Easy Scales by Interpolating between Harmonic Series: Difference between revisions
Wikispaces>mikesheiman **Imported revision 583698251 - Original comment: ** |
Wikispaces>mikesheiman **Imported revision 599671162 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:mikesheiman|mikesheiman]] and made on <tt>2016- | : This revision was by author [[User:mikesheiman|mikesheiman]] and made on <tt>2016-11-17 01:23:28 UTC</tt>.<br> | ||
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In addition, adding 16/15 to the above scale can yield an additional 5 note harmonic series, making the above a **larger <<7-8-9-12-15>> scale** | In addition, adding 16/15 to the above scale can yield an additional 5 note harmonic series, making the above a **larger <<7-8-9-12-15>> scale** | ||
**(x/15)** = 15:16:20:26:28 | **(x/15)** = 15:16:20:26:28 | ||
And adding 6/5,8/5, and 9/5 gives | |||
**<<7-8-9-10-12-15>> scale** | |||
**(x/10)** = 10:12:15:16:18 | |||
Feel free to add comments or find/punch loopholes in this theory, but this is what I'd consider an idea **"extended diatonic"** scale in that it stresses likely the most important harmonic series in the diatonic scale while adding an extra (x/7) into the mix, giving the scale a wider range of tonal color. | Feel free to add comments or find/punch loopholes in this theory, but this is what I'd consider an idea **"extended diatonic"** scale in that it stresses likely the most important harmonic series in the diatonic scale while adding an extra (x/7) into the mix, giving the scale a wider range of tonal color. | ||
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In addition, adding 16/15 to the above scale can yield an additional 5 note harmonic series, making the above a <strong>larger &lt;&lt;7-8-9-12-15&gt;&gt; scale</strong><br /> | In addition, adding 16/15 to the above scale can yield an additional 5 note harmonic series, making the above a <strong>larger &lt;&lt;7-8-9-12-15&gt;&gt; scale</strong><br /> | ||
<strong>(x/15)</strong> = 15:16:20:26:28<br /> | <strong>(x/15)</strong> = 15:16:20:26:28<br /> | ||
<br /> | |||
And adding 6/5,8/5, and 9/5 gives<br /> | |||
<strong>&lt;&lt;7-8-9-10-12-15&gt;&gt; scale</strong><br /> | |||
<strong>(x/10)</strong> = 10:12:15:16:18<br /> | |||
<br /> | <br /> | ||
Feel free to add comments or find/punch loopholes in this theory, but this is what I'd consider an idea <strong>&quot;extended diatonic&quot;</strong> scale in that it stresses likely the most important harmonic series in the diatonic scale while adding an extra (x/7) into the mix, giving the scale a wider range of tonal color.<br /> | Feel free to add comments or find/punch loopholes in this theory, but this is what I'd consider an idea <strong>&quot;extended diatonic&quot;</strong> scale in that it stresses likely the most important harmonic series in the diatonic scale while adding an extra (x/7) into the mix, giving the scale a wider range of tonal color.<br /> | ||