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'''[DRAFT] Non-octave / generalized (?) overtone scale'''<br>
'''[DRAFT] Non-octave / generalized (?) overtone scale'''<br>
TODO: research if a generalized form like this already exists<br><br>
TODO: research if a generalized form like this already exists<br>
 
COS - constrained otonal sequence<nowiki><br></nowiki>
 
in comparison to<nowiki><br></nowiki>
 
OS: COS is constrained, OS is open ended,
 
<br>
Non-octave overtone scales are an approach to describe [[Overtone scale|overtone scales]] without the need of the [[octave]] as the period.<br>
Non-octave overtone scales are an approach to describe [[Overtone scale|overtone scales]] without the need of the [[octave]] as the period.<br>
Therefore, they are [[non-octave]]-repeating scales based on a generating sequence which itself is a subset of the [[harmonic series]].<br>
Therefore, they are [[non-octave]]-repeating scales based on a generating sequence which itself is a subset of the [[harmonic series]].<br>
They can also be viewed as a form of [[Generator sequence|generator sequence]].<br>
They can also be viewed as a form of [[generator sequence]].<br>


Non-octave overtone scales are described by the form '''n...p:s'''<br>
Non-octave overtone scales are described by the form '''n...p:s'''<br>
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etc.
etc.
5:7:8:10:11:12
- is pentatonic
- period is 12/5
- is arithmetic
- is non-equal, (arithmetic) step sizes: 2/5, 1/5, 2/5, 1/5, 1/5
- is still harmonotonic though? by nature of being a subset of the harmonic series
in my own semantics, I'd refer to it by 5->12[2,1,2,1,1] (from including overtone 5 to including overtone 12
in MTS-ESP Master I'd use the same semantics
in comparison to OS
    OS has one step size (interval p) and does not care about the end of the sequence/ the period, rather, it's approach is 'take the first n in the sequence'
    I could do 2-OS2/5 but that would generate 5:7:9
in comparison to OD
    could be one specific scale/subset of 6-OD5/4 [5:6:7:8:9:10:11]