African music: Difference between revisions
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*The Shona people of Zimbabwe and neighboring countries play the re-tuneable [[mbira]]. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned to near-7-edo. In modern times, it's often tuned to 12-edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe. | *The Shona people of Zimbabwe and neighboring countries play the re-tuneable [[mbira]]. Vocals tend to harmonize only in 4ths, 5ths and octaves. The mbira seems to have been traditionally tuned to near-7-edo. In modern times, it's often tuned to 12-edo. Paul Berliner's book "The Soul of the Mbira" is a good resource for tuning information. Well-known Shona musicians that use the mbira include Thomas Mapfumo and Stella Chiweshe. | ||
The Chopi people of Mozambique play large marimba ensembles spanning 4 octaves. Their marimba, called the timbila, is tuned roughly equiheptatonic. The timbila tuning of the Mavila village creates a 2L5s scale, suggesting that [[135/128]] is tempered out. The [[Mavila]] temperament gets its name from this village. | The Chopi people of Mozambique play large marimba ensembles spanning 4 octaves. Their marimba, called the timbila, is tuned roughly equiheptatonic. The timbila tuning of the Mavila village creates a [[2L5s]] scale, suggesting that [[135/128]] is tempered out. The [[Mavila]] temperament gets its name from this village. | ||
Madagascar was colonized by Indonesians long ago, and the music is a mixture of African and [[Indonesian]]. Tarika Sammy is a well-known group. | Madagascar was colonized by Indonesians long ago, and the music is a mixture of African and [[Indonesian]]. Tarika Sammy is a well-known group. |