3L 5s: Difference between revisions
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* [[Uncreative Name]], [https://www.youtube.com/watch?v=XZ3zB3EDKOM The Nachtlandian Somersault] (19edo) | * [[Uncreative Name]], [https://www.youtube.com/watch?v=XZ3zB3EDKOM The Nachtlandian Somersault] (19edo) | ||
==Scale tree== | == Scale tree == | ||
Generator ranges: | Generator ranges: | ||
*Chroma-positive generator: 750 cents (5\8) to 800 cents (2\3) | * Chroma-positive generator: 750 cents (5\8) to 800 cents (2\3) | ||
* Chroma-negative generator: 400 cents (1\3) to 450 cents (3\8) | * Chroma-negative generator: 400 cents (1\3) to 450 cents (3\8) | ||
{{Scale tree}} | |||
{ | |||
[[Category:8-tone scales]] | [[Category:8-tone scales]] | ||
[[Category:checkertonic]] | [[Category:checkertonic]] | ||
Revision as of 15:28, 24 September 2024
| ↖ 2L 4s | ↑ 3L 4s | 4L 4s ↗ |
| ← 2L 5s | 3L 5s | 4L 5s → |
| ↙ 2L 6s | ↓ 3L 6s | 4L 6s ↘ |
ssLssLsL
3L 5s, named checkertonic in TAMNAMS, is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 3 large steps and 5 small steps, repeating every octave. Generators that produce this scale range from 750 ¢ to 800 ¢, or from 400 ¢ to 450 ¢.
Name
TAMNAMS suggests the temperament-agnostic name checkertonic for this scale.
Intervals
- This article uses TAMNAMS conventions for the names of this scale's intervals and scale degrees. The use of 1-indexed ordinal names is reserved for interval regions.
| Intervals | Steps subtended |
Range in cents | ||
|---|---|---|---|---|
| Generic | Specific | Abbrev. | ||
| 0-checkstep | Perfect 0-checkstep | P0chks | 0 | 0.0 ¢ |
| 1-checkstep | Minor 1-checkstep | m1chks | s | 0.0 ¢ to 150.0 ¢ |
| Major 1-checkstep | M1chks | L | 150.0 ¢ to 400.0 ¢ | |
| 2-checkstep | Minor 2-checkstep | m2chks | 2s | 0.0 ¢ to 300.0 ¢ |
| Major 2-checkstep | M2chks | L + s | 300.0 ¢ to 400.0 ¢ | |
| 3-checkstep | Perfect 3-checkstep | P3chks | L + 2s | 400.0 ¢ to 450.0 ¢ |
| Augmented 3-checkstep | A3chks | 2L + s | 450.0 ¢ to 800.0 ¢ | |
| 4-checkstep | Minor 4-checkstep | m4chks | L + 3s | 400.0 ¢ to 600.0 ¢ |
| Major 4-checkstep | M4chks | 2L + 2s | 600.0 ¢ to 800.0 ¢ | |
| 5-checkstep | Diminished 5-checkstep | d5chks | L + 4s | 400.0 ¢ to 750.0 ¢ |
| Perfect 5-checkstep | P5chks | 2L + 3s | 750.0 ¢ to 800.0 ¢ | |
| 6-checkstep | Minor 6-checkstep | m6chks | 2L + 4s | 800.0 ¢ to 900.0 ¢ |
| Major 6-checkstep | M6chks | 3L + 3s | 900.0 ¢ to 1200.0 ¢ | |
| 7-checkstep | Minor 7-checkstep | m7chks | 2L + 5s | 800.0 ¢ to 1050.0 ¢ |
| Major 7-checkstep | M7chks | 3L + 4s | 1050.0 ¢ to 1200.0 ¢ | |
| 8-checkstep | Perfect 8-checkstep | P8chks | 3L + 5s | 1200.0 ¢ |
Notation
The TAMNAMS system is used in this article to refer to 3L 5s step size ratios and step ratio ranges.
The notation used in this article is JKLMNOPQJ = sLssLsLs (Anti-Ultharian), &/@ = up/down by chroma.
Theory
In contrast to oneirotonic (5L 3s), which often require the usage of completely new chords to have consonant-sounding music, some checkertonic scales contain approximations to a perfect fifth (3/2, usually as a dim. chk6th or maj. chk5th), and thus can be used for traditional root-3rd-P5 harmony.
Low harmonic entropy scales
There are two significant harmonic entropy minima with this MOS pattern:
- Sensi, in which the generator is a 9/7, two of them make a 5/3, and seven of them make a 3/2, which is proper.
- Squares, in which the generator is also a 9/7, but two of them make an 18/11 and four of them make a 4/3, which is improper.
Tuning ranges
Simple tunings
| Degree | Size in 11edo (basic) | Size in 14edo (hard) | Size in 19edo (soft) | Note name on J | #Gens up |
|---|---|---|---|---|---|
| min. chk2nd | 1\11, 109.1 | 1\14, 85.7 | 2\19, 126.3 | K | +3 |
| maj. chk2nd | 2\11, 218.2 | 3\14, 257.1 | 3\19, 189.5 | K& | -5 |
| min. chk3rd | 2\11, 218.2 | 2\14, 171.4 | 4\19, 252.6 | L@ | +6 |
| maj. chk3rd | 3\11, 327.3 | 4\14, 342.9 | 5\19, 315.8 | L | -2 |
| perf. chk4th | 4\11, 436.4 | 5\14, 428.6 | 7\19, 442.1 | M | +1 |
| aug. chk4th | 5\11, 545.5 | 7\14, 600.0 | 8\19, 505.3 | M& | -7 |
| min. chk5th | 5\11, 545.5 | 6\14, 514.3 | 9\19, 568.4 | N | +4 |
| maj. chk5th | 6\11, 656.6 | 8\14, 685.7 | 10\19, 631.6 | N& | -4 |
| dim. chk6th | 6\11, 656.6 | 7\14, 600.0 | 11\19, 694.7 | O@ | +7 |
| perf. chk6th | 7\11, 763.6 | 8\14, 771.4 | 12\19, 757.9 | O | -1 |
| min. chk7th | 8\11, 872.7 | 10\14, 857.1 | 14\19, 884.2 | P | +2 |
| maj. chk7th | 9\11, 981.8 | 12\14, 1028.6 | 15\19, 947.4 | P& | -6 |
| min. chk8th | 9\11, 981.8 | 11\14, 942.9 | 16\19, 1010.5 | Q@ | +5 |
| maj. chk8th | 10\11, 1090.9 | 13\14, 1114.3 | 17\19, 1073.7 | Q | -3 |
Parasoft
Parasoft checkertonic is the narrow region between 7\19 (442.1¢) and 10\27 (444.4¢).
Sortable table of major and minor intervals in parasoft checkertonic tunings:
| Degree | Size in 19edo (soft) | Size in 27edo (supersoft) | Size in 46edo | Note name on J | Approximate ratios | #Gens up |
|---|---|---|---|---|---|---|
| unison | 0\19, 0.00 | 0\27, 0.00 | 0\46, 0.00 | J | 1/1 | 0 |
| min. chk2nd | 2\19, 126.3 | 3\27, 133.3 | 5\46, 130.4 | K | 14/13 | +3 |
| maj. chk2nd | 3\19, 189.5 | 4\27, 177.8 | 7\46, 182.6 | K& | 10/9 | -5 |
| min. chk3rd | 4\19, 252.6 | 6\27, 266.7 | 10\46, 260.9 | L@ | 7/6 | +6 |
| maj. chk3rd | 5\19, 315.8 | 7\27, 311.1 | 12\46, 313.0 | L | 6/5 | -2 |
| perf. chk4th | 7\19, 442.1 | 10\27, 444.4 | 17\46, 443.5 | M | 9/7, 13/10 | +1 |
| aug. chk4th | 8\19, 505.3 | 11\27, 488.9 | 19\46, 495.7 | M& | 4/3 | -7 |
| min. chk5th | 9\19, 568.4 | 13\27, 577.8 | 22\46, 573.9 | N | 7/5, 18/13 | +4 |
| maj. chk5th | 10\19, 631.6 | 14\27, 622.2 | 24\46, 626.1 | N& | 10/7, 13/9 | -4 |
| dim. chk6th | 11\19, 694.7 | 16\27, 711.1 | 27\46, 704.3 | O@ | 3/2 | +7 |
| perf. chk6th | 12\19, 757.9 | 17\27, 755.6 | 20\46, 756.5 | O | 14/9, 20/13 | -1 |
| min. chk7th | 14\19, 884.2 | 20\27, 888.9 | 34\46, 887.0 | P | 5/3 | +2 |
| maj. chk7th | 15\19, 947.4 | 21\27, 933.3 | 36\46, 939.1 | P& | 12/7 | -6 |
| min. chk8th | 16\19, 1010.5 | 23\27, 1022.2 | 39\46, 1017.4 | Q@ | 9/5 | +5 |
| maj. chk8th | 17\19, 1073.7 | 24\27, 1066.7 | 41\46, 1069.6 | Q | 13/7 | -3 |
Tunings in this region have a regular temperament interpretation called sensi.
Modes
| UDP | Cyclic order |
Step pattern |
Scale degree (checkdegree) | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |||
| 7|0 | 1 | LsLssLss | Perf. | Maj. | Maj. | Aug. | Maj. | Perf. | Maj. | Maj. | Perf. |
| 6|1 | 6 | LssLsLss | Perf. | Maj. | Maj. | Perf. | Maj. | Perf. | Maj. | Maj. | Perf. |
| 5|2 | 3 | LssLssLs | Perf. | Maj. | Maj. | Perf. | Maj. | Perf. | Min. | Maj. | Perf. |
| 4|3 | 8 | sLsLssLs | Perf. | Min. | Maj. | Perf. | Maj. | Perf. | Min. | Maj. | Perf. |
| 3|4 | 5 | sLssLsLs | Perf. | Min. | Maj. | Perf. | Min. | Perf. | Min. | Maj. | Perf. |
| 2|5 | 2 | sLssLssL | Perf. | Min. | Maj. | Perf. | Min. | Perf. | Min. | Min. | Perf. |
| 1|6 | 7 | ssLsLssL | Perf. | Min. | Min. | Perf. | Min. | Perf. | Min. | Min. | Perf. |
| 0|7 | 4 | ssLssLsL | Perf. | Min. | Min. | Perf. | Min. | Dim. | Min. | Min. | Perf. |
Proposed Names
The modes of checkertonic can be named after its sister MOS 5L 3s (oneirotonic). R-4981 has also proposed names based on grand chess pieces.
| UDP | Cyclic order |
Step pattern |
|---|---|---|
| 7|0 | 1 | LsLssLss |
| 6|1 | 6 | LssLsLss |
| 5|2 | 3 | LssLssLs |
| 4|3 | 8 | sLsLssLs |
| 3|4 | 5 | sLssLsLs |
| 2|5 | 2 | sLssLssL |
| 1|6 | 7 | ssLsLssL |
| 0|7 | 4 | ssLssLsL |
The order of modes on the white keys JKLMNOPQ are:
- J Anti-Ultharian, Rook
- K Anti-Hlanithian, Queen
- L Anti-Illarnekian, Knight
- M Anti-Mnarian, Cardinal
- N Anti-Sarnathian, King
- O Anti-Celephaïsian, Bishop
- P Anti-Kadathian, Marshall
- Q Anti-Dylathian, Pawn
| UDP | Anti-modes of 5L 3s | Chess-based names | Step pattern | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | (9) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 7|0 | Anti-Sarnathian | King | LsLssLss | J | K& | L | M& | N& | O | P& | Q | (J) |
| 6|1 | Anti-Hlanithian | Queen | LssLsLss | J | K& | L | M | N& | O | P& | Q | (J) |
| 5|2 | Anti-Kadathian | Marshall | LssLssLs | J | K& | L | M | N& | O | P | Q | (J) |
| 4|3 | Anti-Mnarian | Cardinal | sLsLssLs | J | K | L | M | N& | O | P | Q | (J) |
| 3|4 | Anti-Ultharian | Rook | sLssLsLs | J | K | L | M | N | O | P | Q | (J) |
| 2|5 | Anti-Celephaïsian | Bishop | sLssLssL | J | K | L | M | N | O | P | Q@ | (J) |
| 1|6 | Anti-Illarnekian | Knight | ssLsLssL | J | K | L@ | M | N | O | P | Q@ | (J) |
| 0|7 | Anti-Dylathian | Pawn | ssLssLsL | J | K | L@ | M | N | O@ | P | Q@ | (J) |
Temperaments
The major temperaments in this area are:
Music
Scale tree
Generator ranges:
- Chroma-positive generator: 750 cents (5\8) to 800 cents (2\3)
- Chroma-negative generator: 400 cents (1\3) to 450 cents (3\8)
| Template: Scale tree is deprecated. Please use Template: MOS tuning spectrum instead.
Details: Use of a single Comments parameter has become unmaintainable. Existing scale trees should be migrated to the new template, where comments are entered using a step ratio p/q as a parameter: {{MOS tuning spectrum
| 3/2 = Example comment
| 4/3 = Another example comment
}}
|
| Generator(edo) | Cents | Step ratio | Comments | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Bright | Dark | L:s | Hardness | |||||||
| 5\8 | 750.000 | 450.000 | 1:1 | 1.000 | Equalized 3L 5s | |||||
| 27\43 | 753.488 | 446.512 | 6:5 | 1.200 | ||||||
| 22\35 | 754.286 | 445.714 | 5:4 | 1.250 | ||||||
| 39\62 | 754.839 | 445.161 | 9:7 | 1.286 | ||||||
| 17\27 | 755.556 | 444.444 | 4:3 | 1.333 | Supersoft 3L 5s | |||||
| 46\73 | 756.164 | 443.836 | 11:8 | 1.375 | ||||||
| 29\46 | 756.522 | 443.478 | 7:5 | 1.400 | ||||||
| 41\65 | 756.923 | 443.077 | 10:7 | 1.429 | ||||||
| 12\19 | 757.895 | 442.105 | 3:2 | 1.500 | Soft 3L 5s | |||||
| 43\68 | 758.824 | 441.176 | 11:7 | 1.571 | ||||||
| 31\49 | 759.184 | 440.816 | 8:5 | 1.600 | ||||||
| 50\79 | 759.494 | 440.506 | 13:8 | 1.625 | ||||||
| 19\30 | 760.000 | 440.000 | 5:3 | 1.667 | Semisoft 3L 5s | |||||
| 45\71 | 760.563 | 439.437 | 12:7 | 1.714 | ||||||
| 26\41 | 760.976 | 439.024 | 7:4 | 1.750 | ||||||
| 33\52 | 761.538 | 438.462 | 9:5 | 1.800 | ||||||
| 7\11 | 763.636 | 436.364 | 2:1 | 2.000 | Basic 3L 5s Scales with tunings softer than this are proper | |||||
| 30\47 | 765.957 | 434.043 | 9:4 | 2.250 | ||||||
| 23\36 | 766.667 | 433.333 | 7:3 | 2.333 | ||||||
| 39\61 | 767.213 | 432.787 | 12:5 | 2.400 | ||||||
| 16\25 | 768.000 | 432.000 | 5:2 | 2.500 | Semihard 3L 5s | |||||
| 41\64 | 768.750 | 431.250 | 13:5 | 2.600 | ||||||
| 25\39 | 769.231 | 430.769 | 8:3 | 2.667 | ||||||
| 34\53 | 769.811 | 430.189 | 11:4 | 2.750 | ||||||
| 9\14 | 771.429 | 428.571 | 3:1 | 3.000 | Hard 3L 5s | |||||
| 29\45 | 773.333 | 426.667 | 10:3 | 3.333 | ||||||
| 20\31 | 774.194 | 425.806 | 7:2 | 3.500 | ||||||
| 31\48 | 775.000 | 425.000 | 11:3 | 3.667 | ||||||
| 11\17 | 776.471 | 423.529 | 4:1 | 4.000 | Superhard 3L 5s | |||||
| 24\37 | 778.378 | 421.622 | 9:2 | 4.500 | ||||||
| 13\20 | 780.000 | 420.000 | 5:1 | 5.000 | ||||||
| 15\23 | 782.609 | 417.391 | 6:1 | 6.000 | ||||||
| 2\3 | 800.000 | 400.000 | 1:0 | → ∞ | Collapsed 3L 5s | |||||