Xenharmonic Wiki:Manual of Style/MOS pages: Difference between revisions
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Decided that a subpage may not be necessary for notation if there are existing articles about it; added how other lead section info may be worded. |
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This is a proposed, work-in-progress style guide for mos pages. It's highly recommended to use any templates that are mentioned, as they provide a standardized means of presenting information that is common with virtually all mosses. | This is a proposed, work-in-progress style guide for mos pages. It's highly recommended to use any templates that are mentioned, as they provide a standardized means of presenting information that is common with virtually all mosses. | ||
As this guide can't account for every possible use case, use your best judgment to remove | As this guide can't account for every possible use case, use your best judgment to remove unnecessary sections or to add additional sections deemed necessary. | ||
==Lead section== | ==Lead section== | ||
The lead section should, at the minimum, consist of the [[Template:Infobox MOS|mos infobox]] and the [[Template:MOS intro|mos intro]]. | The lead section should, at the minimum, consist of the [[Template:Infobox MOS|mos infobox]] and the [[Template:MOS intro|mos intro]]. | ||
Other important info can include the following: | |||
* Whether the mos can be thought of a warping of another, more familiar mos or edo. Examples: | |||
** 4L 3s can be seen as a warped diatonic scale (5L 2s), where one large step is replaced with a small step. | |||
** 5L 1s can be seen as the equal-tempered whole-tone scale (6edo) but with one step that is larger than the others. | |||
* Whether the mos is of a form that is always proper. Examples: | |||
** Scales of the form 5L 1s are always proper because there is only one small step. | |||
** Scales of the true mos form (for mosses of the form nxL nys) are always proper because there is only one small step per period. (This may be followed up with what near-mos forms are available, and which ones are proper.) | |||
==Mos pages with plenty of content== | ==Mos pages with plenty of content== | ||
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#'''Name(s)''' - What is the mos called? TAMNAMS is the predominant naming scheme for octave-repeating mosses, but can include additional names from other theorists. | #'''Name(s)''' - What is the mos called? TAMNAMS is the predominant naming scheme for octave-repeating mosses, but can include additional names from other theorists. | ||
#'''Intervals''' - What are the interval names for the mos? TAMNAMS interval and scale degree names should be used. | #'''Intervals''' - What are the interval names for the mos? TAMNAMS interval and scale degree names should be used. | ||
#'''Notation''' - To reduce confusion over note names, this section should lead to a subpage | #'''Notation''' - To reduce confusion over note names, this section should briefly describe what note name options there are, and lead to relevant pages for notation (or possibly a subpage). | ||
#'''Theory''' - Is there any theory behind this mos? This can include RTT-related content and non-RTT content. In terms of RTT-related content, this can include: | #'''Theory''' - Is there any theory behind this mos? This can include RTT-related content and non-RTT content. In terms of RTT-related content, this can include: | ||
##'''Low harmonic entropy scales''' | ##'''Low harmonic entropy scales''' | ||
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#'''External links''' - Add if needed. | #'''External links''' - Add if needed. | ||
#'''References''' - Add if needed. | #'''References''' - Add if needed. | ||
== Templates to use == | == Templates to use == | ||