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Gallery of 12-tone just intonation scales: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-03-04 19:32:45 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-03-04 19:36:03 UTC</tt>.<br>
: The original revision id was <tt>207494568</tt>.<br>
: The original revision id was <tt>207494988</tt>.<br>
: The revision comment was: <tt></tt><br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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** listen to Chris Vaisvil's improv [[http://tinyurl.com/4omx9af|here]].
** listen to Chris Vaisvil's improv [[http://tinyurl.com/4omx9af|here]].
* [[ptolex]] John Lyle Smith's extended septimal Ptolemy
* [[ptolex]] John Lyle Smith's extended septimal Ptolemy
* [[http://www.notonlymusic.com/board/download/file.php?id=1993|Te Deum Laudamus]]
** [[http://www.notonlymusic.com/board/download/file.php?id=1993|John Lyle Smith's Te Deum Laudamus]]
* [[harrisonm_rev]] Michael Harrison's [[http://www.michaelharrison.com/harmonic-tunings.html|Revelation Tuning]]
* [[harrisonm_rev]] Michael Harrison's [[http://www.michaelharrison.com/harmonic-tunings.html|Revelation Tuning]]
* [[sonbirkezsorted]] Sonbirkez Huzzam scale
* [[sonbirkezsorted]] Sonbirkez Huzzam scale
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One approach to making just intonation not only practical but easy is to map an &lt;a class="wiki_link" href="/Periodic%20scale"&gt;octave-repeating&lt;/a&gt; 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a &lt;a class="wiki_link" href="/Gallery%20of%2012-tone%20Tempered%20Scales"&gt;companion page&lt;/a&gt; does the same for tempered scales.&lt;br /&gt;
One approach to making just intonation not only practical but easy is to map an &lt;a class="wiki_link" href="/Periodic%20scale"&gt;octave-repeating&lt;/a&gt; 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a &lt;a class="wiki_link" href="/Gallery%20of%2012-tone%20Tempered%20Scales"&gt;companion page&lt;/a&gt; does the same for tempered scales.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/otones12-24"&gt;otones 12-24&lt;/a&gt; a.k.a. Mode 12 of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/genovese_12"&gt;genovese_12&lt;/a&gt; Denny Genovese's superposition of harmonics 8-16 and subharmonics 6-12&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/centaur"&gt;centaur&lt;/a&gt;, a 7-limit tuning &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/centaur.html" rel="nofollow"&gt;discovered by Kraig Grady&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/nofives"&gt;nofives&lt;/a&gt; a 3 &amp;amp; 7 scale discovered by Gene Ward Smith&lt;ul&gt;&lt;li&gt;see &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=n7mxHWdkV04" rel="nofollow"&gt;this piano improvisation&lt;/a&gt; by Aaron Krister Johnson.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/omaha"&gt;omaha&lt;/a&gt; A 2.3.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/portsmouth"&gt;portsmouth&lt;/a&gt; A 2.3.7.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/unimajor"&gt;unimajor&lt;/a&gt; A 2.3.11/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/canton"&gt;canton&lt;/a&gt; A 2.3.11/7.13/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/locomotive"&gt;locomotive&lt;/a&gt; A 2.9.11.13 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duohex"&gt;duohex&lt;/a&gt; a scale with two hexanies&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_7"&gt;dwarf12_7&lt;/a&gt; the 7-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_11"&gt;dwarf12_11&lt;/a&gt; the 11-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/breedball3"&gt;breedball3&lt;/a&gt; the third breed ball around 49/40-7/4&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool1"&gt;12highschool1&lt;/a&gt; first 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool2"&gt;12highschool2&lt;/a&gt; second 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; Hahn-reduced 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexy"&gt;hexy&lt;/a&gt; maximized 9-limit harmony containing a hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bihexany"&gt;bihexany&lt;/a&gt; Hole around [0, 1/2, 1/2, 1/2]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn_7"&gt;hahn_7&lt;/a&gt; Paul Hahn's scale with 32 consonant 7-limit dyads. TL '99&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prism"&gt;prism&lt;/a&gt; Carl Lumma scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pris"&gt;pris&lt;/a&gt; optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/glumma"&gt;glumma&lt;/a&gt; a &amp;lt;12 19 27 34|-epimorphic rectangular scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/rectoo"&gt;rectoo&lt;/a&gt; Hahn reduced circle of fifths via &amp;lt;12 19 27 34|&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/blue-ji"&gt;blue-ji&lt;/a&gt; John O'Sullivan and Carl Lumma&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3" rel="nofollow"&gt;Sweeney's Agony&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilson_class"&gt;wilson_class&lt;/a&gt; Erv Wilson's class&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex"&gt;stelhex&lt;/a&gt; Stellated two out of 1 3 5 7 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex2"&gt;stelhex2&lt;/a&gt; Stellated two out of 1 3 5 9 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stexhex5"&gt;stexhex5&lt;/a&gt; Stellated two out of 1 3 7 9 hexany, stellation is degenerate&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/max%20scales"&gt;max scales&lt;/a&gt; 31 dyads 26 triads 6 tetrads 2 pentads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/cv%20scales"&gt;cv scales&lt;/a&gt; &lt;a class="wiki_link" href="/Periodic%20scale"&gt;epimorphic scales&lt;/a&gt; with three major and two minor tetrads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/carlos_harm"&gt;carlos_harm&lt;/a&gt; Wendy Carlos Harmonic Scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/young-lm_piano"&gt;young-lm_piano&lt;/a&gt; La Monte Young's scale from The Well-Tuned Piano&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/steel"&gt;steel&lt;/a&gt; an 11-limit tuning discovered by Lou Harrison and Bill Slye&lt;ul&gt;&lt;li&gt;see David B. Doty's &lt;a class="wiki_link_ext" href="http://www.dbdoty.com/SteelSuiteIntro.html" rel="nofollow"&gt;Steel Suite&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/serafini-11"&gt;serafini-11&lt;/a&gt; Serafini's &lt;a class="wiki_link_ext" href="http://electro-music.com/forum/topic-14631.html" rel="nofollow"&gt;11's chromatic scale&lt;/a&gt;, an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/biggulp"&gt;biggulp&lt;/a&gt; Big Gulp tuning&lt;ul&gt;&lt;li&gt;listen to Chris Vaisvil's improv &lt;a class="wiki_link_ext" href="http://tinyurl.com/4omx9af" rel="nofollow"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ptolex"&gt;ptolex&lt;/a&gt; John Lyle Smith's extended septimal Ptolemy&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.notonlymusic.com/board/download/file.php?id=1993" rel="nofollow"&gt;Te Deum Laudamus&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrisonm_rev"&gt;harrisonm_rev&lt;/a&gt; Michael Harrison's &lt;a class="wiki_link_ext" href="http://www.michaelharrison.com/harmonic-tunings.html" rel="nofollow"&gt;Revelation Tuning&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sonbirkezsorted"&gt;sonbirkezsorted&lt;/a&gt; Sonbirkez Huzzam scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mohajira-to-slendro"&gt;mohajira-to-slendro&lt;/a&gt; Dudon's &amp;quot;From Mohajira to Aeolian and Slendros&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sevish"&gt;sevish&lt;/a&gt; Sean &amp;quot;Sevish&amp;quot; Archibald's &amp;quot;Trapped in a Cycle&amp;quot; scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm2"&gt;malcolm2&lt;/a&gt; Alexander Malcolm's 1721 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Secor5_23TX"&gt;Secor5_23TX&lt;/a&gt; George Secor's synchronous 5/23-comma temperament extraordinaire&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bicycle"&gt;bicycle&lt;/a&gt; George Secor's (also Wilson's and Heathwaite's) 13-limit harmonic bicycle&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrison_cinna"&gt;harrison_cinna&lt;/a&gt; Lou Harrison, &amp;quot;Incidental Music for Corneille's Cinna&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/oljare"&gt;oljare&lt;/a&gt; Mats Öljare, scale for &amp;quot;Tampere&amp;quot; (2001)&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/otones12-24"&gt;otones 12-24&lt;/a&gt; a.k.a. Mode 12 of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/genovese_12"&gt;genovese_12&lt;/a&gt; Denny Genovese's superposition of harmonics 8-16 and subharmonics 6-12&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/centaur"&gt;centaur&lt;/a&gt;, a 7-limit tuning &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/centaur.html" rel="nofollow"&gt;discovered by Kraig Grady&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/nofives"&gt;nofives&lt;/a&gt; a 3 &amp;amp; 7 scale discovered by Gene Ward Smith&lt;ul&gt;&lt;li&gt;see &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=n7mxHWdkV04" rel="nofollow"&gt;this piano improvisation&lt;/a&gt; by Aaron Krister Johnson.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/omaha"&gt;omaha&lt;/a&gt; A 2.3.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/portsmouth"&gt;portsmouth&lt;/a&gt; A 2.3.7.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/unimajor"&gt;unimajor&lt;/a&gt; A 2.3.11/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/canton"&gt;canton&lt;/a&gt; A 2.3.11/7.13/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/locomotive"&gt;locomotive&lt;/a&gt; A 2.9.11.13 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duohex"&gt;duohex&lt;/a&gt; a scale with two hexanies&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_7"&gt;dwarf12_7&lt;/a&gt; the 7-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_11"&gt;dwarf12_11&lt;/a&gt; the 11-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/breedball3"&gt;breedball3&lt;/a&gt; the third breed ball around 49/40-7/4&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool1"&gt;12highschool1&lt;/a&gt; first 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool2"&gt;12highschool2&lt;/a&gt; second 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; Hahn-reduced 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexy"&gt;hexy&lt;/a&gt; maximized 9-limit harmony containing a hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bihexany"&gt;bihexany&lt;/a&gt; Hole around [0, 1/2, 1/2, 1/2]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn_7"&gt;hahn_7&lt;/a&gt; Paul Hahn's scale with 32 consonant 7-limit dyads. TL '99&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prism"&gt;prism&lt;/a&gt; Carl Lumma scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pris"&gt;pris&lt;/a&gt; optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/glumma"&gt;glumma&lt;/a&gt; a &amp;lt;12 19 27 34|-epimorphic rectangular scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/rectoo"&gt;rectoo&lt;/a&gt; Hahn reduced circle of fifths via &amp;lt;12 19 27 34|&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/blue-ji"&gt;blue-ji&lt;/a&gt; John O'Sullivan and Carl Lumma&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3" rel="nofollow"&gt;Sweeney's Agony&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilson_class"&gt;wilson_class&lt;/a&gt; Erv Wilson's class&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex"&gt;stelhex&lt;/a&gt; Stellated two out of 1 3 5 7 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex2"&gt;stelhex2&lt;/a&gt; Stellated two out of 1 3 5 9 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stexhex5"&gt;stexhex5&lt;/a&gt; Stellated two out of 1 3 7 9 hexany, stellation is degenerate&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/max%20scales"&gt;max scales&lt;/a&gt; 31 dyads 26 triads 6 tetrads 2 pentads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/cv%20scales"&gt;cv scales&lt;/a&gt; &lt;a class="wiki_link" href="/Periodic%20scale"&gt;epimorphic scales&lt;/a&gt; with three major and two minor tetrads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/carlos_harm"&gt;carlos_harm&lt;/a&gt; Wendy Carlos Harmonic Scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/young-lm_piano"&gt;young-lm_piano&lt;/a&gt; La Monte Young's scale from The Well-Tuned Piano&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/steel"&gt;steel&lt;/a&gt; an 11-limit tuning discovered by Lou Harrison and Bill Slye&lt;ul&gt;&lt;li&gt;see David B. Doty's &lt;a class="wiki_link_ext" href="http://www.dbdoty.com/SteelSuiteIntro.html" rel="nofollow"&gt;Steel Suite&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/serafini-11"&gt;serafini-11&lt;/a&gt; Serafini's &lt;a class="wiki_link_ext" href="http://electro-music.com/forum/topic-14631.html" rel="nofollow"&gt;11's chromatic scale&lt;/a&gt;, an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/biggulp"&gt;biggulp&lt;/a&gt; Big Gulp tuning&lt;ul&gt;&lt;li&gt;listen to Chris Vaisvil's improv &lt;a class="wiki_link_ext" href="http://tinyurl.com/4omx9af" rel="nofollow"&gt;here&lt;/a&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ptolex"&gt;ptolex&lt;/a&gt; John Lyle Smith's extended septimal Ptolemy&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.notonlymusic.com/board/download/file.php?id=1993" rel="nofollow"&gt;John Lyle Smith's Te Deum Laudamus&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrisonm_rev"&gt;harrisonm_rev&lt;/a&gt; Michael Harrison's &lt;a class="wiki_link_ext" href="http://www.michaelharrison.com/harmonic-tunings.html" rel="nofollow"&gt;Revelation Tuning&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sonbirkezsorted"&gt;sonbirkezsorted&lt;/a&gt; Sonbirkez Huzzam scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mohajira-to-slendro"&gt;mohajira-to-slendro&lt;/a&gt; Dudon's &amp;quot;From Mohajira to Aeolian and Slendros&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sevish"&gt;sevish&lt;/a&gt; Sean &amp;quot;Sevish&amp;quot; Archibald's &amp;quot;Trapped in a Cycle&amp;quot; scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm2"&gt;malcolm2&lt;/a&gt; Alexander Malcolm's 1721 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Secor5_23TX"&gt;Secor5_23TX&lt;/a&gt; George Secor's synchronous 5/23-comma temperament extraordinaire&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bicycle"&gt;bicycle&lt;/a&gt; George Secor's (also Wilson's and Heathwaite's) 13-limit harmonic bicycle&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrison_cinna"&gt;harrison_cinna&lt;/a&gt; Lou Harrison, &amp;quot;Incidental Music for Corneille's Cinna&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/oljare"&gt;oljare&lt;/a&gt; Mats Öljare, scale for &amp;quot;Tampere&amp;quot; (2001)&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
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