Extended meantone notation: Difference between revisions

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A meantone chromatic semitone is equivalent to a diesis added to a kleisma. Note that in most meantone tunings, the diesis and kleisma are roughly a quarter tone.
A meantone chromatic semitone consists of one diesis and one kleisma. Note that in most meantone tunings, the diesis and kleisma are roughly a quarter tone. The diesis represents the [[just intonation|just]] intervals [[128/125]] and [[648/625]], while the meantone kleisma represents [[15625/15552]] or [[3125/3072]]. In [[septimal meantone]] (meantone temperaments where 7/4 is an augmented sixth), the diesis also represents [[36/35]], [[50/49]], and [[64/63]], while the kleisma also represents [[49/48]] and [[245/243]].


Unlike a single semisharp/semiflat, this can be generalized to other tunings:
An octave is made of 19 dieses and 12 kleismas. Unlike semisharps and semiflats, the diesis and kleisma can be generalized to other tunings:


{| class="wikitable center-all"
{| class="wikitable center-all"
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| 2
| 2
| −1
| −1
| Diesis is larger than chromatic semitone,<br>kleisma is negative
| rowspan="2" | Diesis is larger than chromatic semitone,<br>kleisma is negative
|-
| [[33edo#Theory|33c]]
| {{frac|2}} comma
| 1
| 4
| 3
| &minus;2
|-
|-
| [[31edo|31]]
| [[31edo|31]]
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*C+↑ is equal to C♯ (because the two semisharps add up)
*C+↑ is equal to C♯ (because the two semisharps add up)
*D𝄫↓ and D♭♭♭− are equal to C
*D𝄫↓ and D♭♭♭− are equal to C
Assuming [[septimal meantone]], the meantone diesis can be considered to be [[36/35]], [[50/49]], [[64/63]], [[128/125]], or [[648/625]], while the meantone kleisma is [[49/48]], [[245/243]], [[3125/3072]], or [[15625/15552]]. An octave is made of 19 dieses and 12 kleismas.


[[9–odd–limit]] intervals and their notation relative to C:
[[9–odd–limit]] intervals and their notation relative to C: