User:BudjarnLambeth: Difference between revisions
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====Intervals==== | ====Intervals==== | ||
0c | 0c | ||
1:1 | 1:1 | ||
100c | 100c | ||
20:19, 19:18, 18:17, 17:16, 16:15 | 20:19, 19:18, 18:17, 17:16, 16:15 | ||
200c | 200c | ||
10:9, 19:17, 9:8, 17:15 | 10:9, 19:17, 9:8, 17:15 | ||
300c | 300c | ||
20:17, 32:27, 19:16, 6:5 | 20:17, 32:27, 19:16, 6:5 | ||
400c | 400c | ||
5:4, 34:27, 24:19, 19:15 | 5:4, 34:27, 24:19, 19:15 | ||
500c | 500c | ||
4:3, 27:20 | 4:3, 27:20 | ||
600c | 600c | ||
24:17, 17:12, 27:19 | 24:17, 17:12, 27:19 | ||
700c | 700c | ||
3:2 | 3:2 | ||
800c | 800c | ||
30:19, 19:12, 27:17, 8:5 | 30:19, 19:12, 27:17, 8:5 | ||
900c | 900c | ||
5:3, 32:19, 27:16, 17:10 | 5:3, 32:19, 27:16, 17:10 | ||
1000c | 1000c | ||
30:17, 16:9, 9:5 | 30:17, 16:9, 9:5 | ||
1100c | 1100c | ||
15:8, 32:17, 17:9, 36:19, 19:10 | 15:8, 32:17, 17:9, 36:19, 19:10 | ||
Revision as of 01:09, 2 November 2024
Personal information
- Location: New South Wales, Australia
- Born: 1999
- Gender: Male
- Contactable at: https://www.facebook.com/budjarnlambeth/
Music
My three favourite tracks I have made:
YouTube discography:
https://youtube.com/playlist?list=PLVHnByvMeRTohfmDPkc0EfOByWaX4xXAF
Bandcamp discography:
https://budjarnlambeth.bandcamp.com/
Some tracks on Bandcamp have not yet been uploaded to YouTube and vice versa.
My favourite microtonal composers
Wiki contributions
Discoveries
- Anti-zeta EDOs
- Equal divisions of 237.8c
- Equal divisions of 255/128
- Equal divisions of 257/128
- Equalizer subgroups
- Indecisive EDOs
- Local zeta EDOs
- MOS inflection
- Parker EDOs
- Substitute harmonics
- Tritavesque intervals
Discovered/invented scales
- The anisopteran scale
- The antipental blues scale
- The apex scale
- The bathypelagic scale
- The blackened skies scale
- The carousel scale
- The cosmic scale
- The dewdrops scale
- The direct sunlight scale
- The firedance scale
- The hypersakura scale
- The lost spirit scale
- The magnetosphere scale
- The mechanical scale
- The monsoon scale
- The moonbeam scale
- The nightdrive scale
- The Over the Hedge scale
- The palace scale
- The pelagic scale
- The rockpool scale
- The sooty fox scales
- The spectral blues scale
- The UFO scale
- The volcanic scale
- The apple mint, bubblegum, candycorn, cola, lemonade, liquorice, sourgummy, spearmint, trailmix & whitechocolate scales
- The Dante, Da Vinci, Dawkins, Deepak, Deja Vu, Delgado, Dolly, Dylan, Fergus & Hansel scales
- The H.ammy, H.eather, O.zzie, R.J, S.tella, T.iger & V.erne scales
Discovered/invented temperaments
- Blacktetra temperament
- Daggerminished temperament
- Dotcom temperament
- Doubloon temperaments
- Dreamtone temperament
- Ectophotia temperament
- Fifigeist temperament
- Floor temperament
- Fomalhaut temperament
- Fourwar temperament
- Glycome temperament
- Hypnotone temperament
- Income temperament
- Intercom temperament
- Kaboom temperament
- Lieerie temperament
- Lipsett temperament
- Lylla temperament
- Minicom temperament
- Newcome temperament
- Nimona temperament
- Outcome temperament
- Pajaraxe temperament
- Phantadecimal temperament
- Phantasrutal temperament
- Poltercompton temperament
- Rocket temperament
- Romcom temperament
- Sahara temperament
- Satcom temperament
- Semiamulet temperament
- Shadecimal temperament
- Shrutarnatural temperament
- Sitcom temperament
- Sixscared temperament
- Spectrephore temperament
- Teefs temperament
- Telecom temperament
- Tetramagic temperament
- Vacuum temperament
- Void temperament
- Vortex temperament
- Werecatler temperament
- Attic, basement, canine, incisor, lightyear, lilac, lilly pilly, lily, lutra, molar, oxidizer & sky temperaments
Coined names
- The anthill comma
- Austinpowers temperament
- Catnip temperament
- The dalmatian scale
- The goldfish scale
- The nokotan
- The shaftesburisma
- The zudilisma
More description than name:
- The difference of 169/168 and 170/169
- The septendecimal ~20edo-step
- The tridecimal eighth-octave comma
Major edits
- Added categories & pre tags to several hundred pages with Scala files
- Added infobox, intro, modes & subheadings to dozens of MOS scale pages
- Added intro, intervals table and harmonics table to several hundred equal-step tuning pages (which used to just be blank pages with a single infobox)
- Added links around the wiki to over a hundred previously orphaned pages
- Added list of sources and inline citations for the historical temperaments page
- Added all missing commas from “Category:Large commas” to the table on the page “Large commas”
- Added all missing commas from “Category:Medium commas” to the table on the page “Medium commas”
- Added all missing commas from “Category:Small commas” to the table on the page “Small comma”
- Added all missing commas from “Category:Unnoticeable commas” to the table on the page “Unnoticeable commas”
- Authored several extensive lists of scales
- Constructed tables of zeta-streched edos and n-comma meantone generators
- Created the Xenharmonic Wiki:Cross-platform dialogue page
- Merged “useful tools” & “software” into one unified page
- Authored dozens of wanted pages about composers
- Constructed the 5-, 6-, 7-, 8-, 9- and 12-period tables on the map of rank-2 temperaments, and substantially added to the 2-, 3- and 4- tables also
Full list
(To-do)
Things I plan to do on the wiki in the near future:
- Continue to build Systematic comma names explained
- Correct number of notes placements for survey of efficient temperaments by subgroup
- Answer all the outstanding FAQ questions, and ask and answer some new ones too, to make the FAQ more complete and up to par with the rest of the wiki.
- Clean up my 5- to 10-tone scales pages. In particular, change the scales to be in the more compact format that is used on edo pages.
Interpreting 12edo as a 2.3.5.17.19 system
Intervals
0c
1:1
100c
20:19, 19:18, 18:17, 17:16, 16:15
200c
10:9, 19:17, 9:8, 17:15
300c
20:17, 32:27, 19:16, 6:5
400c
5:4, 34:27, 24:19, 19:15
500c
4:3, 27:20
600c
24:17, 17:12, 27:19
700c
3:2
800c
30:19, 19:12, 27:17, 8:5
900c
5:3, 32:19, 27:16, 17:10
1000c
30:17, 16:9, 9:5
1100c
15:8, 32:17, 17:9, 36:19, 19:10
Chords
These chords work particularly well if you drop the root note down an octave, better mimicking the shape of the harmonic series.
(e.g you can play "chord 0-15-19-20-21-22-23" instead of "chord 0-3-7-8-9-10-11")
Chord 0-3-8-10
5:6:8:9
Chord 0-5-7-9
6:8:9:10
Chord 0-2-4-7-11
8:9:10:12:15
Chord 0-2-5-10-11
9:10:12:16:17
Chord 0-3-7-8-9-10-11
10:12:15:16:17:18:19
Chord 0-4-5-6-7-8-9
12:15:16:17:18:19:20
Chord 0-1-2-3-4-5-8-10
15:16:17:18:19:20:24:27
Chord 0-1-2-3-4-7-11
16:17:18:19:20:24:30
Chord 0-1-2-3-6-8-10-11
17:18:19:20:24:27:30:32
Chord 0-1-2-5-7-9-10-11
18:19:20:24:27:30:32:34
Chord 0-1-4-6-8-9-11
19:20:24:27:30:32:36
Chord 0-3-4-5-7-8-9-10-11
20:24:25:27:30:32:34:36:38