Historical temperaments: Difference between revisions

Line 19:

** [[Quarter-comma meantone|1/4 comma]] (''Aron 1523'')<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref>

** [[31edo]] (''Vicentino 1555<ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref> (possibly)<ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref> & Huygens 1691''<ref>''Lettre touchant le cycle harmonique'' - Christiaan Huygens, 1691''</ref>)

** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>Über musikalische Tonbestimmung und Temperatur - Moritz Wilhelm Drobisch, 1852</ref>)

** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>''Über musikalische Tonbestimmung und Temperatur'' - Moritz Wilhelm Drobisch, 1852</ref>)

** [[74edo]] (''Riccati 1762'')<ref name="Monzo" />*

** [[3/14-comma meantone|3/14 comma]] (''Riccati 1762'')<ref name="Monzo" />*

** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20, February through April 1701</ref><ref name="Sauveur2">Mémoires de l'Académie Royale des Sciences (Paris, 1701), pp. 299–366</ref>)

** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">''Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20'', February through April 1701</ref><ref name="Sauveur2">''Mémoires de l'Académie Royale des Sciences (Paris, 1701)'', pp. 299–366</ref>)

** [[43edo]] (''Sauveur 1701'')<ref name="Sauveur1" /><ref name="Sauveur2" />

** [[55edo]] (''Beer <1722'')<ref name="Monzo" />*

** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie. - Georg Andreas Sorge, 1748</ref>

** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>''Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie.'' - Georg Andreas Sorge, 1748</ref>

** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning - Owen Jorgensen, 1991</ref>*

** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>''Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning'' - Owen Jorgensen, 1991</ref>*

** [[1/7-comma meantone|1/7 comma]] (''Romieu 1758'')<ref>''Tuning and Temperament: A Historical Survey'' p. 126 - James Murray Barbour, 1953</ref>*

** [[12edo]] (''Chu Tsai-yü 1596'')<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>

@@ Line 19: / Line 19: @@
 ** [[Quarter-comma meantone|1/4 comma]] (''Aron 1523'')<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref>
 ** [[31edo]] (''Vicentino 1555<ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref> (possibly)<ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref> & Huygens 1691''<ref>''Lettre touchant le cycle harmonique'' - Christiaan Huygens, 1691''</ref>)
-** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>Über musikalische Tonbestimmung und Temperatur - Moritz Wilhelm Drobisch, 1852</ref>)
+** [[2/9-comma meantone|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>''Über musikalische Tonbestimmung und Temperatur'' - Moritz Wilhelm Drobisch, 1852</ref>)
 ** [[74edo]] (''Riccati 1762'')<ref name="Monzo" />*
 ** [[3/14-comma meantone|3/14 comma]] (''Riccati 1762'')<ref name="Monzo" />*
-** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20, February through April 1701</ref><ref name="Sauveur2">Mémoires de l'Académie Royale des Sciences (Paris, 1701), pp. 299–366</ref>)
+** [[1/5-comma meantone|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">''Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20'', February through April 1701</ref><ref name="Sauveur2">''Mémoires de l'Académie Royale des Sciences (Paris, 1701)'', pp. 299–366</ref>)
 ** [[43edo]] (''Sauveur 1701'')<ref name="Sauveur1" /><ref name="Sauveur2" />
 ** [[55edo]] (''Beer <1722'')<ref name="Monzo" />*
-** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie. - Georg Andreas Sorge, 1748</ref>
+** [[1/6-comma meantone|1/6 comma]] (''Silbermann <1748'')<ref>''Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie.'' - Georg Andreas Sorge, 1748</ref>
-** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning - Owen Jorgensen, 1991</ref>*
+** [[4/25-comma meantone|4/25 comma]] (''Marsh 1809'')<ref>''Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning'' - Owen Jorgensen, 1991</ref>*
 ** [[1/7-comma meantone|1/7 comma]] (''Romieu 1758'')<ref>''Tuning and Temperament: A Historical Survey'' p. 126 - James Murray Barbour, 1953</ref>*
 ** [[12edo]] (''Chu Tsai-yü 1596'')<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>