Extended meantone notation: Difference between revisions

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== Generalizing accidentals ==
== Generalizing accidentals ==
Most people are familiar with sharps and flats—these denote raising and lowering, respectively, by a chromatic semitone (note that in most tunings, the chromatic semitone and diatonic semitone are different sizes). In a general meantone tuning, there are two additional intervals: the diesis, the difference between adjacent accidentals (e.g. C♯–D♭ and D♯–E♭), and the kleisma, which is the amount by which B♯ exceeds C♭ and E♯ exceeds F♭—that is, C♭–B♯ and F♭–E♯.
Most people are familiar with sharps and flats—these denote raising and lowering, respectively, by a chromatic semitone. In a general meantone tuning, there are two additional intervals: the diesis, the difference between adjacent accidentals (e.g. C♯–D♭ and D♯–E♭), and the kleisma, which is the amount by which B♯ exceeds C♭ and E♯ exceeds F♭—that is, C♭–B♯ and F♭–E♯.


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