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==A Four-part Round in [[17-EDO|17-EDO]] by Jacob Barton== | ==A Four-part Round in [[17-EDO|17-EDO]] by [[Jacob Barton]]== | ||
===Why a round?=== | ===Why a round?=== | ||
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===Why 17?=== | ===Why 17?=== | ||
This round is born of looking at what two systems--17-EDO and Just Intonation--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 tetrad (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the "train whistle" chord. | This round is born of looking at what two systems--17-EDO and [[Just Intonation]]--do to each other. 17-EDO becomes a way of looking at Just Intonation, and vice versa. The harmony of this round is based on an understanding of the 6:7:9:11 [[tetrad]] (degrees 0-4-10-15 of 17-EDO, measure 1), which I sometimes call the "train whistle" [[chord]]. | ||
Fun fact: This round was written as a preliminary exercise for The Elitism Rumba. | Fun fact: This round was written as a preliminary exercise for The Elitism Rumba. | ||
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[[File:multiverse.jpg|alt=multiverse.jpg|800x565px|multiverse.jpg]] | [[File:multiverse.jpg|alt=multiverse.jpg|800x565px|multiverse.jpg]] | ||
Also in PDF:[[:File:multiverse.pdf|multiverse.pdf]] | Also in PDF: [[:File:multiverse.pdf|multiverse.pdf]] | ||
===Recordings=== | ===Recordings=== | ||
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===Translations=== | ===Translations=== | ||
Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming. | Ideally, this would be sung in multiple languages. French, Korean, Estonian translations forthcoming. | ||