256/243: Difference between revisions
Contribution (talk | contribs) Undo revision 150039 by Contribution (talk) Tag: Undo |
Contribution (talk | contribs) |
||
| Line 18: | Line 18: | ||
In musical notations that use the cycle of fifths and fourths along with seven note names, such as the [[ups and downs notation]], the limma is represented by the distances between B and C, as well as between E and F. | In musical notations that use the cycle of fifths and fourths along with seven note names, such as the [[ups and downs notation]], the limma is represented by the distances between B and C, as well as between E and F. | ||
The scale is structured with the following step pattern: | |||
A to B: [[whole tone]] | |||
A to B: whole tone | B to C: [[limma]] | ||
B to C: limma | C to D: [[whole tone]] | ||
C to D: whole tone | D to E: [[whole tone]] | ||
D to E: whole tone | E to F: [[limma]] | ||
E to F: limma | F to G: [[whole tone]] | ||
F to G: whole tone | G to A: [[whole tone]] | ||
G to A: whole tone | This pattern highlights the placement of the limma intervals between B and C, and E and F, distinguishing them from the [[whole tone]] that occur between the other note pairs. | ||
This pattern highlights the placement of the limma intervals between B and C, and E and F, distinguishing them from the whole | |||
== See also == | == See also == | ||