}} 440 Hz}} and 12edo) from a young age, though I have grown increasingly disdainful towards the terms "perfect pitch" and "absolute pitch" since late 2022 (the start of my last term of college) since it locked me into 12edo with {{nowrap|A {{=}} 440 Hz}} and anything else sounded "wrong" to me. This is even more true nowadays since I now prefer other tunings over 12edo in a lot of cases.
 == Favourite tunings within Western music ==
@@ Line 21: / Line 21: @@
 Most Western musicians only know 12edo, and my musical background is mainly classical, so my main interests have been in Pythagorean and meantone. I'm quite active in church despite being non-religious, and most of the alternative tunings I introduce to others are flatter-than-12 meantones as they're relatively easy to get into.
-I've known about quarter tones ([[24edo]]) since I was very young. I've even dabbled around with it before 2022, and used its absolute frequencies with A = 440 Hz as a way to compare just intonation and equal temperament, though for most of my life that was the only microtonal tuning I knew about. Since late 2022, I've also gotten into sixth tones ([[36edo]]) for exploring septimal harmonies.
+I've known about quarter tones ([[24edo]]) since I was very young. I've even dabbled around with it before 2022, and used its absolute frequencies with {{nowrap|A {{=}} 440 Hz}} as a way to compare just intonation and equal temperament, though for most of my life that was the only microtonal tuning I knew about. As a result, my knowledge of just intonation was very much limited to the 2.3.5.11.37 subgroup.
+Since late 2022, I've also gotten into sixth tones ([[36edo]]) for exploring septimal harmonies.
 [[31edo]] is the first alternative tuning I learned about which helped me break out of 12-TET's walled garden, and [[Sevish]]'s song ''Better Left Unanswered'' is the first microtonal work I've ever heard that wasn't in standard quarter tones. I learned about it mainly after exploring quarter-comma meantone in classical music, and I think it's the most practical alternate tuning for most Western musicians to get into. It has excellent 7-limit and 11-limit harmonies as well (even better than 36edo), so it could also be useful for blues and jazz.