Conic Bellophone in 96edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 18:08:33 UTC</tt>.<br>

: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 18:28:21 UTC</tt>.<br>

: The original revision id was <tt>~~8152599~~</tt>.<br>

: The original revision id was <tt>8153307</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg link="http://www.facebook.com/photo.php?pid=227558&id=696302104"]]</pre></div>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg link="http://www.facebook.com/photo.php?pid=227558&id=696302104"]]

Conic Bellophone

First official presentation in March 2007 at the UK Microfest.

This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum range for they can cover is 2 octaves and a fifth with angled extensions of the stands (for the required tuning).

[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg link="http://www.facebook.com/photo.php?pid=227559&id=696302104"]]

This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.

Bozidar Vukotic the London based Russian Cellist player was very precise!

The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.

The Italian bass clarinetist Guido Arbonelli gave me a live lesson on playing multiphonics, and I had time to rearrange the piece.

The Timpanist Matthew West had incredible sightreading skills.

Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the players. Also many thanks to my ttutor in composition Javier Garavaglia.

[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg link="http://www.facebook.com/photo.php?pid=227560&id=696302104"]]

Here I am introducing the Autumn piece for the UK Microfest 2007

[[image:http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg link="http://www.facebook.com/photo.php?pid=227561&id=696302104"]]

This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a

96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone appart). They played an amazing

ascending chromatic scale (range of an octave) using the 96 notes in unison with the help of the bottle neck.

They performed chromatic zig-zag exercises in unison covering the full range of the octave.

They also played a duet I wrote for 96 equal temperament guitar and bellophone.

These materials are really worthy waiting for the video to be edited!

Wim also performed a piece by Pascal Criton (who was in the audience) for the same guitar.

[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg link="http://www.facebook.com/photo.php?pid=227562&id=696302104"]]

Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening

when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope

to hear about his performances with the conic bellophone around in the future.[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg link="http://www.facebook.com/photo.php?pid=227563&id=696302104"]]

From the percussionist's point of view.

[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg link="http://www.facebook.com/photo.php?pid=227557&id=696302104"]]

A couple of coleagues from the Tuning List checking the piccolo conic bellophone

which is made wiith the mechanism of bycicle bells and can expand maximum range

of the conic bellophone by a major third.</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Conic Bellophone in 96edo</title></head><body><a href="http://www.facebook.com/photo.php?pid=227558&amp;id=696302104" rel="nofollow"><img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg" alt="external image n696302104_227557_4762.jpg" title="external image n696302104_227557_4762.jpg" /></a></body></html></pre></div>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Conic Bellophone in 96edo</title></head><body><a href="http://www.facebook.com/photo.php?pid=227558&amp;id=696302104" rel="nofollow"><img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg" alt="external image n696302104_227557_4762.jpg" title="external image n696302104_227557_4762.jpg" /></a><br />

Conic Bellophone<br />

First official presentation in March 2007 at the UK Microfest.<br />

This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum range for they can cover is 2 octaves and a fifth with angled extensions of the stands (for the required tuning).<br />

<a href="http://www.facebook.com/photo.php?pid=227559&amp;id=696302104" rel="nofollow"><img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg" alt="external image n696302104_227558_4982.jpg" title="external image n696302104_227558_4982.jpg" /></a><br />

This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.<br />

Bozidar Vukotic the London based Russian Cellist player was very precise!<br />

The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.<br />

The Italian bass clarinetist Guido Arbonelli gave me a live lesson on playing multiphonics, and I had time to rearrange the piece.<br />

The Timpanist Matthew West had incredible sightreading skills.<br />

Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the players. Also many thanks to my ttutor in composition Javier Garavaglia.<br />

<a href="http://www.facebook.com/photo.php?pid=227560&amp;id=696302104" rel="nofollow"><img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg" alt="external image n696302104_227559_5175.jpg" title="external image n696302104_227559_5175.jpg" /></a><br />

Here I am introducing the Autumn piece for the UK Microfest 2007<br />

<a href="http://www.facebook.com/photo.php?pid=227561&amp;id=696302104" rel="nofollow"><img src="http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg" alt="external image n696302104_227560_5390.jpg" title="external image n696302104_227560_5390.jpg" /></a><br />

This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a<br />

96 equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone appart). They played an amazing<br />

ascending chromatic scale (range of an octave) using the 96 notes in unison with the help of the bottle neck.<br />

They performed chromatic zig-zag exercises in unison covering the full range of the octave.<br />

They also played a duet I wrote for 96 equal temperament guitar and bellophone.<br />

These materials are really worthy waiting for the video to be edited!<br />

Wim also performed a piece by Pascal Criton (who was in the audience) for the same guitar.<br />

<br />

<a href="http://www.facebook.com/photo.php?pid=227562&amp;id=696302104" rel="nofollow"><img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg" alt="external image n696302104_227561_5611.jpg" title="external image n696302104_227561_5611.jpg" /></a><br />

Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening<br />

when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope<br />

to hear about his performances with the conic bellophone around in the future.<a href="http://www.facebook.com/photo.php?pid=227563&amp;id=696302104" rel="nofollow"><img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg" alt="external image n696302104_227562_5825.jpg" title="external image n696302104_227562_5825.jpg" /></a><br />

<br />

From the percussionist's point of view.<br />

<br />

<a href="http://www.facebook.com/photo.php?pid=227557&amp;id=696302104" rel="nofollow"><img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg" alt="external image n696302104_227563_6034.jpg" title="external image n696302104_227563_6034.jpg" /></a><br />

A couple of coleagues from the Tuning List checking the piccolo conic bellophone<br />

which is made wiith the mechanism of bycicle bells and can expand maximum range<br />

of the conic bellophone by a major third.</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 18:08:33 UTC</tt>.<br>
+: This revision was by author [[User:tonysalinas|tonysalinas]] and made on <tt>2007-09-18 18:28:21 UTC</tt>.<br>
-: The original revision id was <tt>8152599</tt>.<br>
+: The original revision id was <tt>8153307</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg link="http://www.facebook.com/photo.php?pid=227558&amp;id=696302104"]]</pre></div>
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg link="http://www.facebook.com/photo.php?pid=227558&amp;id=696302104"]]
+Conic Bellophone
+First official presentation in March 2007 at the UK Microfest.
+This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum range for they can cover is 2 octaves and a fifth with angled extensions of the stands (for the required tuning).
+[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg link="http://www.facebook.com/photo.php?pid=227559&amp;id=696302104"]]
+This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.
+Bozidar Vukotic the London based Russian Cellist player was very precise!
+The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.
+The Italian bass clarinetist Guido Arbonelli gave me a live lesson on playing multiphonics, and I had time to rearrange the piece.
+The Timpanist Matthew West had incredible sightreading skills.
+Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the players. Also many thanks to my ttutor in composition Javier Garavaglia.
+[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg link="http://www.facebook.com/photo.php?pid=227560&amp;id=696302104"]]
+Here I am introducing the Autumn piece for the UK Microfest 2007
+[[image:http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg link="http://www.facebook.com/photo.php?pid=227561&amp;id=696302104"]]
+This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a
+equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone appart). They played an amazing
+ascending chromatic scale (range of an octave) using the 96 notes in unison with the help of the bottle neck.
+They performed chromatic zig-zag exercises in unison covering the full range of the octave.
+They also played a duet I wrote for 96 equal temperament guitar and bellophone.
+These materials are really worthy waiting for the video to be edited!
+Wim also performed a piece by Pascal Criton (who was in the audience) for the same guitar.
+[[image:http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg link="http://www.facebook.com/photo.php?pid=227562&amp;id=696302104"]]
+Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening
+when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope
+to hear about his performances with the conic bellophone around in the future.[[image:http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg link="http://www.facebook.com/photo.php?pid=227563&amp;id=696302104"]]
+From the percussionist's point of view.
+[[image:http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg link="http://www.facebook.com/photo.php?pid=227557&amp;id=696302104"]]
+A couple of coleagues from the Tuning List checking the piccolo conic bellophone
+which is made wiith the mechanism of bycicle bells and can expand maximum range
+of the conic bellophone by a major third.</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Conic Bellophone in 96edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:1:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg" alt="external image n696302104_227557_4762.jpg" title="external image n696302104_227557_4762.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Conic Bellophone in 96edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextRemoteImageRule:1:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227558&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227557_4762.jpg" alt="external image n696302104_227557_4762.jpg" title="external image n696302104_227557_4762.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1 --&gt;&lt;br /&gt;
+Conic Bellophone&lt;br /&gt;
+First official presentation in March 2007 at the UK Microfest.&lt;br /&gt;
+This instrument is designed and built by Tony Salinas (J.A.Martin Salinas) and has an octave range with 96 conic bells (2mm steel spun on a lathe) tuned to the 96 equal temperament, even though the conic bells can be tuned from 5 to 240 notes per octave. The maximum range for they can cover is 2 octaves and a fifth with angled extensions of the stands (for the required tuning).&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:3:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227559&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227559&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227558_4982.jpg" alt="external image n696302104_227558_4982.jpg" title="external image n696302104_227558_4982.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:3 --&gt;&lt;br /&gt;
+This is the performance of 'Autumn I' for Conic Bellophone, percussion, Trombone, Trumpet, Celo and Bass Clarinet. Steve Altoft has a trumpet with a quartertone valve which was required for the composition. Steve plays with the duo contour with the percusionist playing the conic bellophone, Lee Ferguson.&lt;br /&gt;
+Bozidar Vukotic the London based Russian Cellist player was very precise!&lt;br /&gt;
+The contemporary trombonist Allan Tomlinson enjoyed the continuous glissandi and requested a solo piece.&lt;br /&gt;
+The Italian bass clarinetist Guido Arbonelli gave me a live lesson on playing multiphonics, and I had time to rearrange the piece.&lt;br /&gt;
+The Timpanist Matthew West had incredible sightreading skills.&lt;br /&gt;
+Many thanks to Lewis Jones, my main research supervisor, who conducted at 60 b.p.m. with great control over the players. Also many thanks to my ttutor in composition Javier Garavaglia.&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:5:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227560&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227560&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227559_5175.jpg" alt="external image n696302104_227559_5175.jpg" title="external image n696302104_227559_5175.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:5 --&gt;&lt;br /&gt;
+Here I am introducing the Autumn piece for the UK Microfest 2007&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:7:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227561&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227561&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-a.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227560_5390.jpg" alt="external image n696302104_227560_5390.jpg" title="external image n696302104_227560_5390.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:7 --&gt;&lt;br /&gt;
+This is the French guitarist Wim Hoogewerf with the percussionist from Duo Contour, Lee Ferguson. Wim has a&lt;br /&gt;
+equal temperament guitar (1/4 tone frets and 6 E strings 1/16 of a tone appart). They played an amazing&lt;br /&gt;
+ascending chromatic scale (range of an octave) using the 96 notes in unison with the help of the bottle neck.&lt;br /&gt;
+They performed chromatic zig-zag exercises in unison covering the full range of the octave.&lt;br /&gt;
+They also played a duet I wrote for 96 equal temperament guitar and bellophone.&lt;br /&gt;
+These materials are really worthy waiting for the video to be edited!&lt;br /&gt;
+Wim also performed a piece by Pascal Criton (who was in the audience) for the same guitar.&lt;br /&gt;
+&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:9:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227562&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227562&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-b.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227561_5611.jpg" alt="external image n696302104_227561_5611.jpg" title="external image n696302104_227561_5611.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:9 --&gt;&lt;br /&gt;
+Lee Ferguson explains the characteristics and the tough time he had preparing for the concert in one evening&lt;br /&gt;
+when it was the first time for him to see the instrument. He took the instrument back to Germany, and we hope&lt;br /&gt;
+to hear about his performances with the conic bellophone around in the future.&lt;!-- ws:start:WikiTextRemoteImageRule:11:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227563&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227563&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-c.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227562_5825.jpg" alt="external image n696302104_227562_5825.jpg" title="external image n696302104_227562_5825.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:11 --&gt;&lt;br /&gt;
+&lt;br /&gt;
+From the percussionist's point of view.&lt;br /&gt;
+&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:13:&amp;lt;a href=&amp;quot;http://www.facebook.com/photo.php?pid=227557&amp;amp;id=696302104&amp;quot; rel=&amp;quot;nofollow&amp;quot;&amp;gt;&amp;lt;img src=&amp;quot;http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt;&amp;lt;/a&amp;gt; --&gt;&lt;a href="http://www.facebook.com/photo.php?pid=227557&amp;amp;id=696302104" rel="nofollow"&gt;&lt;img src="http://photos-d.ak.facebook.com/photos-ak-sf2p/v113/106/91/696302104/n696302104_227563_6034.jpg" alt="external image n696302104_227563_6034.jpg" title="external image n696302104_227563_6034.jpg" /&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:13 --&gt;&lt;br /&gt;
+A couple of coleagues from the Tuning List checking the piccolo conic bellophone&lt;br /&gt;
+which is made wiith the mechanism of bycicle bells and can expand maximum range&lt;br /&gt;
+of the conic bellophone by a major third.&lt;/body&gt;&lt;/html&gt;</pre></div>