EDT: Difference between revisions

Wikispaces>JosephRuhf
**Imported revision 601986562 - Original comment: **
Wikispaces>xenwolf
**Imported revision 602894692 - Original comment: removed tel links**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-12-12 11:58:32 UTC</tt>.<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 11:54:10 UTC</tt>.<br>
: The original revision id was <tt>601986562</tt>.<br>
: The original revision id was <tt>602894692</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>removed tel links</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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Among the EDTs tempering out 245/243, 13EDT stands out. An apt analogy can be drawn with EDOs supporting meantone: 4EDT and 9EDT are to BP what 5EDO and 7EDO are to meantone. However, in contrast to meantone, the simplest EDT supporting the BP nonatonic scale - 13EDT, the traditional tempered BP scale - is the most accurate and lowest in tuning error until 56EDT. However, there are many EDTs supporting BP temperament which also support extensions to higher-limit temperaments; in particular 2, 3, and 4 times 13 in the form of 26EDT, 39EDT and 52EDT as well as 56EDT. For tempering out 16875/16807, 13EDT again stands out, though much better accuracy can be found in more complex divisions such as 114EDT or 127EDT. All of this explains the focus on 13EDT to the exclusion of other EDTs among practitioners of the art of nonoctave composition, but it must be noted that the analysis is only valid if consideration is confined to the 7-limit, which is exactly analogous to confining it to the 5-limit with EDOs. There's a whole other world out there which has not been much explored.
Among the EDTs tempering out 245/243, 13EDT stands out. An apt analogy can be drawn with EDOs supporting meantone: 4EDT and 9EDT are to BP what 5EDO and 7EDO are to meantone. However, in contrast to meantone, the simplest EDT supporting the BP nonatonic scale - 13EDT, the traditional tempered BP scale - is the most accurate and lowest in tuning error until 56EDT. However, there are many EDTs supporting BP temperament which also support extensions to higher-limit temperaments; in particular 2, 3, and 4 times 13 in the form of 26EDT, 39EDT and 52EDT as well as 56EDT. For tempering out 16875/16807, 13EDT again stands out, though much better accuracy can be found in more complex divisions such as 114EDT or 127EDT. All of this explains the focus on 13EDT to the exclusion of other EDTs among practitioners of the art of nonoctave composition, but it must be noted that the analysis is only valid if consideration is confined to the 7-limit, which is exactly analogous to confining it to the 5-limit with EDOs. There's a whole other world out there which has not been much explored.


For example, 15EDT very well approximates the 5th and 13th harmonics, and 12EDT, the 13th and 17th. 39EDT makes for a fine 3.5.7.11.13 system, tempering out 245/243, 275/273, 847/845 and 1331/1343, and so supporting among other things the [&lt;[[@tel/13%2019%2023%200%202|13 19 23 0 2]]|, &lt;0 0 0 1 1|] temperament supported by the whole suite of 13nEDTs: 13, 26, 39, 52, 65, 78 etc.
For example, 15EDT very well approximates the 5th and 13th harmonics, and 12EDT, the 13th and 17th. 39EDT makes for a fine 3.5.7.11.13 system, tempering out 245/243, 275/273, 847/845 and 1331/1343, and so supporting among other things the [&lt;13 19 23 0 2|, &lt;0 0 0 1 1|] temperament supported by the whole suite of 13nEDTs: 13, 26, 39, 52, 65, 78 etc.


**One should bear in mind that, assuming tritave equivalence, when determining which harmonics are represented, the ratios of 3 in the denominator are fungible instead of those of 2.** For example making the fifth harmonic 5:3 a "major sixth" by conventional (and arbitrarily silly for the purposes of xenharmony, even with octaves) pitch class terminology.
**One should bear in mind that, assuming tritave equivalence, when determining which harmonics are represented, the ratios of 3 in the denominator are fungible instead of those of 2.** For example making the fifth harmonic 5:3 a "major sixth" by conventional (and arbitrarily silly for the purposes of xenharmony, even with octaves) pitch class terminology.
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<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;edt&lt;/title&gt;&lt;/head&gt;&lt;body&gt;See also Heinz Bohlen's work:&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;edt&lt;/title&gt;&lt;/head&gt;&lt;body&gt;See also Heinz Bohlen's work:&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:943:http://www.huygens-fokker.org/bpsite/otherscales.html --&gt;&lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/bpsite/otherscales.html" rel="nofollow"&gt;http://www.huygens-fokker.org/bpsite/otherscales.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:943 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextUrlRule:942:http://www.huygens-fokker.org/bpsite/otherscales.html --&gt;&lt;a class="wiki_link_ext" href="http://www.huygens-fokker.org/bpsite/otherscales.html" rel="nofollow"&gt;http://www.huygens-fokker.org/bpsite/otherscales.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:942 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextTocRule:8:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:8 --&gt;&lt;!-- ws:start:WikiTextTocRule:9: --&gt;&lt;a href="#Division of the tritave (3/1) into n equal parts"&gt;Division of the tritave (3/1) into n equal parts&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:9 --&gt;&lt;!-- ws:start:WikiTextTocRule:10: --&gt; | &lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:10 --&gt;&lt;!-- ws:start:WikiTextTocRule:11: --&gt; | &lt;a href="#Individual pages for EDT's"&gt;Individual pages for EDT's&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:11 --&gt;&lt;!-- ws:start:WikiTextTocRule:12: --&gt; | &lt;a href="#Multiples of 13EDT which approximate EDO"&gt;Multiples of 13EDT which approximate EDO&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:12 --&gt;&lt;!-- ws:start:WikiTextTocRule:13: --&gt;
&lt;!-- ws:start:WikiTextTocRule:8:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:8 --&gt;&lt;!-- ws:start:WikiTextTocRule:9: --&gt;&lt;a href="#Division of the tritave (3/1) into n equal parts"&gt;Division of the tritave (3/1) into n equal parts&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:9 --&gt;&lt;!-- ws:start:WikiTextTocRule:10: --&gt; | &lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:10 --&gt;&lt;!-- ws:start:WikiTextTocRule:11: --&gt; | &lt;a href="#Individual pages for EDT's"&gt;Individual pages for EDT's&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:11 --&gt;&lt;!-- ws:start:WikiTextTocRule:12: --&gt; | &lt;a href="#Multiples of 13EDT which approximate EDO"&gt;Multiples of 13EDT which approximate EDO&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:12 --&gt;&lt;!-- ws:start:WikiTextTocRule:13: --&gt;
&lt;!-- ws:end:WikiTextTocRule:13 --&gt;&lt;hr /&gt;
&lt;!-- ws:end:WikiTextTocRule:13 --&gt;&lt;hr /&gt;
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Among the EDTs tempering out 245/243, 13EDT stands out. An apt analogy can be drawn with EDOs supporting meantone: 4EDT and 9EDT are to BP what 5EDO and 7EDO are to meantone. However, in contrast to meantone, the simplest EDT supporting the BP nonatonic scale - 13EDT, the traditional tempered BP scale - is the most accurate and lowest in tuning error until 56EDT. However, there are many EDTs supporting BP temperament which also support extensions to higher-limit temperaments; in particular 2, 3, and 4 times 13 in the form of 26EDT, 39EDT and 52EDT as well as 56EDT. For tempering out 16875/16807, 13EDT again stands out, though much better accuracy can be found in more complex divisions such as 114EDT or 127EDT. All of this explains the focus on 13EDT to the exclusion of other EDTs among practitioners of the art of nonoctave composition, but it must be noted that the analysis is only valid if consideration is confined to the 7-limit, which is exactly analogous to confining it to the 5-limit with EDOs. There's a whole other world out there which has not been much explored.&lt;br /&gt;
Among the EDTs tempering out 245/243, 13EDT stands out. An apt analogy can be drawn with EDOs supporting meantone: 4EDT and 9EDT are to BP what 5EDO and 7EDO are to meantone. However, in contrast to meantone, the simplest EDT supporting the BP nonatonic scale - 13EDT, the traditional tempered BP scale - is the most accurate and lowest in tuning error until 56EDT. However, there are many EDTs supporting BP temperament which also support extensions to higher-limit temperaments; in particular 2, 3, and 4 times 13 in the form of 26EDT, 39EDT and 52EDT as well as 56EDT. For tempering out 16875/16807, 13EDT again stands out, though much better accuracy can be found in more complex divisions such as 114EDT or 127EDT. All of this explains the focus on 13EDT to the exclusion of other EDTs among practitioners of the art of nonoctave composition, but it must be noted that the analysis is only valid if consideration is confined to the 7-limit, which is exactly analogous to confining it to the 5-limit with EDOs. There's a whole other world out there which has not been much explored.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
For example, 15EDT very well approximates the 5th and 13th harmonics, and 12EDT, the 13th and 17th. 39EDT makes for a fine 3.5.7.11.13 system, tempering out 245/243, 275/273, 847/845 and 1331/1343, and so supporting among other things the [&amp;lt;&lt;a class="wiki_link" href="http://tel.wikispaces.com/13%252019%252023%25200%25202" target="_blank"&gt;13 19 23 0 2&lt;/a&gt;|, &amp;lt;0 0 0 1 1|] temperament supported by the whole suite of 13nEDTs: 13, 26, 39, 52, 65, 78 etc.&lt;br /&gt;
For example, 15EDT very well approximates the 5th and 13th harmonics, and 12EDT, the 13th and 17th. 39EDT makes for a fine 3.5.7.11.13 system, tempering out 245/243, 275/273, 847/845 and 1331/1343, and so supporting among other things the [&amp;lt;13 19 23 0 2|, &amp;lt;0 0 0 1 1|] temperament supported by the whole suite of 13nEDTs: 13, 26, 39, 52, 65, 78 etc.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;One should bear in mind that, assuming tritave equivalence, when determining which harmonics are represented, the ratios of 3 in the denominator are fungible instead of those of 2.&lt;/strong&gt; For example making the fifth harmonic 5:3 a &amp;quot;major sixth&amp;quot; by conventional (and arbitrarily silly for the purposes of xenharmony, even with octaves) pitch class terminology.&lt;br /&gt;
&lt;strong&gt;One should bear in mind that, assuming tritave equivalence, when determining which harmonics are represented, the ratios of 3 in the denominator are fungible instead of those of 2.&lt;/strong&gt; For example making the fifth harmonic 5:3 a &amp;quot;major sixth&amp;quot; by conventional (and arbitrarily silly for the purposes of xenharmony, even with octaves) pitch class terminology.&lt;br /&gt;
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