Consistency: Difference between revisions

Wikispaces>MasonGreen1
**Imported revision 570782225 - Original comment: **
Wikispaces>MasonGreen1
**Imported revision 570782573 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2015-12-26 00:45:35 UTC</tt>.<br>
: This revision was by author [[User:MasonGreen1|MasonGreen1]] and made on <tt>2015-12-26 02:20:16 UTC</tt>.<br>
: The original revision id was <tt>570782225</tt>.<br>
: The original revision id was <tt>570782573</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &lt;= q &gt;= v.
It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &lt;= q &gt;= v.


This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.  
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.
 
One notable example: [[46edo]] is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the //functional// 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-//integer//-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.


==Links==  
==Links==  
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It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &amp;lt;= q &amp;gt;= v.&lt;br /&gt;
It is possible to generalize the concept of consistency to non-edo equal temperaments. Because octaves are no longer equivalent, instead of an odd limit we must use an integer limit, and the term 2^n in the above equation is no longer present. Instead, the set S consists of all intervals u/v where u &amp;lt;= q &amp;gt;= v.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not. &lt;br /&gt;
This also means that the concept of octave inversion no longer applies: in this example, 13:9 is in S, but 18:13 is not.&lt;br /&gt;
&lt;br /&gt;
One notable example: &lt;a class="wiki_link" href="/46edo"&gt;46edo&lt;/a&gt; is not consistent in the 15 odd limit. The 15:13 interval is very closer slightly closer to 9 degrees of 46edo than to 10 degrees, but the &lt;em&gt;functional&lt;/em&gt; 15:13 (the difference between 46edo's versions of 15:8 and 13:8) is 10 degrees. However, if we compress the octave slightly (by about a cent), this discrepancy no longer occurs, and we end up with an 18-&lt;em&gt;integer&lt;/em&gt;-limit consistent system, which makes it ideal for approximating mode 8 of the harmonic series.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Links&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Links&lt;/h2&gt;
  &lt;a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/c/consistent.aspx" rel="nofollow"&gt;consistent (TonalSoft encyclopedia)&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
  &lt;a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/c/consistent.aspx" rel="nofollow"&gt;consistent (TonalSoft encyclopedia)&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>