EDF: Difference between revisions

Wikispaces>hstraub
**Imported revision 537095726 - Original comment: **
Wikispaces>hstraub
**Imported revision 537095760 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-01-13 05:50:21 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-01-13 05:51:01 UTC</tt>.<br>
: The original revision id was <tt>537095726</tt>.<br>
: The original revision id was <tt>537095760</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[toc|flat]]
[[toc|flat]]
----
----
=Individual pages for EDFs=  
=Individual pages for EDFs=  
[[4edf]]
[[4edf]]
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[[24edf]]
[[24edf]]
[[25edf]]
[[25edf]]
=EDO-EDF correspondence=  
=EDO-EDF correspondence=  
||~ EDO ||~ EDF ||~ Comments ||
||~ EDO ||~ EDF ||~ Comments ||
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Division of the 3:2 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of &lt;a class="wiki_link" href="/equivalence"&gt;equivalence&lt;/a&gt; is still in its infancy. The utility of 3:2 as a base though, is apparent by being one of the strongest consonances after the octave. Many, if not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy.&lt;br /&gt;
Division of the 3:2 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of &lt;a class="wiki_link" href="/equivalence"&gt;equivalence&lt;/a&gt; is still in its infancy. The utility of 3:2 as a base though, is apparent by being one of the strongest consonances after the octave. Many, if not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Perhaps the first to divide the perfect fifth was &lt;a class="wiki_link" href="/Wendy%20Carlos"&gt;Wendy Carlos&lt;/a&gt;. ( &lt;!-- ws:start:WikiTextUrlRule:638:http://www.wendycarlos.com/resources/pitch.html --&gt;&lt;a class="wiki_link_ext" href="http://www.wendycarlos.com/resources/pitch.html" rel="nofollow"&gt;http://www.wendycarlos.com/resources/pitch.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:638 --&gt; ) &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; has also made much use of the alpha beta and gamma scales.&lt;br /&gt;
Perhaps the first to divide the perfect fifth was &lt;a class="wiki_link" href="/Wendy%20Carlos"&gt;Wendy Carlos&lt;/a&gt;. ( &lt;!-- ws:start:WikiTextUrlRule:637:http://www.wendycarlos.com/resources/pitch.html --&gt;&lt;a class="wiki_link_ext" href="http://www.wendycarlos.com/resources/pitch.html" rel="nofollow"&gt;http://www.wendycarlos.com/resources/pitch.html&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:637 --&gt; ) &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; has also made much use of the alpha beta and gamma scales.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Incidentally, one way to treat 3/2 as an equivalence is the use of the 8:9:10:(12) chord as in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to 5/1, here it takes six 5/4 to get to 9/8 (tempering out the comma 15625/15552. So, doing this yields 9, 11, and 20 note MOS which the Carlos scales temper equally. While the notes are rather closer together, the scheme is uncannily similar to meantone. &amp;quot;Microdiatonic&amp;quot; might be a good term for it if it hasn't been named yet, but in any case here is an example of it: &lt;!-- ws:start:WikiTextUrlRule:639:http://www.youtube.com/watch?v=x_HSMND6RnA --&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=x_HSMND6RnA" rel="nofollow"&gt;http://www.youtube.com/watch?v=x_HSMND6RnA&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:639 --&gt;&lt;br /&gt;
Incidentally, one way to treat 3/2 as an equivalence is the use of the 8:9:10:(12) chord as in a very similar way to the 4:5:6:(8) chord in meantone. Whereas in meantone it takes four 3/2 to get to 5/1, here it takes six 5/4 to get to 9/8 (tempering out the comma 15625/15552. So, doing this yields 9, 11, and 20 note MOS which the Carlos scales temper equally. While the notes are rather closer together, the scheme is uncannily similar to meantone. &amp;quot;Microdiatonic&amp;quot; might be a good term for it if it hasn't been named yet, but in any case here is an example of it: &lt;!-- ws:start:WikiTextUrlRule:638:http://www.youtube.com/watch?v=x_HSMND6RnA --&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=x_HSMND6RnA" rel="nofollow"&gt;http://www.youtube.com/watch?v=x_HSMND6RnA&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:638 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextTocRule:4:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:4 --&gt;&lt;!-- ws:start:WikiTextTocRule:5: --&gt;&lt;a href="#Individual pages for EDFs"&gt;Individual pages for EDFs&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:5 --&gt;&lt;!-- ws:start:WikiTextTocRule:6: --&gt; | &lt;a href="#EDO-EDF correspondence"&gt;EDO-EDF correspondence&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:6 --&gt;&lt;!-- ws:start:WikiTextTocRule:7: --&gt;
&lt;!-- ws:start:WikiTextTocRule:4:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:4 --&gt;&lt;!-- ws:start:WikiTextTocRule:5: --&gt;&lt;a href="#Individual pages for EDFs"&gt;Individual pages for EDFs&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:5 --&gt;&lt;!-- ws:start:WikiTextTocRule:6: --&gt; | &lt;a href="#EDO-EDF correspondence"&gt;EDO-EDF correspondence&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:6 --&gt;&lt;!-- ws:start:WikiTextTocRule:7: --&gt;
&lt;!-- ws:end:WikiTextTocRule:7 --&gt;&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:7 --&gt;&lt;hr /&gt;
&lt;hr /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Individual pages for EDFs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Individual pages for EDFs&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Individual pages for EDFs"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Individual pages for EDFs&lt;/h1&gt;
  &lt;a class="wiki_link" href="/4edf"&gt;4edf&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link" href="/4edf"&gt;4edf&lt;/a&gt;&lt;br /&gt;
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&lt;a class="wiki_link" href="/24edf"&gt;24edf&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/24edf"&gt;24edf&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/25edf"&gt;25edf&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/25edf"&gt;25edf&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="EDO-EDF correspondence"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;EDO-EDF correspondence&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="EDO-EDF correspondence"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;EDO-EDF correspondence&lt;/h1&gt;
   
   
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