User:Ganaram inukshuk/TAMNAMS: Difference between revisions
→Central spectrum: Added central spectrum table |
Added expanded spectrum table |
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===Central spectrum=== | ===Central spectrum=== | ||
{| class="wikitable" | {| class="wikitable" | ||
|+Central spectrum of step | |+Central spectrum of step ratios and step ratio ranges | ||
|- | |- | ||
! colspan="3" |Step ratio ranges | ! colspan="3" |Step ratio ranges | ||
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* '''extrahard''' (L/s=6/1) to '''semicollapsed''' (L/s=10/1) is '''clustered''' (6 < L/s < 10). | * '''extrahard''' (L/s=6/1) to '''semicollapsed''' (L/s=10/1) is '''clustered''' (6 < L/s < 10). | ||
With the inclusion of these 3 new L/s ratios nearer the edges of the spectrum and names for the range divisions they create, we get the extended spectrum, | With the inclusion of these 3 new L/s ratios nearer the edges of the spectrum and names for the range divisions they create, we get the extended spectrum, summarized and detailed above, just for the regions affected to avoid repetition. | ||
{| class="wikitable" | |||
'' | |+Expanded spectrum of step ratios and step ratio ranges | ||
|- | |||
! colspan="3" |Central ranges | |||
! colspan="2" |Extended ranges | |||
!Specific step ratios | |||
!Notes | |||
|- | |||
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| colspan="2" | | |||
|'''1:1 (equalized)''' | |||
|Trivial/pathological | |||
|- | |||
| rowspan="9" |1:1 to 2:1 (soft-of-basic) | |||
| colspan="2" rowspan="3" |1:1 to 4:3 (ultrasoft) | |||
| colspan="2" |1:1 to 6:5 (pseudoequalized) | |||
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| colspan="2" | | |||
|'''6:5 (semiequalized)''' | |||
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|- | |||
| colspan="2" |6:5 to 4:3 (ultrasoft) | |||
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| colspan="2" | | |||
|'''4:3 (supersoft)''' | |||
| rowspan="13" |Nonextreme range, as detailed by central spectrum | |||
|- | |||
| colspan="2" |4:3 to 3:2 (parasoft) | |||
| colspan="2" |4:3 to 3:2 (parasoft) | |||
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|- | |||
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| colspan="2" | | |||
|'''3:2 (soft)''' | |||
|- | |||
| rowspan="3" |3:2 to 2:1 (hyposoft) | |||
|3:2 to 5:3 (quasisoft) | |||
| colspan="2" |3:2 to 5:3 (quasisoft) | |||
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|- | |||
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| colspan="2" | | |||
|'''5:3 (semisoft)''' | |||
|- | |||
|5:3 to 2:1 (minisoft) | |||
| colspan="2" |5:3 to 2:1 (minisoft) | |||
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|- | |||
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| colspan="2" | | |||
|'''2:1 (basic)''' | |||
|- | |||
| rowspan="11" |2:1 to 1:0 (hard-of-basic) | |||
| rowspan="3" |2:1 to 3:1 (hypohard) | |||
|2:1 to 5:2 (minihard) | |||
| colspan="2" |2:1 to 5:2 (minihard) | |||
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|- | |||
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| colspan="2" | | |||
|'''5:2 (semihard)''' | |||
|- | |||
|5:2 to 3:1 (quasihard) | |||
| colspan="2" |5:2 to 3:1 (quasihard) | |||
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|- | |||
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| colspan="2" | | |||
|'''3:1 (hard)''' | |||
|- | |||
| colspan="2" |3:1 to 4:1 (parahard) | |||
| colspan="2" |3:1 to 4:1 (parahard) | |||
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|- | |||
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| colspan="2" | | |||
|'''4:1 (superhard)''' | |||
|- | |||
| colspan="2" rowspan="5" |4:1 to 1:0 (ultrahard) | |||
| rowspan="3" |4:1 to 10:1 (ultrahard) | |||
|4:1 to 6:1 (hyperhard) | |||
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|'''6:1 (extrahard)''' | |||
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|- | |||
|6:1 to 10:1 (clustered) | |||
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|- | |||
| colspan="2" | | |||
|'''10:1 (semicollapsed)''' | |||
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|- | |||
| colspan="2" |10:1 to 1:0 (pseudocollapsed) | |||
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|- | |||
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| colspan="2" | | |||
|'''1:0 (collapsed)''' | |||
|Trivial/pathological | |||
|} | |||
===Terminology and final notes=== | ===Terminology and final notes=== | ||
A ratio of L/s = k/1 can be called ''k-hard'' and a ratio of L/s = k/(k-1) can analogously be called ''k-soft'', so the simplest ultrasoft tuning is 5-soft or ''pentasoft'', the simplest hyperhard tuning is 5-hard or ''pentahard'', the simplest clustered tuning is 7-hard or ''heptahard'', 8-hard is ''octahard'', 9-hard is ''nonahard'', and finally, the characteristic simple ultrahard tuning is 6-hard or ''extrahard'', as previously discussed, which can be seen to be similar to ''hexahard'' - hopefully helping with memorisation. | A ratio of L/s = k/1 can be called ''k-hard'' and a ratio of L/s = k/(k-1) can analogously be called ''k-soft'', so the simplest ultrasoft tuning is 5-soft or ''pentasoft'', the simplest hyperhard tuning is 5-hard or ''pentahard'', the simplest clustered tuning is 7-hard or ''heptahard'', 8-hard is ''octahard'', 9-hard is ''nonahard'', and finally, the characteristic simple ultrahard tuning is 6-hard or ''extrahard'', as previously discussed, which can be seen to be similar to ''hexahard'' - hopefully helping with memorisation. |