Just intonation: Difference between revisions
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# ''Choosing some set of relatively high overtones (disregarding prime limit or subgroups), and using each overtone as a root for extended harmony within the set ([[primodality]], [[neji]]s).'' | # ''Choosing some set of relatively high overtones (disregarding prime limit or subgroups), and using each overtone as a root for extended harmony within the set ([[primodality]], [[neji]]s).'' | ||
# ''The use of a [[tritriadic scale]] as described by John Chalmers in 1986.'' | # ''The use of a [[tritriadic scale]] as described by John Chalmers in 1986.'' | ||
== Instruments == | |||
{{todo|expand|comment=Expand the instruments section with more examples}} | |||
* The [[Kalimba#Array mbira|array mbira]] was designed by [[Bill Wesley]] as a versatile just intonation instrument, covering a 5 octave range. | |||
* Most of [[Harry Partch]]'s instruments were designed to be for just intonation. | |||
== Music == | == Music == | ||