9/8: Difference between revisions
Contribution (talk | contribs) No edit summary |
Contribution (talk | contribs) No edit summary |
||
| Line 21: | Line 21: | ||
== Notation == | == Notation == | ||
In musical notations that use the cycle of fifths and fourths along with seven note names, such as the [[ups and downs notation]], the whole tone is represented by the distances between A and B, C and D, D and E, F and G, as well as between G and A. | In musical notations that use the cycle of fifths and fourths along with seven note names, such as the [[ups and downs notation]], the whole tone is represented by the distances between A and B, C and D, D and E, F and G, as well as between G and A. | ||
The scale is structured with the following step pattern: | |||
A to B: [[9/8|whole tone]] | |||
B to C: [[256/243|limma]] | |||
C to D: [[9/8|whole tone]] | |||
D to E: [[9/8|whole tone]] | |||
E to F: [[256/243|limma]] | |||
F to G: [[9/8|whole tone]] | |||
G to A: [[9/8|whole tone]] | |||
This pattern highlights the placement of the whole tone intervals between A and B, C and D, D and E, F and G, and G and A, distinguishing them from the [[whole tone]] that occur between the other note pairs. | |||
== See also == | == See also == | ||